Sony Alpha 6000 at a glance:
- 24.3-million-pixel Exmor APS HD CMOS sensor
- ISO 100-12,800 (expandable to ISO 25,600)
- Three times faster Bionz X image-processing engine
- 179-point hybrid AF system
- Fast 0.06sec autofocus time
- RRP £549 body only, or £669 with 16-50mm kit lens
- See sample images taken with the Sony Alpha 6000
Sony Alpha 6000 review – Introduction
Sony Alpha A6000 / 6000 Mirrorless Camera
After four years, it is only now that Sony has updated its NEX-6 – one of the most popular compact system cameras the market has ever seen – in the form of the Alpha 6000. The new camera also shares some common features with the equally popular Sony NEX-7 and retains the distinctive NEX body shape, which will please fans of the series, but that is pretty much where the similarities end. Although the E-mount-compatible Alpha 6000 resembles the camera it is replacing, inside Sony has included some of the best technology it has to offer.
By bringing the portable NEX cameras into the Alpha family, the Japanese firm is clearly trying to blur the lines between the DSLR and compact system camera markets. To help the Sony Alpha 6000 compete with DSLRs, Sony has included the new Bionz X processor that is featured in the Sony Alpha 7R, which was AP’s Product of the Year at the 2014 AP Awards, plus an improved version of the APS-C-sized, 24.3-million-pixel Exmor APS HD CMOS sensor featured in its previous SLT flagship, the Alpha 77.
In short, the Sony Alpha 6000 is what you would get if you threw the NEX-6 and the NEX-7 into a boiling pot and sprinkled the fragrant mixture with the latest and tastiest hot sauce.
Sony Alpha 6000 review – Features
The 24.3-million-pixel, APS-C-sized image sensor in the Sony Alpha 6000 features a gapless on-chip design, increasing the camera’s light-collecting efficiency for improved low-light shooting and reduced noise throughout its ISO 100-25,600 sensitivity range. It is also worth noting that there is no anti-aliasing filter in this model.
In the past few years, the high-end interchangeable-lens camera landscape has become increasingly competitive, with Olympus’s OM-D range, Fujifilm’s X-series and Panasonic’s GX and GH cameras all continually pushing the boundaries of what is possible in a mirrorless camera.
However, the Sony Alpha 6000 enters the market with one of the most impressive feature lists in its class, greatly benefiting from the improved processing power of the Bionz X engine, which is three times as fast as the original Bionz processor used in the NEX cameras. The increased speed is particularly notable in terms of start-up time. From switching the camera on, I can begin shooting in about a second, even in hi-speed burst mode, which is fantastic for sharp shooters wanting to capture shots at a moment’s notice.
Improvements to areas such as autofocus speed have been enabled by this extra power, with the Alpha 6000 recording a rapid focusing time of 0.06sec according to the CIPA standard. Under ideal conditions, the Alpha 6000 has one of the fastest focusing systems on the market, even faster than that of the impressive Fujifilm X-T1. It also helps that the shutter lag is imperceptible, with the Alpha 6000 achieving focus almost instantaneously.
Burst-mode shooting at up to 11fps, continuous for 21 raw + JPEG frames or 49 fine JPEGs, is also possible before buffering becomes an issue. This will appeal to anyone considering using the camera for sports, action or fast-moving family members.
The Sony Alpha 6000 has 25 precision contrast-detection AF points, as did the NEX-6. But there’s a more significant improvement to the number of phase-detection points, up from 99 previously to 179 points, covering almost 100% of the frame. The new hybrid autofocus system not only makes it easier for the camera to recognise scenes, but it also boosts the ability of the Alpha 6000 to lock onto the correct subjects and track them tenaciously.
AF-A (a combination of continuous and single-shot AF) is featured in the Alpha 6000, which is a first for the Sony E-mount family. When in this mode, and faced with situations where subjects aren’t predominantly stationary or moving, the camera will select the appropriate focusing mode for the scene. I’m also pleased to see that Sony has enabled active AF point visibility, making it easier to check whether focusing is accurate or not, particularly while shooting burst frames and tracking.
Sony Alpha 6000 review – Sony PlayMemories apps
Image: A screen shot of the creative Light Shaft app available in the PlayMemories store. It can be used to create striking effects in-camera
The Alpha 6000 comes with some fantastic features straight out of the box, including Sony’s recently updated PlayMemories app library, which is accessible through the camera’s menu when connected to Wi-Fi. This provides you with a host of additional features that you can download (for free or purchase) to expand the camera’s functionality.
A couple of the applications I really liked were Liveview Grading and Light Shaft.
Liveview Grading enables you to add colour effects to your videos in real-time, adjusting various aspects such as colour-depth saturation or applying preset effects. Costing £7.99, it’s a downsized version of what video editors spend hours doing on programs that cost 20 times as much.
Light Shaft does pretty much what you’d expect, and for £3.99 you can use it to craft the light in your images using one of four light shapes: flare, ray of light, star and light beam. It’s a really interesting effect that can add atmosphere and drama to an otherwise flat image. Light intensity, width, direction and position are all adjustable, and the app makes a copy of your image so that the original is untouched. I also enjoyed using Cinematic Photo, Smart Remote Control and Catch Light.
I did experience some stability issues with certain apps, but the camera’s firmware has since been updated so hopefully these will have been addressed, and for the most part I found them straightforward to use. Sony PlayMemories apps are a fun and affordable way to expand the Alpha 6000’s capabilities and create effects in-camera, saving you time in front of a computer.
Sony Alpha 6000 review – Build and handling
Designed to operate like a DSLR, the Alpha 6000 has dual shutter and aperture control via a shoulder dial behind the shutter and the selection wheel on the rear of the camera.
The ergonomically moulded, rubberised grip provides a firm hold, and Sony has smartly placed the dedicated movie record button just on the outer side of where your thumb naturally rests, making it easy to access while avoiding accidental pressing. The first of the two custom buttons, C1, sits beside the shutter button, while C2 can be used to delete images during playback mode, as well as be set to access a number of functions and quick menus.
The Fn button above the rear control wheel opens the shortcut menu and can also be used to connect to a smart device for image transfer. Auto-exposure lock (AEL), main menu and manual flash buttons sit along the top of the LCD screen, although given the numerous ways in which the Alpha 6000 can be customised, there’s little reason to delve into the main menu once you’ve got the camera set up how you like.
I found the Alpha 6000’s controls easy to access and operate during use. Within a short time of using the camera, I could adapt controls swiftly without even looking at the LCD or averting my attention away from compositions.
In terms of portability, most of the camera’s weight sits in the grip, which houses the battery and memory card, but this is countered by the weight of the lens, making the Alpha 6000 well balanced. It’s comfortable to operate one-handed, but for optimum comfort I preferred to use two hands and shoot through the EVF in the majority of instances.
Sony Alpha 6000 review – Metering
Image: Shooting a subject with the sun directly behind is a challenging metering scenario, but the Alpha 6000’s 1,200-zone evaluative metering system exposed well unassisted
The 1,200-zone evaluative multi-segment metering does a superb job of rendering true-to-life levels of exposure in most instances. The Alpha 6000’s ability to take a reading from a large portion of the frame makes for reliable meter readings that produce consistent results. Shooting a foreground subject with bright sunlight behind is one of the most challenging scenarios a metering system can face, but when left to its own devices the Alpha 6000 still captured pleasing results, only naturally losing highlight detail in the out-of-focus background.
Taking advantage of the camera’s spot and centreweighted metering does help, though, and the camera’s extensive ±5EV exposure compensation in 1⁄3 steps gives great additional control over exposures.
Sony Alpha 6000 review – Dynamic range
Shadow areas in high-contrast scenes retain a good amount of detail, particularly the raw files, but I found compressed JPEGs also contained recoverable shadow and highlight detail. In our dynamic range tests, the Alpha 6000 scored 12.26EV at ISO 100, which is on a par with Canon’s EOS 1200D and keeping up with the recently released DSLR throughout its sensitivity range.
In most conditions, I found colours from the Alpha 6000 to be rich and vibrant, and the reproduction of highlight and shadow detail is instantly pleasing, without the need to apply curves or adjustments in post-production.
Image: The Alpha 6000 captures great natural tones and depth in this image, shot at 1/500sec at f/4 and ISO 400
Sony Alpha 6000 review – Autofocus
The response time of the Alpha 6000’s 179-point hybrid AF system is exceedingly fast, with no discernible shutter lag. When the shutter button is half-pressed to lock onto a subject or scene, focus is attained almost instantly, even in relatively low ambient light.
The combination of improved phase and precision contrast detection, powered by the new Bionz X processor, gives the camera the ability to create a 3D map of the subject so that it can read the distance of each element in the focus area.
Benefits from the improved system also carry over into AF performance, as the Alpha 6000 can drive its lenses 35% faster than Sony’s previous system. In use, the Alpha 6000 switches focus points rapidly when tracking subjects using its 11fps hi-speed continuous burst mode, demonstrated by small red AF points lighting up in the display as your subjects move across, towards or away in the frame. It’s the closest thing many users will get to shooting fast-moving subjects with a Nikon D4S or a Canon EOS-1D X, for a fraction of the price.
I did experience dropped focus in a few frames, but I was able to capture so many frames either side of the failures that it wasn’t a significant issue. Overall, I was very impressed with the Alpha 6000’s AF performance: it’s one of the fastest cameras in its class and snappier than any comparable DSLR.
Sony Alpha 6000 review – Noise, resolution and sensitivity
Image: Lighting in DJ booths is scant at best. I shot this image of Jey Flash at 1/30sec handheld, but I was limited to an f/4 lens. Thankfully, noise at ISO 3200 wasn’t an issue for the Alpha 6000
Considering the resolution of the Alpha 6000’s 24.3-million-pixel, APS-C-sized sensor, we expected the Alpha 6000 to perform well – and it did. It scored 32 on our resolution chart, which is comparable to the 31 scored by the Nikon D5300.
Multi-frame noise reduction (MFNR) is now included in ISO settings in-camera rather than via a downloadable app, as was the case with the NEX-5R and NEX-6. This is deployed in low-light situations, firing off six frames in quick succession and then stacking them into a single image to combat noise. At lower ISO levels, there’s no distinct advantage to using MFNR, but at higher sensitivity settings the improvement in noise reduction and detail retention is impressive, particularly beyond ISO 1600.
There’s almost no visible colour noise in any images until about ISO 6400, and looking at the raw files it’s possible to balance the noise reduction enough to remove any damaging noise while still retaining a good level of edge sharpness and texture. The camera is capable of applying area-specific noise reduction that is intelligent enough to avoid being too aggressive, until you push it to its extremes. Beyond ISO 8000, photographs begin to look more artistic than accurate when viewed any larger than they automatically appear on the Alpha 6000’s 3in screen.
I’d happily print JPEG images straight out of the Alpha 6000, but for scenarios where light is very limited and you need a fast-enough shutter speed to shoot handheld, the Alpha 6000’s capable sensitivity performance is a great support.
These images show 72ppi (100% on a computer screen) sections of images of a resolution chart, captured using the 16-70mm lens set to 36mm and f/5.6 . We show the section of the resolution chart where the camera starts to fail to reproduce the lines separately. The higher the number visible in these images, the better the camera’s detail resolution is at the specified sensitivity setting.
Sony Alpha 6000 review – White balance and colour
Image: Images captured by the Alpha 6000 are crisp with vivid colours, as shown in this image. Detail is visible in all highlight and shadow areas
I was happy with the white balance and colours captured by the Alpha 6000. Regardless of which colours dominated the frame, the camera was able to intelligently read and apply the appropriate settings.
However, there are 11 white balance presets as well as the option to assign one custom option if you want more precise settings, plus 12 creative style modes to add some in-camera colour options. The only one I wasn’t particularly impressed with was portrait mode, as its default effect made people look either unwell or hot.
That said, the best thing about the colour styles is the ability to adjust their contrast, saturation and sharpness to achieve a look that suits your tastes.
I prefer to make colour adjustments myself in post-processing and leave the camera in its default mode. Standard colour captured by the Alpha 6000 is rich, and saturated enough to be vibrant without being unrealistic.
Sony Alpha 6000 review – Viewfinder, LCD and video
On paper, the Alpha 6000’s Tru-Finder-branded, 0.39in, 1.44-million-dot OLED EVF appears to be a downgrade from the 0.5in, 2.3-million-dot XGA OLED viewfinder that featured on the NEX-6. Even the magnification has been slightly reduced, from 1.09x in the NEX-6 to 1.07x, equivalent to 70x in 35mm terms.
However, in use, the smaller, lower-resolution EVF on the Alpha 6000 appears to render a 100% field of view with greater vibrancy and clarity than its predecessor. The refresh rate is impressive, meaning that lag is barely noticeable when moving the camera, so while it may not be as good as an optical viewfinder, it’s certainly not poor.
At 921,600 dots, the Alpha 6000’s 3in TFT LCD screen is a match for the NEX-6 that it replaces, but it’s not quite as impressive as the LCD on the pricier Fujifilm X-T1, or even the cheaper touchscreen-operable Olympus OM-D E-M10, both of which sport 1.04-million-dot screens.
The 16:9 aspect ration of the Alpha 6000’s tilting LCD screen works great for video, but leaves two black bars either side when in photo mode, cropping the screen. It didn’t bother me too much because I prefer to shoot stills using the EVF, but it does make the screen appear quite small when using it during live view.
People keen to shoot video will be pleased to learn that the Alpha 6000 includes some useful functions, including zebra patterning, and that it can record 1920×1080-pixel full HD, AVCHD Ver2.0/MP4 video at 60p and 24p. It also has a Type D Micro HDMI connection, providing a clean HDMI output for video recording. It’s a little disappointing that there’s no headphone jack to monitor audio, but the multi-interface hotshoe at least allows you to connect an external microphone.
Sony Alpha 6000 review – The competition
With the Alpha 6000, Sony is aiming to attract those considering buying their first DSLR or looking for a highly capable portable second body. While there are many cameras that will be suitable for both audiences, the Olympus OM-D E-M10 and Nikon D5300 stand out as direct competitors.
The E-M10 is a superb companion camera, coat-pocket-sized with a lens attached, and suited to a wide range of applications thanks to its micro four thirds mount and good low-light performance. While it lacks some of the video functionality of the Alpha 6000, it has a superior 1,037,000-dot touchscreen and classic DSLR styling.
The D5300 is a solid first camera that matches the video and sensor resolution of the Alpha 6000 and has a similar price tag, but benefits from having access to Nikon’s extensive lens family. There is an increase in size and weight with the Nikon, but if that is not a concern it will be tough to choose between the two.
Sony Alpha 6000 review – Our verdict
Image: Improved image detail and natural colour reproduction are visible in this image, shown cropped at 100%
Striking a strong balance between aesthetics and performance, the Sony Alpha 6000 is a desirable camera with no standout flaws. Of course, improvements can – and will – always be made, but Sony largely hit the nail on the head with the NEX-6 and NEX-7 cameras, so rather than drastically overhauling those designs for their replacement, it has simply advanced the imaging technology and processing power of this updated model.
The improvements, particularly in low-light performance and speed, are significant enough to justify an existing NEX user upgrading, and I also believe the Alpha 6000 will challenge the entry-level DSLR market and appeal to advanced enthusiasts, just as Sony is hoping it will.
Top-spec technology and a host of cutting-edge features may just see the Alpha 6000 mirror the longevity and success of its predecessor and keep it competitive in years to come.
Sony Alpha 6000 review – Key features
Pop-up flash
The Alpha 6000’s flash pops up via a manual button on the rear of the camera. Its guide number of 6m @ ISO 100 is a good enough distance to use the flash for small group photos in low light.
AF points
The combination of fast 179-point hybrid autofocus and impressive 11fps continuous shooting means you should easily be able to home in on the action and get a winning shot.
Tutorials
Shooting tips in the Alpha 6000’s home menu provide photographic guidance on more than 100 subjects, from camera basics to scenario-specific advice, such as how to shoot star trails.
Titlable LCD
The ability to tilt the 3in LCD screen gives greater control over compositions, making it possible to capture images with unique perspectives that stand out.
Ergonomics
One of the issues I often have with cameras that have a compact design is controls that are too small and difficult to use. The Alpha 6000’s dials, wheel and buttons are big enough to operate with ease, even while wearing gloves.
Dual control
Being able to adjust both the shutter speed and aperture independently is a great strength of the Alpha 6000, and will appeal to anyone keen to have DSLR-like control over settings.
