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  • April 27, 2021

    CamRanger 2 review

    Michael Topham explores the possibilities of this advanced wireless camera control device

  • April 23, 2021

    Samyang introduces AF 12mm F2 E for Sony APS-C cameras

    Korean lens maker’s first optic for Sony APS-C cameras is based on its manual focus 12mm f/2 and optimised for astrophotography

  • April 23, 2021

    Benro Filter Holder Kit Magnetic FH100M3 review

    Andy Westlake tests Benro’s updated 100mm holder that uses a magnetic polariser and provides geared positioning of filters

  • April 22, 2021

    Tamron 150-500mm F/5-6.7 Di III VC VXD full-frame telezoom

    £1379 weather-sealed, image-stabilised ultra-telephoto zoom has a similar packed length to 100-400mm competitors

  • April 22, 2021

    Tamron unveils wide and fast 11-20mm F/2.8 Di III-A RXD

    Large-aperture wideangle zoom for Sony APS-C cameras features moisture-resistant construction and costs £819

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  • April 22, 2021

    Canon EOS M50 Mark II review

    A quick glance at the specification shows little difference between the Canon EOS M50 Mark II and its predecessor. Richard Sibley looks at it from a photographer’s perspective

  • April 20, 2021

    Tamron 17-70mm F/2.8 Di III-A VC RXD review

    This premium standard zoom is a welcome option for Sony APS-C shooters, says Andy Westlake, but some may find it too bulky

  • April 20, 2021

    Sony unveils ultra-wideangle FE 14mm F1.8 GM

    Large-aperture ultra-wide prime for landscapes, architecture, interiors and astrophotography is remarkably compact and lightweight

  • April 15, 2021

    Fast wide prime for Fujifilm X users

    Fujinon XF 18mm F1.4 R LM WR promises rapid autofocus and weather-resistant design

  • April 14, 2021

    PureRAW aims to bring DxO’s magic to everyone

    Program converts camera raw files to 16-bit linear DNGs using DxO's proprietary lens corrections and denoising

  • April 14, 2021

    DxO PureRAW review

    Andy Westlake tries out a program that promises to make DxO’s raw-conversion magic available to more photographers than ever before

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