{"id":12817,"date":"2012-06-06T10:31:00","date_gmt":"2012-06-06T09:31:00","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/uncategorized\/sony-cyber-shot-rx100-hands-on-preview-12817"},"modified":"2014-09-02T14:26:37","modified_gmt":"2014-09-02T13:26:37","slug":"sony-cyber-shot-rx100-hands-on-preview","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/sony-cyber-shot-rx100-hands-on-preview\/","title":{"rendered":"Sony Cyber-shot RX100 hands on preview"},"content":{"rendered":"<p>Sony&#13;<br \/>\nenters what it calls the \u2018expert&#8217; compact camera market with its flagship Cybershot, the RX100, proudly stating that it is the company&#8217;s best Cyber-shot to date. On paper&#13;<br \/>\nand in the hand, the camera appears to be an amalgamation of different&#13;<br \/>\nclass-leading compact cameras; its pocket size and simple design brings to&#13;<br \/>\nmind Canon&#8217;s PowerShot S100, the fixed 28-100mm f\/1.8-4.9 Carl Zeiss lens is akin to&#13;<br \/>\nthe Zuiko lens on the Olympus XZ-1, while the imaging sensor is 4x larger&#13;<br \/>\nthan a standard 1\/2.3in compact at 1in (13.2&#215;8.8mm) equals a Nikon 1 system&#13;<br \/>\ncamera.\u00a0<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/keyassets.timeincuk.net\/inspirewp\/live\/wp-content\/uploads\/sites\/12\/2012\/06\/11134_7C000001cfb_7C386e_RX100_1_1.jpg\" border=\"0\"><\/img><\/p>\n<p>With&#13;<br \/>\na sensor much larger than a regular compact camera, the RX100 should be able to&#13;<br \/>\nprovide a high resolution and improved low-light performance as the larger photosites receive&#13;<br \/>\nmore light (which Sony claims are 3.6x the size of its own 18.2-million-pixel&#13;<br \/>\nCyber-shot HX20V camera with 1\/2.3in sensor).&#13;<br \/>\nThe sensor is a CMOS type with a 20.2-million-pixel resolution and the ISO&#13;<br \/>\nrange is 80-6400, which can be expanded to ISO 25,600 in the multi-frame noise&#13;<br \/>\nreduction (NR) mode. 1080 HD video files at 50p, raw and JPEG images are&#13;<br \/>\nprocessed using the same Bionz processor found in the Sony NEX-7.<\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p>Other&#13;<br \/>\nkey features include a 10-frames-per-second burst high-speed shooting mode,&#13;<br \/>\navailable in a 1 second burst for full-resolution files. The camera makes use&#13;<br \/>\nof these high speeds for multi-frame shooting modes, such as HDR which claims up&#13;<br \/>\nto \u00b16EV range, and certain picture effects, such as Rich Tone Monochrome.\u00a0<\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p><strong>The&#13;<br \/>\nlens<\/strong><\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p>As&#13;<br \/>\npreviously mentioned, the Carl Zeiss lens covers an effective 28-100mm range,&#13;<br \/>\nwith f\/1.8-4.9 maximum aperture and minimum f\/11. At the 50mm focal length, the&#13;<br \/>\nmaximum aperture is f\/3.2. This focal range is ideal for general use.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/keyassets.timeincuk.net\/inspirewp\/live\/wp-content\/uploads\/sites\/12\/2012\/06\/11134_7C000001cf8_7C6c58_detail_web.jpg\" border=\"0\"><\/img><\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p>The&#13;<br \/>\nsensor size gives a 2.7x focal length magnification factor, so the lens is a true 10.4-37.1mm and, likewise, the aperture is multiplied by 2.7 to give an&#13;<br \/>\nindication of the equivalent full-frame depth of field. This means the maximum&#13;<br \/>\nf\/1.8 aperture approximates to f\/4.9 in a camera such as the Sony&#13;<br \/>\nAlpha 900, whereas the f\/1.8 aperture in the Olympus XZ-1 is equivalent to&#13;<br \/>\naround f\/8. The lens&#8217;s 3.6x zoom can be doubled by using clear image zoom,&#13;<br \/>\nwhich also features in the latest Alpha cameras like the Alpha 57.<\/p>\n<p>\u00a0<img decoding=\"async\" src=\"http:\/\/keyassets.timeincuk.net\/inspirewp\/live\/wp-content\/uploads\/sites\/12\/2012\/06\/11134_7C000001cf3_7Cc2e4_28mm_1_web.jpg\" border=\"0\"><\/img> 28mm<\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/keyassets.timeincuk.net\/inspirewp\/live\/wp-content\/uploads\/sites\/12\/2012\/06\/11134_7C000001cf5_7C7393_100mm_1_web.jpg\" border=\"0\"><\/img> 100mm<\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p>A&#13;<br \/>\nphysically larger sensor is appealing but it requires a larger lens,&#13;<br \/>\nwhich is usually the key trade-off between size and image quality. Indeed, when&#13;<br \/>\nheld next to the Canon PowerShot S100, the RX100 lens has a lot more glass.&#13;<br \/>\nHowever, this has not affected the overall bulk of the&#13;<br \/>\ncamera as much as one would expect, and the RX100 has only a marginally bigger&#13;<br \/>\nbody. The lens comprises 7 elements in 6 groups, including one aspherical&#13;<br \/>\ntype and one optical image stabilisation (OIS) element. Each element features&#13;<br \/>\nthe company&#8217;s \u2018T&#8217; coating, while circular aperture blades are designed to give&#13;<br \/>\npleasant out of focus areas (bokeh). A downside to larger sensors is often the&#13;<br \/>\nminimum focus depth, but here it is an impressive 5cm at the widest focal&#13;<br \/>\nlength, or 55cm at the tele-end.\u00a0<\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p><strong>In&#13;<br \/>\nuse<\/strong><\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p>An&#13;<br \/>\nimmediate impression of the RX100 is how well it is made. Its design is simple and elegant with a smooth all-black exterior small enough to slip comfortably into a trouser&#13;<br \/>\npocket. The only textured part is the rubber thumb grip on the rear. The tough&#13;<br \/>\naluminum body is going to last, and from the couple of days I have used the&#13;<br \/>\ncamera it is resistant to scratches and markings.<\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/keyassets.timeincuk.net\/inspirewp\/live\/wp-content\/uploads\/sites\/12\/2012\/06\/11134_7C000001cf6_7Cec5b_100mm_2_web.jpg\" border=\"0\"><\/img> 100mm<\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p>Dominating&#13;<br \/>\nthe rear is a 3.0in VGA LCD screen equipped with Sony&#8217;s Trublack&#13;<br \/>\ntechnology. The resolution of the screen is a whopping 1.229-million-dots,&#13;<br \/>\nwhich includes a white pixel for every red, green and blue one (RGB). We have&#13;<br \/>\nbeen impressed by this type of setup in Ricoh&#8217;s GR Digital IV. Sony claims this&#13;<br \/>\nsetup increases contrast and that the screen is 2.5x brighter than the HX20V,&#13;<br \/>\nyet consumes 35% less power than a standard RBG screen. Indeed with a new&#13;<br \/>\nNP-BX1 battery, which Sony expects to bring into some of its future compact&#13;<br \/>\ncameras, the battery life is claimed to provide up to 330 shots, which is good&#13;<br \/>\nfor a compact camera.\u00a0<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/keyassets.timeincuk.net\/inspirewp\/live\/wp-content\/uploads\/sites\/12\/2012\/06\/11134_7C000001cf4_7Cba66_28mm_2_web.jpg\" border=\"0\"><\/img> 28mm<\/p>\n<p>Like&#13;<br \/>\nthe Canon PowerShot S100, the lens features a control ring, which can be used to&#13;<br \/>\ncontrol aperture or any of a number of key exposure controls including white balance and ISO, as well as manually focusing. With the&#13;<br \/>\ncamera in manual exposure mode, the lens control ring can work with the control&#13;<br \/>\nwheel on the rear of the camera to adjust shutter speed and aperture, which&#13;<br \/>\nhandily means the user does not have to press another button to switch between the two.\u00a0<\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p>Many&#13;<br \/>\nof the buttons can be customised, and up to 7 different controls can be&#13;<br \/>\nindividually added to the menu accessed via the function button. Furthermore,&#13;<br \/>\nthe \u2018memory&#8217; menu, accessed via its dedicated position on the shooting dial,&#13;<br \/>\nstores up to 3 exposure setups for quick access to regularly used&#13;<br \/>\nsettings.\u00a0<\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p>Sony&#13;<br \/>\nAlpha users will be immediately familiar with the in-depth menu and the level&#13;<br \/>\nof control available on the RX100. Neat areas of handling include the peaking&#13;<br \/>\ncontrol, designed to indicate the point of focus and overexposed&#13;<br \/>\nhighlights.\u00a0<\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p>\u00a0<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/keyassets.timeincuk.net\/inspirewp\/live\/wp-content\/uploads\/sites\/12\/2012\/06\/11134_7C000001cf1_7C47f4_macro_5cm_web.jpg\" border=\"0\" width=\"410\" height=\"273\"><\/img><\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p><strong>Images<\/strong><\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p>I&#13;<br \/>\nhave taken several images with the RX100, and early impressions are very&#13;<br \/>\npositive. For a camera of its size, the high resolution of the sensor&#13;<br \/>\nproduces unrivalled file sizes and also a high level of detail. Colours in JPEG&#13;<br \/>\nfiles are bright and punchy without being overly saturated or \u2018unreal&#8217;, while&#13;<br \/>\nthere is plenty of detail in highlight and shadow areas, indicating the&#13;<br \/>\ncamera&#8217;s dynamic range is rather good. The fixed Carl Zeiss lens appears to be&#13;<br \/>\ncrisp over most of the frame, with minor drop off at the edges at the&#13;<br \/>\nwide focal length. We will comment in more detail on the image quality when the&#13;<br \/>\ncamera receives a full test in the coming weeks.\u00a0<\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p>\u00a0<img decoding=\"async\" src=\"http:\/\/keyassets.timeincuk.net\/inspirewp\/live\/wp-content\/uploads\/sites\/12\/2012\/06\/11134_7C000001cf7_7Ca03d_colours_web.jpg\" border=\"0\"><\/img><\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p>At&#13;<br \/>\nthe time of writing, the estimated price of the Sony Cyber-shot RX100 is around&#13;<br \/>\n\u00a3550.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Sony Cyber-shot RX100 packs a 20.2-million pixel 1in CMOS sensor into a truly compact body and may just be the camera that bridges the size and quality gap between compacts and CSCs<\/p>\n","protected":false},"author":328,"featured_media":12818,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39],"tags":[],"product-category":[],"class_list":["post-12817","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photo-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.8 (Yoast SEO v26.8) - 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