{"id":101019,"date":"2017-03-07T12:28:55","date_gmt":"2017-03-07T12:28:55","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/?p=101019"},"modified":"2017-03-06T17:31:59","modified_gmt":"2017-03-06T17:31:59","slug":"photo-insight-with-jeremy-walker-icebergs-of-jokulsarlon","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/photo_insight\/photo-insight-with-jeremy-walker-icebergs-of-jokulsarlon\/","title":{"rendered":"Photo Insight with Jeremy Walker: Icebergs of J\u00f6kuls\u00e1rl\u00f3n"},"content":{"rendered":"\t\t
\n\t\t\t\"Jeremy\t\t\t

Nikon D810, 24-70mm, 2secs at f\/11, ISO 64.<\/p>\n\t\t<\/div>\n\t\t\n

Iceland is one of those areas that are catnip for landscape photographers. It\u2019s an area replete with stunning scenery and, perhaps most importantly, it\u2019s very accessible. There are plenty of places to park and wherever you look there\u2019s something to attract the eye. Iceland has everything, from snow-capped mountains, glaciers, volcanoes, cliffs, coasts, and plenty of rocks. There\u2019s a lot for a photographer to shoot in what is a relatively small area.<\/p>\n

It\u2019s a naturally beautiful place and, aesthetically speaking, is unusual. When you visit, you can see why a lot of movie directors go there to shoot their films. There\u2019s variety, and not just for landscape photographers. If you like photographing wildlife, there are copious species to see. Bird life is a big draw. You\u2019ll witness everything from puffins to bigger birds such as sea eagles. It\u2019s a massive cross-section of animal life. As an example, while standing on the beach one day, I witnessed a pod of nine killer whales. On another occasion, I saw an apparent mass herring suicide where they all jumped on to the beach and died. The birds were in for a good feast that day. And of course on top of everything else, you have the incredible display of the Northern Lights. So you can see why photographers like to travel all that distance. It\u2019s bleak, but there\u2019s a genuine beauty to it. It\u2019s a weird landscape, almost lunar, maybe even a little post- apocalyptic.<\/p>\n

On the beach<\/h2>\n

The images you see here were taken in J\u00f6kuls\u00e1rl\u00f3n, a glacial lake of southeast Iceland, on the edge of Vatnaj\u00f6kull National Park. The lumps of ice are icebergs, and they can drastically vary in size \u2013 some are several feet across. The ice has been washed down from the glacier, through the glacial lagoon, washed out to sea, then, during the next high tide, it is deposited back onto the black volcanic sand beaches. It happens in just this one place, so you get an awful lot of people going to that one area.<\/p>\n

That raises the issue of how you go to an area like this and still come away with fresh images. It depends on several factors, for example, the nature of the tide at the time you visit, and how many other people are around. You\u2019ll often get pristine sand and then you\u2019ll get someone with a tripod walk through that sand and mess up the shot. But it also depends on how much ice and sand is there. Sometimes big storms come in and wash all the sand away; then the beach becomes a landscape of pebbles. It\u2019s much nicer if it\u2019s black sand. Basically, there are shots to be had, but there\u2019s a danger of getting overloaded with blurry long exposures. It seems to be what people want to go and do.<\/p>\n

Due to its nature, Iceland is a landscape in constant flux. I\u2019ve never known a landscape change as much. You can have clear blue skies and calm seas one day then be faced with 15ft waves the next. Sometimes, the winds are so severe that the police have to close the roads. The coast is on the move all the time with the waves coming in \u2013 one day there will be a beach and the next it\u2019s gone. Then a few days later, it\u2019s back. It changes that much.<\/p>\n\t\t

\n\t\t\t\"Jeremy\t\t\t

Nikon D810, 24-70mm, 2secs at f\/11, ISO 64<\/p>\n\t\t<\/div>\n\t\t\n

Kit care<\/h2>\n

The camera I used for these shots was the Nikon D810 with a Nikon 24-70mm f\/2.8 lens. I used a Gitzo Series 3 tripod with an Arca Swiss double pan head and quick release bracket for an easy transition from horizontal to vertical. Trying to photograph in a place like J\u00f6kuls\u00e1rl\u00f3n is almost a war of attrition. If it\u2019s not raining, it\u2019s snowing. If it\u2019s not snowing, it\u2019s incredibly windy. Then you\u2019ve got all the volcanic dust flying around the air. It plays havoc with your kit. You\u2019ll come back from a day\u2019s shooting and your tripod and lens probably graunch with sand. It can be a nightmare.<\/p>\n

Iceland is not a very camera-friendly place, with the conditions as they are. Just trying to keep your kit dry can be the biggest battle. I tend to keep my kit wrapped up with a big leather chamois cloth, secured with a bulldog clip. That means no moisture falls onto the camera and it reduces the risk of dust and sand getting into it. But sometimes you have to face the fact that if conditions get too bad, you just have to pack up. Even if it\u2019s just windy you\u2019re getting sea spray all over the place. You may notice that one of these shots is slightly softer than the other and that\u2019s because salt was getting onto the lens. It\u2019s knocked the contrast back a little bit.<\/p>\n

When I\u2019m shooting, I tend to have the Lee filter system on the front of my lens, perhaps a grad or a stopper of some sort. Then at least, if it\u2019s really dusty, the filters will get scratched, not the lens. Filters are a lot easier and cheaper to replace.<\/p>\n

If someone who has never visited Iceland asked me for advice, I\u2019d say to go and expect the worst conditions possible for shooting. Then if they\u2019re not that bad, you\u2019ll be pleasantly surprised and you\u2019ll enjoy it. But when I go, I go expecting bad weather and to have three or four days when I\u2019m in rain all the time. It sounds pessimistic, but it\u2019s good advice. Just be prepared. Pack your waterproofs, walking boots and overtrousers. You name it, you pack it.<\/p>\n

Jeremy Walker, an award-winning professional photographer with many years\u2019 experience specialising in high quality landscape and location photography from around the world for use by advertising, design and corporate clients. His belief in \u2018quality is everything\u2019 serves his clients well. www.jeremywalker.co.uk<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

A look back at the virtues and perils of shooting in the ever-shifting alien landscape of Jo\u0308kulsa\u0301rlo\u0301n glacial lake in Iceland<\/p>\n","protected":false},"author":1168,"featured_media":101024,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[378],"tags":[],"product-category":[],"class_list":["post-101019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photo_insight"],"yoast_head":"\nPhoto Insight with Jeremy Walker: Icebergs of J\u00f6kuls\u00e1rl\u00f3n - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"A look back at the virtues and perils of shooting in the ever-shifting alien landscape of Jo\u0308kulsa\u0301rlo\u0301n glacial lake in Iceland\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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