{"id":119429,"date":"2018-07-06T15:00:20","date_gmt":"2018-07-06T14:00:20","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/?p=119429"},"modified":"2018-08-01T09:23:53","modified_gmt":"2018-08-01T08:23:53","slug":"life-in-motion-egon-schiele-francesca-woodman","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/articles\/life-in-motion-egon-schiele-francesca-woodman\/","title":{"rendered":"Life in Motion: Egon Schiele\/Francesca Woodman"},"content":{"rendered":"\t\t<div id=&quot;attachment_119442&quot;  class=\"c-caption alignnone\" style=\"max-width: 1020px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-119442 size-full\" src=\"\/wp-content\/uploads\/2018\/06\/Life-in-Motion-Francesca-Woodman-Eel-Series.jpg\" alt=\"Life in Motion Francesca Woodman Eel Series\" width=\"1000\" height=\"1000\" srcset=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Eel-Series.jpg 1000w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Eel-Series.jpg?resize=300,300 300w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Eel-Series.jpg?resize=400,400 400w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Eel-Series.jpg?resize=170,170 170w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Eel-Series.jpg?resize=900,900 900w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Eel-Series.jpg?resize=562,562 562w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Eel-Series.jpg?resize=150,150 150w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/>\t\t\t<p class=\"c-caption__text\">Francesca Woodman Eel Series, Venice, Italy 1978. Credit: National Galleries of Scotland and Tate<\/p>\n\t\t<\/div>\n\t\t\n<p>On 19 January 1981, a young female photographer fell angel-like from the loft window of a building on New York City\u2019s East Side. She fell several stories until she landed on the pavement below where she died on impact. The death of photographer Francesca Woodman, then just 22, perhaps felt inevitable, though perhaps we can only say that through the filter of speculative retrospect. Just the year before, Woodman, following several unsuccessful attempts to have her work recognised and the breakdown of a relationship, attempted suicide. After his daughter died, Francesca Woodman\u2019s father, George Woodman, suggested that Francesca had finally been tipped over the edge by the National Endowment for the Arts refusing her application for funding.<\/p>\n<p>What\u2019s so ultimately tragic about all this is that, in death, Woodman\u2019s influence grew and grew. Her images \u2013 she produced around 800 works in her short life \u2013 have become instantly recognisable and her place within photography circles is assured. This has led to much recent analysis and thought-pieces concerning the overarching themes and ideas of Woodman\u2019s work. Much has been made, for example, of the feminist slant of Woodman\u2019s images, though her mother, Betty, suggests this is something that has been read into the work and, instead, much of her daughter\u2019s work was created in the spirit of humour.<\/p>\n\t\t<div id=&quot;attachment_119443&quot;  class=\"c-caption alignnone\" style=\"max-width: 1020px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-119443 size-full\" src=\"\/wp-content\/uploads\/2018\/06\/Life-in-Motion-Francesca-Woodman-Untitled-figure.jpg\" alt=\"Life in Motion Francesca Woodman Untitled figure\" width=\"1000\" height=\"996\" srcset=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Untitled-figure.jpg 1000w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Untitled-figure.jpg?resize=300,300 300w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Untitled-figure.jpg?resize=402,400 402w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Untitled-figure.jpg?resize=170,170 170w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Untitled-figure.jpg?resize=900,896 900w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Untitled-figure.jpg?resize=562,560 562w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Francesca-Woodman-Untitled-figure.jpg?resize=150,150 150w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/>\t\t\t<p class=\"c-caption__text\">Untitled figure and door by Francesca Woodman. Credit: National Galleries of Scotland and Tate<\/p>\n\t\t<\/div>\n\t\t\n<p>Visit any university photography class and you are guaranteed to find striking traces of Woodman\u2019s work present in more than one student project. The strange and fragile nature of Woodman\u2019s work makes her instantly attractive to young students getting to grips not just with the possibilities and parameters of creative photography, but also with themselves as living, breathing, autonomous individuals. Woodman tried to push the boundaries of experimental photography by playing with the camera function, such as shutter speed and exposure, as well as her use of the body as a compositional and thematic device.<\/p>\n<p>You can see these ideas, particularly, the latter in big contemporary names such as conceptual artist Sophie Calle and the photographer Cindy Sherman. \u2018[Woodman] had few boundaries and made art out of nothing: empty rooms with peeling wallpaper and just her figure,\u2019 said Sherman when asked about the influence of Woodman on her own work. \u2018No elaborate stage set-up or lights\u2026 Her process struck me more the way a painter works, making do with what\u2019s right in front of her, rather than photographers like myself who need time to plan out what they\u2019re going to do.\u2019<\/p>\n<p>Woodman\u2019s work is appearing at the Tate Liverpool as part of a joint show with another artist whose influence has been thoroughly noted and who also employs the body as a strange and uncanny thing. Austrian-born Egon Schiele is considered one of the major figurative painters of the 20th century and with good reason. His confrontational yet beautiful paintings are intense and rawly sexual. The figures in his images seem to twist, turn and contort on the canvas yet stop just short of rendering themselves as the kind of hideous, visceral grotesqueries found in the images of Francis Bacon.<\/p>\n\t\t<div id=&quot;attachment_119440&quot;  class=\"c-caption alignnone\" style=\"max-width: 683px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-119440 size-full\" src=\"\/wp-content\/uploads\/2018\/06\/Life-in-Motion-Egon-Schiele-standing-male-figure.jpg\" alt=\"Life in Motion Egon Schiele standing male figure\" width=\"663\" height=\"1000\" srcset=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Egon-Schiele-standing-male-figure.jpg 663w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Egon-Schiele-standing-male-figure.jpg?resize=300,452 300w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Egon-Schiele-standing-male-figure.jpg?resize=265,400 265w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2018\/06\/Life-in-Motion-Egon-Schiele-standing-male-figure.jpg?resize=562,848 562w\" sizes=\"(max-width: 663px) 100vw, 663px\" \/>\t\t\t<p class=\"c-caption__text\">&#8216;Standing male figure (self-portrait)&#8217; by Egon Schiele from 1914. Credit: National Gallery in Prague<\/p>\n\t\t<\/div>\n\t\t\n<p>Schiele\u2019s nudes are, ultimately, striking and honest; the intimate fleshy spaces of his models are rendered so utterly visible and alive. However, Schiele didn\u2019t restrict himself just to painting others. Like Woodman, he used his own body as a device to explore notions of identity and humanity. As a photography magazine, this obviously isn\u2019t the space to get into the details of Schiele\u2019s paintings but it is certainly interesting to compare and contrast Schiele\u2019s works with Woodman\u2019s and look at the ways in which they differed in the use of the gaze \u2013 Schiele projected his gaze outwards to explore the bodies of others; Woodman turned the gaze inwards.<\/p>\n<p>Woodman is one of many artists who have found themselves posthumously romanticised (as her father pointed out in a 2014 interview with <em>The Guardian<\/em>, \u2018People like to mythologise artists\u2019.) Note the opening line of this review and the description of Woodman falling \u2018angel-like\u2019 to her death. That\u2019s a fairly typical description and it\u2019s something that seems to be the want of writers detailing the lives of creative women, particularly those who died by their own hand. What\u2019s good about this exhibition and the recent reassessment of Woodman\u2019s work is that it cuts through this mythologising and manages to get through to the genuinely unique and progressive quality of her work. Woodman\u2019s influence on<br \/>\ncontemporary photography is not only assured, it\u2019s deserved.<\/p>\n<hr \/>\n<h3><strong>\u2018Life in Motion: Egon Schiele\/Francesca Woodman\u2019 runs at Tate Liverpool until 23 September 2018. Advance tickets are \u00a310. For more details, <a href=\"http:\/\/www.tate.org.uk\" target=\"_blank\" rel=\"noopener\">www.tate.org.uk<\/a>.<\/strong><\/h3>\n<hr \/>\n\n","protected":false},"excerpt":{"rendered":"<p>Tate Liverpool presents a joint show of two of the arts most intriguing outsiders. Oliver Atwell discovers more about the intersection of their lives and themes<\/p>\n","protected":false},"author":1674,"featured_media":119441,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[311],"tags":[],"product-category":[],"class_list":["post-119429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.8 (Yoast SEO v26.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Life in Motion: Egon Schiele\/Francesca Woodman - Amateur Photographer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/articles\/life-in-motion-egon-schiele-francesca-woodman\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Life in Motion: Egon Schiele\/Francesca Woodman\" \/>\n<meta property=\"og:description\" content=\"Tate Liverpool presents a joint show of two of the arts most intriguing outsiders. 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