{"id":128654,"date":"2019-06-08T17:17:32","date_gmt":"2019-06-08T16:17:32","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/?p=128654"},"modified":"2019-06-12T19:20:52","modified_gmt":"2019-06-12T18:20:52","slug":"acros-sea-x-t3","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/articles\/acros-sea-x-t3\/","title":{"rendered":"ACROS the sea with the X-T3"},"content":{"rendered":"<p>I recently spent 17 days sailing around the South Pacific on Holland America Line\u2019s <em>Maasdam<\/em>. Sailing from Brisbane, Australia, the itinerary comprised a scattering of islands of New Caledonia, Vanuatu and Fiji, before ending in Auckland, New Zealand. I took a Fujifilm X-T3 with a selection of lenses, to find out whether the system offered an ideal compromise between the image quality of full frame and the portability of Micro Four-Thirds.<\/p>\n<p>Beautiful as the port of call were, I found that the most interesting and challenging photographic subject was life on the ship itself. Cruiseships are like swans \u2013 beautiful and serene above the surface, but lots of activity down below. The <em>Maasdam<\/em> has a crew of over 500, from over 25 countries, working round the clock. Some are visible \u2013 the deck officers; the waiters; bartenders and room stewards; the entertainment, casino and shop staff; the guest relations and excursions staff; the security staff; and, of course, the ship\u2019s photographers. There are many more who live and work below the waterline \u2013 in the engine room, the laundry, the galley. Plumbers, electricians, engineers, carpenters, cooks, tailors, upholsterers, florists and many more whose names and faces remain unknown but without whom the guests\u2019 enjoyment would be diminished and, in some cases, their safety compromised. This is their story.<\/p>\n\n\t\t<div id=&quot;attachment_128627&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-128627 size-large\" src=\"\/wp-content\/uploads\/2019\/06\/9-DSCF3271p-600x400.jpg\" alt=\"Fujifilm X-T3\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">On the bridge. Fujifilm X-T3, 56mm f\/1.2 lens, 1\/420sec f\/2, ISO 160<\/p>\n\t\t<\/div>\n\t\t\n\n<h3>Using the X-T3<\/h3>\n<p>I chose to shoot in black &amp; white, using Fujifilm\u2019s excellent ACROS Film Simulation mode, which produces a much nicer tonality than the straight monochrome setting. One of the advantages of mirrorless when shooting mono is that you don\u2019t have to just imagine what your scene will look like in black &amp; white, as you do with a DSLR \u2013 you see a b&amp;w image in the EVF. Of course I was shooting in raw too so I could just use the ACROS mode as a shooting aid and reprocess my raw files later, using my own profile. But in reality the ACROS mode is so good I didn\u2019t think I could better it myself.<\/p>\n<p>I shot mostly in aperture priority or manual exposure mode, using auto ISO. It meant I could set the aperture and shutter combination I wanted, and let the camera take care of the exposure by adjusting the ISO, and with mirrorless cameras you can see in the viewfinder if the camera gets it wrong. The X-T3 never did. The images are so good even at ISO 6400 that I never had to worry about obtrusive noise. In ACROS mode noise resembles film grain and looks pleasing.<\/p>\n\n\t\t<div id=&quot;attachment_128633&quot;  class=\"c-caption alignnone\" style=\"max-width: 622px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-128633 size-large\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF2975p-602x400.jpg\" alt=\"Fujifilm X-T3\" width=\"602\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Arriving in Noumea, New Caledonia. Fujifilm X-T3, XF55-200mmF3.5-4.8 R LM OIS: 1\/500sec f\/5.6, ISO 160<\/p>\n\t\t<\/div>\n\t\t\n<p>The fast primes that I took really came into their own in the ship\u2019s low light. The X-T3 lacks in-body stabilisation and none of my primes had OIS, so I tried to keep the shutter speed above 1\/60sec, where possible, to reduce the risk of blur both from camera shake and subject movement, which meant I found myself shooting at wide apertures a lot of the time. One third of the black and white pictures were taken at f\/2 or wider, and another third were shot at ISO 6400 or higher. The resulting shallow depth of field helped separate the subjects from busy backgrounds \u2013 even when using the 16mm lens, which surprised me.<\/p>\n<p>The camera&#8217;s tilting touchscreen enabled me, when necessary, to shoot unobserved, from waist level, and select the focus point by tapping on it, and to make sense of a busy scene by holding the camera above my head with the screen tilted down. Generally the ambient noise ensured that the quiet shutter\u00a0 could not be heard, but on a couple of occasions I found the ability to switch to a completely silent electronic shutter very useful.<\/p>\n\n\t\t<div id=&quot;attachment_128655&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-128655 size-large\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3009p-600x400.jpg\" alt=\"Fujifilm X-T3\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Washing the ship. Fujifilm X-T3, XF16mmF1.4 R WR; 1\/300sec f\/5 ISO 160<\/p>\n\t\t<\/div>\n\t\t\n\n<p>Overall the X-T3 is, to me, almost the perfect travel photographer\u2019s camera. Its only downside, for me, is the lack of stabilisation, either in the body or my favourite lenses. Although it wasn\u2019t a big issue on this project there were times that it would have been useful. It\u2019s the one thing I\u2019d like to see added to a future X-T4 &#8211; though not if it makes the body bigger. Maybe I\u2019m asking too much, but if Sony can do it&#8230;<\/p>\n<p>As for the lenses, the fast primes are just superb, and compared to their full frame counterparts they\u2019re very small. But if you\u2019re really counting every gram the f\/2 versions are much smaller still. With a gun to my head and forced to choose just three of them, I\u2019d probably go for the 16mm f\/1.4 and 56mm f\/1.2 primes, plus the 18-55mm f\/2.8-4 for when circumstances call for a zoom. I loved shooting portraits at wide-apertures with the 56mm f\/1.2 and the quality is fantastic. About 35% of the pictures in my favourites folder were taken with it. I like the combination of in-your-face perspective and shallow depth of field that you can get from shooting wide open at close range with the 16mm f\/1.4 lens. The 18-55mm f\/2.8-4 is a great walkabout lens. I didn\u2019t feel like I was compromising much in quality with this lens, despite its modest size, and I gained a lot in convenience.<\/p>\n\n\t\t<div id=&quot;attachment_128624&quot;  class=\"c-caption alignnone\" style=\"max-width: 619px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-128624 size-large\" src=\"\/wp-content\/uploads\/2019\/06\/6-DSCF3840p-copy-599x400.jpg\" alt=\"Fujifilm X-T3\" width=\"599\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">The Cruise Director, spotlit in a darkened theatre. Fujifilm X-T3, 56mm, 1\/80sec f\/1.2, ISO 1000<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128628&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128628\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3824p-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">The AV technician at work during a show. Shot at ISO 6400 but the noise is not obtrusive. Fujifilm X-T3, XF56mm F1.2 R, 1\/60sec f\/2.2, ISO 6400<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128659&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128659\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3855p-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">The orchestra, performing the score to the BBC&#8217;s Frozen Planet as the visuals are displayed on the big screen. Fujifilm X-T3, XF56mm F1.2 R. 1\/80sec f\/1.2, ISO 2500<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128616&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128616\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3860p-copy-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Musician, during a performance. Fujifilm X-T3, XF56mm F1.2 R, 1\/80sec f\/1.8, ISO 1600<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128653&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128653\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF4551p-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Shot backstage in near darkness at ISO 6400. Fujifilm X-T3, XF35mm F2 R WR, 1\/60sec f\/2.8, ISO 6400<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128636&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128636\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3220-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">View from the stage during a port orientation talk. Fujifilm X-T3, XF35mm F2 R WR, 1\/50sec f\/4, ISO 5000<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128632&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-128632 size-large\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF2957-600x400.jpg\" alt=\"Fujifilm X-T3\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Bartender, shot wide open on the 56mm. Fujifilm X-T3, XF56mmF1.2 R, 1\/60sec f\/1.2, ISO 2000<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128660&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128660\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3100p-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Don&#8217;t shoot the piano player. Fujifilm X-T3, XF35mm F2 R WR, 1\/50sec f\/2.8, ISO 5000<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128652&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128652\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF4390p-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Bartender. Fuifilm X-T3, XF56mmF1.2 R, 1\/60sec f\/1.4, ISO 1600<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128638&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128638\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3291p-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">On the bridge. Fuifilm X-T3, XF55-200mm F3.5-4.8 R LM OIS, 1\/110sec f\/8, ISO 12500<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128637&quot;  class=\"c-caption alignnone\" style=\"max-width: 621px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128637\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3297p_1-601x400.jpg\" alt=\"\" width=\"601\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">On the bridge. Fuifilm X-T3, XF55-200mm F3.5-4.8 R LM OIS, 1\/80sec f\/8, ISO 800<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128618&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-128618 size-large\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF4149p-copy-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">One of the Maasdam&#8217;s unique attractions is its fleet of zodiacs, which in selected ports take guests to more remote places not accessible by larger vessels. Fujifilm X-T3, XF18-55mmF2.8-4 R LM OIS, 1\/450sec f\/5.6, ISO 160<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128641&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128641\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3762p-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">The Maasdam&#8217;s fleet of Zodiacs arrive at Mystery Island, Vanuatu.<br \/>Fujifilm X-T3, XF18-55mmF2.8-4 R LM OIS at 18mm, 1\/800sec f\/5.6, ISO 160<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128640&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128640\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3746p-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Zodiac pilots prepare for departure from Mystery Island, Vanuatu.<br \/>Fujifilm X-T3, XF18-55mmF2.8-4 R LM OIS at 18mm, 1\/680sec f\/5.6, ISO 160<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128642&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128642\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3893p-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Crew lifeboat drill: Fujifilm X-T3, XF55-200mm F3.5-4.8 R LM OIS at 200mm, 1\/300sec f\/8, ISO 800<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128622&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128622\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF4547-copy-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Maintaining a ship the size of the Maasdam is a full-time job. Fujifilm X-T3, XF55-200mm F3.5-4.8 R LM OIS, 1\/250sec f\/8, ISO 160<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128634&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128634\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3099p-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Lido chef. Fujifilm X-T3, XF16mm F1.4 R WR, 1\/60sec f\/1.4, ISO 3200<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128625&quot;  class=\"c-caption alignnone\" style=\"max-width: 641px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-128625 size-large\" src=\"\/wp-content\/uploads\/2019\/06\/7-DSCF4304pp-621x400.jpg\" alt=\"Fujifilm X-T3\" width=\"621\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">The ship&#8217;s galley: Fujifilm X-T3, XF16mm F1.4 R WR, 1\/60se f\/5.6, ISO 2500<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128647&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128647\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF4308-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">In the galley at ISO 6400. Fujifilm X-T3, XF16mm F1.4 R WR, 1\/60sec f\/5.6, ISO 6400<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128648&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128648\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF4332p-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">The ship&#8217;s galley: Fujifilm X-T3, XF56mm F1.2 R, 1\/125sec f\/2, ISO 800<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128651&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128651\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF4353-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Blow-torching the creme brulees. Fujifilm X-T3, XF23mm F1.4 R, 1\/30sec f\/2.8, ISO 6400<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128626&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128626\" src=\"\/wp-content\/uploads\/2019\/06\/8-DSCF4327p-copy-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">A slow shutter speed was used to capture the bustle of the galley Fujifilm X-T3, 16mm f\/1.4, 1\/15sec f\/5.6, ISO 800<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128650&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128650\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF4351p-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Dessert. Fujifilm X-T3, XF23mm F1.4 R, 1\/15sec f\/2.8, ISO 240<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128615&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128615\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3486p-copy-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Waiters in the restaurant. Fujifilm X-T3, XF16mm F1.4 R WR, 1\/60sec f\/1.4, ISO 3200<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128621&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128621\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF4352p-copy-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Time for dessert, Fujifilm X-T3, XF23mmF1.4 R, 1\/30sec f\/2.8, ISO 400<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128617&quot;  class=\"c-caption alignnone\" style=\"max-width: 596px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-128617 size-large\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3972p-576x400.jpg\" alt=\"Fujifilm X-T3\" width=\"576\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">The ship&#8217;s laundry. Fujifilm X-T3, XF56mm F1.2 R. 1\/80sec f\/1.4, ISO 800<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128614&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128614\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3959-copy-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Upholsterer at work. Fujifilm X-T3, XF35mm F2 R WR, 1\/50sec f\/4.5, ISO 2500<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128657&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-128657 size-large\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3126p-600x400.jpg\" alt=\"Fujifilm X-T3\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Preparing the tenders, with the ship at anchor. Fujifilm X-T3, XF18-55mm F2.8-4 R LM OIS, 1\/40sec f\/5.0, ISO 160<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128635&quot;  class=\"c-caption alignnone\" style=\"max-width: 625px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128635\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3150p-605x400.jpg\" alt=\"\" width=\"605\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Driving the tender, taking guests ashore.Fujifilm X-T3, XF18-55mm F2.8-4 R LM OIS, 1\/120sec f\/5.6, ISO 160<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128646&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-128646\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3164-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Helping guests out of the tender at Tadine. Fujifilm X-T3, XF18-55mm F2.8-4 R LM OIS, 1\/1000 f\/5.6, ISO 160<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t<div id=&quot;attachment_128620&quot;  class=\"c-caption alignnone\" style=\"max-width: 620px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-128620 size-large\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF4232p-copy-600x400.jpg\" alt=\"Fujifilm X-T3\" width=\"600\" height=\"400\" \/>\t\t\t<p class=\"c-caption__text\">Refreshments on the quayside. Fujifilm X-T3, XF18-55mm F2.8-4 R LM OIS, 1\/45sec f\/4.5, ISO 200<\/p>\n\t\t<\/div>\n\t\t\n\n<p>A more detailed feature about this cruise, and the Fujifilm X-T3 , appears in the 15th June issue of Amateur Photographer magazine, on sale 11th June 2019.<\/p>\n<h3><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-128669 alignnone\" src=\"\/wp-content\/uploads\/2019\/06\/AP-Cover-June-15-copy-300x438.jpg\" alt=\"\" width=\"300\" height=\"438\" \/><\/h3>\n\n<h3>About the Maasdam<\/h3>\n<p>The Maasdam is one of the smallest ships in the Holland America Line fleet, cruising mainly in Asia and the Pacific, and the main focus of the company&#8217;s Explorations Central In-Depth Voyages program. For more information about Maasdam and Holland America <a href=\"https:\/\/www.hollandamerica.com\/en_US\/cruise-ships\/ms-maasdam\/4.html\">visit their website.<\/a><\/p>\n\t\t<div id=&quot;attachment_128606&quot;  class=\"c-caption alignleft\" style=\"max-width: 320px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-128606\" src=\"\/wp-content\/uploads\/2019\/06\/DSCF3169p_1-300x201.jpg\" alt=\"\" width=\"300\" height=\"201\" \/>\t\t\t<p class=\"c-caption__text\">The Maasdam, at anchor off Tadine, New Caledonia.<\/p>\n\t\t<\/div>\n\t\t\n\n","protected":false},"excerpt":{"rendered":"<p>I recently spent 17 days sailing around the South Pacific on Holland America Line\u2019s Maasdam. Sailing from Brisbane, Australia, the itinerary comprised a scattering of islands of New Caledonia, Vanuatu and Fiji, before ending in Auckland, New Zealand. I took a Fujifilm X-T3 with a selection of lenses, to find out whether the system offered [&hellip;]<\/p>\n","protected":false},"author":337,"featured_media":128623,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1441,311],"tags":[596,1442,1398],"product-category":[],"class_list":["post-128654","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-field-tests","category-articles","tag-fujifilm","tag-maasdam","tag-x-t3"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.8 (Yoast SEO v26.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>ACROS the sea with the X-T3 - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"AP Editor Nigel Atherton used a Fujifilm X-T3 in its Acros Film Simulation mode to document crew life aboard a luxury Holland America Line cruiseship\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/articles\/acros-sea-x-t3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ACROS the sea with the X-T3\" \/>\n<meta property=\"og:description\" content=\"AP Editor Nigel Atherton used a Fujifilm X-T3 in its Acros Film Simulation mode to document crew life aboard a luxury Holland America Line cruiseship\" \/>\n<meta property=\"og:url\" content=\"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/articles\/acros-sea-x-t3\/\" \/>\n<meta property=\"og:site_name\" content=\"Amateur Photographer\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/Amateur.photographer.magazine\" \/>\n<meta property=\"article:published_time\" content=\"2019-06-08T16:17:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-06-12T18:20:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2019\/06\/5-DSCF2951p_1p-copy.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"6071\" \/>\n\t<meta property=\"og:image:height\" content=\"4100\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Louis D. 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