{"id":116884,"date":"2018-02-21T11:30:21","date_gmt":"2018-02-21T11:30:21","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/?p=116884"},"modified":"2018-02-21T12:14:13","modified_gmt":"2018-02-21T12:14:13","slug":"20-lightroom-tips-speedy-photo-fixes-every-shot","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/20-lightroom-tips-speedy-photo-fixes-every-shot\/","title":{"rendered":"20 Lightroom tips: Speedy photo fixes for every shot"},"content":{"rendered":"\t\t
\n\t\t\t\"Lightroom\t\t\t

Use the Exposure, Highlights slider to pull back overexposed detail<\/p>\n\t\t<\/div>\n\t\t\n\"Lightroom\n

1. Fix overexposed photos<\/h2>\n

Lightroom offers a range of tonal tools for correcting overexposure, but which should you use? Begin in the Develop Module\u2019s Basic panel and tweak exposure to darken the image. Next move on to the Highlights slider, which lets you pull back detail. Finally, adjust the Whites slider to rein in the very brightest parts.<\/p>\n

\n\t\t
\n\t\t\t\"Lightroom\t\t\t

Reveal lost detail in the shadows to brighten a scene<\/p>\n\t\t<\/div>\n\t\t\n

2. Save underexposed images<\/h2>\n

This is where shooting in raw really helps, as raws retain greater detail in the shadows. We can pull out the detail using a combination of the Exposure, Shadows and Blacks sliders in the Basic panel. Correcting underexposure will inevitably emphasise noise, so head to the Details panel and use the Noise Luminance slider to combat this.<\/p>\n

\n

3. Correct an unbalanced exposure<\/h2>\n

Sometimes an image is neither here nor there \u2013 the shadows are too dark, the highlights blown out. Here\u2019s where local adjustments can fix things. Use the Exposure slider to pull detail out of the shadows, switch to the Adjustment Brush or Graduated Filter and selectively darken the highlights for a balanced frame.<\/p>\n

\n\"Lightroom\n

4. Hide distractions<\/h2>\n

While Lightroom can\u2019t match Photoshop CC in the retouching department, it does offer one excellent tool \u2013 the Spot Removal tool. Set it to Heal, then paint over distracting details and sensor marks to remove them. It works best on small marks against detailless surroundings, like a spot in a sky.<\/p>\n

\n

5. Check for clipping<\/h2>\n

When pixels are \u2018clipped\u2019 to black & white it means they are entirely lacking in detail, which is usually to be avoided. You can check for clipped pixels by holding Alt while dragging either the Whites or Blacks sliders. Use the sliders to claw back a small amount of clipping.<\/p>\n

\n\t\t
\n\t\t\t\"Lightroom\t\t\t

Use Visualise Spots to reveal sensor marks<\/p>\n\t\t<\/div>\n\t\t\n

6. Oust sensor marks<\/h2>\n

When assessing an image for sensor marks, there\u2019s a useful feature within the Spot Removal tool called \u2018Visualise Spots\u2019. You\u2019ll find it at the bottom of the screen when the tool is selected. A slider lets you set a threshold, so you can fine-tune it to show any sensor marks, then heal with the Spot Removal tool.<\/p>\n

\n\"Lightroom\n

7. If all else fails…<\/h2>\n

In extreme cases of underexposure, when all else fails try converting your image to black & white. Without colour, you\u2019ll find you can pull out more detail in areas that are underexposed. Of course, this will lead to increased image noise, but you can get away with calling it \u2018arty grain\u2019 in mono.<\/p>\n

\n

8. Quickly remove wires<\/h2>\n

It\u2019s sometimes hard to avoid including telegraph wires in your landscapes, but they are easily removed in Lightroom with the Spot Removal tool. Use the ] and [ keys to resize the tip so that it\u2019s slightly wider than the wire, then click at one end, hold Shift and click along the line to heal in a straight line. Keep shift-clicking to remove the entire wire.<\/p>\n

\n

9. Heal multiple marks<\/h2>\n

If you have an entire set of photos that are plagued by a recurring sensor mark then it\u2019s easily removed if the mark is in the same spot throughout. First paint over it with the Spot Removal tool in one image. Next highlight all the others, click the Sync button, check Spot Removal and hit Sync.<\/p>\n\t\t

\n\t\t\t\"Lightroom\t\t\t

You can easily alter white balance when you shoot in raw<\/p>\n\t\t<\/div>\n\t\t\n\"Lightroom\n

10. Correct colour casts<\/h2>\n

Sometimes your camera\u2019s white balance will go awry, but the resulting colour casts are easily fixed in Lightroom (especially if you shoot in raw, as you can alter the white balance afterwards just as if you\u2019d done so beforehand). Simply grab the White Balance tool from beside the Temp and Tint sliders, and click over a neutral grey point in the image.<\/p>\n

\n

11. Match panorama frames<\/h2>\n

When shooting a panorama it\u2019s best to lock your exposure or use manual exposure so that it stays consistent across the set. However, if there are inconsistencies then a Lightroom feature can help you out. Cmd\/Ctrl+click to select multiple frames, then go to Settings>Match total exposures.<\/p>\n

\n

\"Lightroom<\/h2>\n

12. Try intelligent Auto<\/h2>\n

The latest Lightroom Classic update includes a dramatically improved Auto button (found in the Develop Module\u2019s Basic panel). Auto now employs Sensei \u2013 Adobe\u2019s machine-learning technology \u2013 to analyse image content when applying a fix. It\u2019s much better than before, and a good way to begin correcting lifeless tones or exposure mishaps.<\/p>\n

\n\t\t
\n\t\t\t\"Lightroom\t\t\t

Lightroom can detect wonky horizons and correct them<\/p>\n\t\t<\/div>\n\t\t\n

\"Lightroom13. Level wonky horizons<\/h2>\n

Go to the Transform panel and click on Level or Auto and Lightroom will detect and correct it. To use auto-level while cropping, use the Auto button in the crop tool settings. Or hit A for the level tool and drag a line through the image manually.<\/p>\n

\n\t\t
\n\t\t\t\"Lightroom\t\t\t

Use the Dehaze command to crisp up images<\/p>\n\t\t<\/div>\n\t\t\n\"Lightroom\n

14. Cut through haze<\/h2>\n

If landscapes are hazy and lack contrast, the Dehaze command can help cut through the atmospheric haze and crisp up details. It\u2019s found within the Effects panel. After applying Dehaze the shadow tones may darken too much. If this happens try lifting the Shadows slider in the Basic panel.<\/p>\n

\n\t\t
\n\t\t\t\"Lightroom\t\t\t

Control noise using the sliders in the Detail panel<\/p>\n\t\t<\/div>\n\t\t\n

15. Fix noisy photos<\/h2>\n

If your image is plagued by noise then the best x is Lightroom\u2019s Detail panel. Use the Noise Luminance slider to reduce grainy noise, then use the Detail slider to fine-tune how the noise reduction softens details and contrast. Finally, if necessary use the Color noise sliders to remove blotchy colour noise.<\/p>\n

\n\"Lightroom\n

16. Correct converging verticals<\/h2>\n

If you shoot with the camera angled upwards then vertical lines may appear to converge towards the centre, especially with wideangle lenses. You can counteract this with Lightroom\u2019s Transform panel. Click the Auto, Vertical and Full buttons. If these fail, try the Guided Upright tool (see tip 19).<\/p>\n

\n\"Lightroom\n

17. Fix distortion and fringing<\/h2>\n

All lenses suffer from distortion and chromatic aberration to some extent, but these are an easy x. Go to the Lens Correction panel and check both \u2018Remove Chromatic Aberration\u2019 and \u2018Enable Lens Corrections\u2019. You can have these turned on by default \u2013 check both boxes then hold Alt and click the \u2018Set Default\u2019 button.<\/p>\n

\n\"Lightroom\n

18. Sort hot spots<\/h2>\n

Sometimes portrait subjects can have unflattering bright hot spots on the skin that make the face look sweaty. This is easy to tone down with Lightroom\u2019s Adjustment Brush. Grab the tool from the Develop Module toolbar then set Clarity to -50 in the tool settings to the right. Paint over the skin to soften the hot spots.<\/p>\n

\n\t\t
\n\t\t\t\"Lightroom\t\t\t

Use the Guided Upright tool for manual control<\/p>\n\t\t<\/div>\n\t\t\n

19. Guided Upright<\/h2>\n

If the other Upright tools are unable to automatically correct distortion and converging verticals in your image, then the Guided Upright tool will let you do so manually. You can pick up the tool at the top left of the Transform panel. Then drag through the image to make lines along objects in the scene that you know to be either perfectly horizontal or vertical.<\/p>\n

\n\"Lightroom\n

20. Boost dull colours<\/h2>\n

If your photos look dull upon importing them into Lightroom, try a different camera profile. You can choose a profile in the Camera Calibration panel. The profiles on offer match your camera\u2019s picture styles. If you like you can set a default profile for all imported photos \u2013 hold Alt and the \u2018Set Default\u2019 button appears below.<\/p>\n

\n

James Paterson is as skilled a photo editor as he is a photographer. His work has appeared in countless magazines and books, and in 2014 he was appointed editor of Practical Photoshop<\/em> magazine. His subjects range from portraits to landscapes, architecture and underwater scenes. For James, Photoshop is more than just a work tool. Visit www.patersonphotos.com<\/a>.<\/h3>\n
\n\n","protected":false},"excerpt":{"rendered":"

Discover how to correct all manner of photo problems with these essential Lightroom techniques. 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