{"id":101616,"date":"2017-03-01T14:25:32","date_gmt":"2017-03-01T14:25:32","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/?p=101616"},"modified":"2017-04-11T13:57:31","modified_gmt":"2017-04-11T12:57:31","slug":"classics-revisited-louise-brooks-by-eugene-robert-richee","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/camera_skills\/classics-revisited-louise-brooks-by-eugene-robert-richee\/","title":{"rendered":"Classics Revisited: Louise Brooks By Eugene Richee"},"content":{"rendered":"\n<p>http:\/\/link.brightcove.com\/services\/player\/?bctid=5343230039001<\/p>\n<p>Known for her distinctive bob as much as for her acting ability, intelligence and fiery nature, actress Louise Brooks had starred in 12 films by the time she posed for Eugene Robert Richee in 1929. Richee had been working for Paramount Pictures for seven years, and during his career photographed some of Hollywood\u2019s most dazzling stars including Fay Wray (the star of King Kong) and Clara Bow (the original \u2018It Girl\u2019.) He photographed Brooks on a number of occasions, but the pictures from this photo session capture the spirit and fashion of the late 1920s perfectly.<\/p>\n\t\t<div id=&quot;attachment_101617&quot;  class=\"c-caption alignnone\" style=\"max-width: 2811px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-101617\" src=\"\/wp-content\/uploads\/2017\/02\/Louise-Brooks-Getty-E3169357.jpg\" alt=\"\" width=\"2791\" height=\"3636\" srcset=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Louise-Brooks-Getty-E3169357.jpg 2791w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Louise-Brooks-Getty-E3169357.jpg?resize=300,391 300w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Louise-Brooks-Getty-E3169357.jpg?resize=307,400 307w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Louise-Brooks-Getty-E3169357.jpg?resize=1179,1536 1179w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Louise-Brooks-Getty-E3169357.jpg?resize=1572,2048 1572w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Louise-Brooks-Getty-E3169357.jpg?resize=1240,1615 1240w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Louise-Brooks-Getty-E3169357.jpg?resize=900,1172 900w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Louise-Brooks-Getty-E3169357.jpg?resize=562,732 562w\" sizes=\"(max-width: 2791px) 100vw, 2791px\" \/>\t\t\t<p class=\"c-caption__text\">1929: American actress Louise Brooks (1906 &#8211; 1985) wearing a long necklace which stands out starkly against a black background. (Photo by Eugene Robert Richee\/John Kobal Foundation\/Getty Images)<\/p>\n\t\t<\/div>\n\t\t\n<p>Actress and dancer Louise Brooks was a force to be reckoned with &#8211; she left her Kansas home at the age of 15 and headed to New York to study at the Denishawn School of Dancing. Just three years later she appeared in her first film The Street of Forgotten Men, which was filmed at Paramount\u2019s Astoria Studios on Long Island. By the late 1920s Brooks was rubbing shoulders with screen legends such as Humphrey Bogart and Charlie Chaplin (who later denied having an affair with her).<\/p>\n<p>This was the start of Hollywood\u2019s Golden Age &#8211; a period that spanned four decades and saw most people attending at least one film every week. Brooks was in the right place at the right time, and her film credits soon began to pile up.\u00a0Around the same time the studios began to recognise the pulling power of celebrities, and the importance of controlling the public image of their stars. As a result many of them set up dedicated photography departments, and employed staff to create portraits purely for promotional purposes. Many photographers made an excellent living creating work of this kind. One such character was Eugene Robert Richee, who worked for Paramount Pictures.<\/p>\n<p>Richee worked at the studio for two decades, and throughout his career captured striking images of Gloria Swanson, Marlene Dietrich and, of course, Brooks, with a 10x8in studio camera. His attention to detail, use of light-reflective props (plastic, glass, mirrors etc) to imply opulence, and his skill as a craftsman are evident in all of his imagery. Despite his technical proficiency he obviously did not feel the need to sweet-talk his subjects. \u2018He used to take 60 shots in two hours,\u2019 declared Brooks. \u2018We never said a word to each other. Perfect relationship.\u2019<\/p>\n\t\t<div id=&quot;attachment_101618&quot;  class=\"c-caption alignnone\" style=\"max-width: 3764px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-101618\" src=\"\/wp-content\/uploads\/2017\/02\/Eugene_Richee_HL.jpg\" alt=\"\" width=\"3744\" height=\"5616\" srcset=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Eugene_Richee_HL.jpg 3744w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Eugene_Richee_HL.jpg?resize=300,450 300w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Eugene_Richee_HL.jpg?resize=267,400 267w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Eugene_Richee_HL.jpg?resize=1024,1536 1024w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Eugene_Richee_HL.jpg?resize=1365,2048 1365w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Eugene_Richee_HL.jpg?resize=1240,1860 1240w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Eugene_Richee_HL.jpg?resize=900,1350 900w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Eugene_Richee_HL.jpg?resize=562,843 562w\" sizes=\"(max-width: 3744px) 100vw, 3744px\" \/>\t\t\t<p class=\"c-caption__text\">2017: AP&#8217;s version taken by Andrew Sydenham. Model &#8211; Lottie from Gingersnap<\/p>\n\t\t<\/div>\n\t\t\n<p><strong>How we recreated this classic image<\/strong><\/p>\n<p><strong>1. Outfits and props<\/strong><\/p>\n<p>Brooks was known for her razor-sharp bob, which we recreated using a wig from Party Pieces. A three-yard length of artificial pearls was sourced from Rose and Bows, and the dress was an eBay find (originally from Benetton). The total cost was just \u00a311.<\/p>\n<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-101627 size-large aligncenter\" src=\"\/wp-content\/uploads\/2017\/02\/Step_1_52958421_161718161-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\n<p><strong>2. Styling<\/strong><\/p>\n<p>The neckline on the dress wasn\u2019t quite right, but this was soon remedied with a wide strip of gaffer tape folded over to create a bold, straight edge. We hired a make-up artist to recreate Brooks\u2019 smoky eyes and perfect bow-shaped lips.<\/p>\n\t\t<div id=&quot;attachment_101628&quot;  class=\"c-caption alignnone\" style=\"max-width: 3020px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-101628 size-full\" src=\"\/wp-content\/uploads\/2017\/02\/Step_2_52958431_161718161.jpg\" width=\"3000\" height=\"2000\" srcset=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Step_2_52958431_161718161.jpg 3000w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Step_2_52958431_161718161.jpg?resize=300,200 300w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Step_2_52958431_161718161.jpg?resize=600,400 600w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Step_2_52958431_161718161.jpg?resize=1536,1024 1536w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Step_2_52958431_161718161.jpg?resize=2048,1365 2048w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Step_2_52958431_161718161.jpg?resize=1240,827 1240w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Step_2_52958431_161718161.jpg?resize=900,600 900w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2017\/02\/Step_2_52958431_161718161.jpg?resize=562,375 562w\" sizes=\"(max-width: 3000px) 100vw, 3000px\" \/>\t\t\t<p class=\"c-caption__text\">Hair and make-up &#8211; Portia from Gingersnap<\/p>\n\t\t<\/div>\n\t\t\n<p><strong>3. The shoot<\/strong><\/p>\n<p>We used a black backdrop and positioned large pieces of black board on either side to control the light (which was provided by flash moonlights). We used two lights and controlled the beam using barn doors and black card.<\/p>\n<p><strong>Adding the finishing touches in Photoshop<\/strong><\/p>\n<p>http:\/\/link.brightcove.com\/services\/player\/?bctid=5343173072001<\/p>\n<p><strong>4. Raw adjustments<\/strong><\/p>\n<p>The camera was set to record Raw and JPEG files but we\u2019re going to process the Raw file to achieve the maximum amount of quality and detail. We begin by opening it into ACR to reduce the Blacks, which will remove the visible edge details of the dress.<\/p>\n<p><strong>5. Mono conversion<\/strong><\/p>\n<p>Once in Photoshop we can do a mono conversion. We add a Black and White adjustment layer and experiment with the filters in the Preset dropdown box. The Yellow Filter gives a glowing skin tone and a good amount of contrast. We also dragged the Red slider further to the left.<\/p>\n<p><strong>6. Levels adjustment<\/strong><\/p>\n<p>With the mono conversion complete more edge detail has become noticeable. We add a Levels adjustment layer and set the Shadows slider to 11 to darken them. Some tidying up is required, so we create a merged layer of our adjustments to work on so we can edit non-destructively.<\/p>\n<p><strong>7. Clone Stamp tool<\/strong><\/p>\n<p>We rename the merged layer \u2018tidy\u2019 for reference. Using the Clone Stamp tool at 100% opacity we can remove the black tape from the top of the dress and replace some of the missing pearls. Reduce opacity to 20% to soften shadows on the face and neck.<\/p>\n<p><strong>8. Spot Healing Brush tool<\/strong><\/p>\n<p>The Spot Healing Brush tool will also come in handy to tidy up stray strands of hair. The hairline and neckline in the original was very clean-cut so we\u2019ve duplicated small sections that are clean and tidy, added a layer mask and used the Brush tool to blend.<\/p>\n<p><strong>9. Dodge and Burn tools<\/strong><\/p>\n<p>For the finishing touches we\u2019ve used the Dodge tool set to Midtones with opacity of 50% to lighten the shadows on the model\u2019s face and neck. Then we\u2019ve used the Burn tool to reduce the highlights in the hair. Finally we add a Curves adjustment layer and drew gentle \u2018S\u2019 shaped curve.<\/p>\n<p><em>With thanks to\u00a0<\/em><\/p>\n<p><em>Model &#8211; Lottie G from Gingersnap<\/em><\/p>\n<p><em>MUA &#8211; Portia C from Gingersnap<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Andrew Sydenham, Hollie Latham Hucker and Tracy Calder recreate Eugene Robert Richee\u2019s stylish 1920s portrait of Louise Brooks<\/p>\n","protected":false},"author":2286,"featured_media":104277,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[371],"tags":[],"product-category":[],"class_list":["post-101616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-camera_skills"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.8 (Yoast SEO v26.8) - 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