![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Mamiya-RB67-Pro-S.jpg\")
\t\t\tWith an eye-level prism finder fitted, the addition of a handgrip helps to stabilise the Mamiya RB67. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Mamiya RB67 Pro S<\/h2>\n\n- Launched<\/strong> 1974<\/li>\n
- Format<\/strong> 10 exp 6x7cm<\/li>\n
- Guide price today<\/strong> \u00a3300-450<\/li>\n<\/ul>\n
Like many of its contemporaries, the RB67 adopts a modular design. At its heart is a box containing the reflex mirror, focusing screen and a lens panel that extends on bellows. The film is loaded into a magazine back that fits to the rear. Lenses fit via a breach-lock at the front. Waist-level and eye-level viewfinders slot over the focusing screen on the top.<\/p>\n
The camera is usually found with a standard 90mm f\/3.8 Mamiya-Sekkor C lens that stops down to f\/32 and focuses from 4 feet to infinity. A Seiko mechanical shutter situated in the lens is speeded 1\u20131\/400sec, while M and X synchronisation means flash can be used at any shutter speed. A range of accessory lenses from 37mm fisheye to 500mm telephoto is available.<\/p>\n\t\t
\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Mamiya-RB67-in-parts.jpg\")
\t\t\tBreaking down the Mamiya RB67. Left to right:120 roll film back, cut film holder, body and bellows (showing the focusing scale for different focal lengths), and standard lens. Metered prism and waist-level viewfinders are shown above. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Thanks to the built-in bellows which extend 46mm from the body, close-up photography is possible, right down to 3.9cm camera-to-subject distance when a 50mm wideangle lens is in use. Focusing scales for different focal lengths are revealed on the side of the camera as the bellows are extended.<\/p>\n
The film back incorporates a dark slide to protect the film if it is changed mid-roll, but which must be pulled out before an exposure is made. The back can be rotated for landscape or portrait pictures. Film wind is by lever. Other film backs are available including one for motorised film advance, another for 20 exposures on 220 film, a special back for shooting 6×4.5cm images, a Polaroid back and even holders for plates and cut film.<\/p>\n\t\t
\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Mamiya-RB67.jpg\")
\t\t\tThe RB67 is usually found with its waist-level finder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
The waist-level viewfinder with which the camera is usually equipped incorporates a focusing hood with magnifier and unfolds to reveal a 7x7cm screen, with indicators to show which way the back is oriented. The mirror is lowered by a lever on the side of the body, apertures and shutter speeds are set on rings around the lens, focus is by turning a body-mounted knob to extend and retract the bellows and the shutter is released by a button beneath the lens. On exposure, the reflex mirror flips up and doesn\u2019t return until the body lever is depressed again.<\/p>\n\t\t
\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Mamiya-RB67-inside-120-roll-film-back.jpg\")
\t\t\tInside the 120 roll film back, ready for loading. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Although the RB67 is best used on a tripod, it is easy to operate handheld with a waist-level viewfinder. Handholding the camera with an eye-level viewfinder is more clumsy, but is made easier by the addition of a heavy-duty grip that screws into the tripod bush, adds an accessory shoe for a flashgun and links a trigger to the shutter release.<\/p>\n
Other accessories available for the RB67 include a range of grips, auto extension tubes, manual and metered waist-level and eye-level prism viewfinders with eye- correction lenses, a sports finder, interchangeable focusing screens, bellows lens hood and more.<\/p>\n
\n\t\t\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Hasselblad-500CM.jpg\")
\t\t\tHasselblad 500C\/M: expensive, but top quality. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Hasselblad 500C\/M<\/h2>\n\n- Launched<\/strong> 1970<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3900-1,200<\/li>\n<\/ul>\n
Hasselblads break down into the traditional modular design of body, lens, film back and viewfinder. Early cameras used focal plane shutters, but with the Hasselblad 500C, launched in 1957, a switch was made to lens integral mechanical leaf shutters, speeded 1-1\/500sec. The 500C\/M is an upgrade of the Hasselblad 500C, notable for the ease with which focusing screens can be exchanged. Look for one with the special bright screen to increase viewfinder brilliance. A wide range of lenses and accessories is available. Hasselblads are expensive, but their quality is legendary.<\/p>\n
\n\t\t\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Zenith-80.jpg\")
\t\t\tZenith 80 with standard lens fitted, plus telephoto and wideangle lenses. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Zenith 80<\/h2>\n\n- Launched<\/strong> 1972<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-150<\/li>\n<\/ul>\n
If you fancy a Hasselblad but your budget won\u2019t stretch to it, try this Russian copy of a Hasselblad 1000F. Its usual standard lens is an 80mm Industar, but a 65mm f\/3.5 Mir-3 wideangle and a 300mm f\/4.5 Tair-33 telephoto were also made for the camera. The shutter is mechanical, but a word of warning: shutter speeds must be set before film winding. Setting the shutter after winding will jam the mechanism. Despite its relatively low cost, it\u2019s a good solid camera capable of quality results.<\/p>\n
\n\t\t\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Pentax-6x7.jpg\")
\t\t\tPentax 6×7, side by side with a Pentax ME Super for scale, giving an idea of its size. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Pentax 6×7<\/h2>\n\n- Launched<\/strong> 1969<\/li>\n
- Format<\/strong> 10 exp 6x7cm<\/li>\n
- Guide price today<\/strong> \u00a3400-600<\/li>\n<\/ul>\n
Here\u2019s a camera that you can use like a giant 35mm SLR, but with the image size and quality of a roll film camera. It can be equipped with a metered eye-level viewfinder or a non-metered version plus a waist-level finder. The standard lens is usually a 90mm focal length, but a range from 35mm fisheye to 1,000mm telephoto is also available. The electronic focal plane shutter offers speeds of 1-1\/1,000sec.<\/p>\n
\n\t\t\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Bronica-ETRS.jpg\")
\t\t\tThe Bronica ETRS shoots a more economical 6×4.5cm image. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Bronica ETRS<\/h2>\n\n- Launched<\/strong> 1979<\/li>\n
- Format<\/strong> 16 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3200-250<\/li>\n<\/ul>\n
For more economy, while still shooting a decent size image, the Bronica ETR, launched in 1976 and later upgraded as the ETRS, is worth a glance. The lens-integral shutter is electronic and speeded 8-1\/500sec, but defaults to a 1\/500 mechanical speed if the battery fails. Waist-level and eye-level viewfinders are available along with a wide range of lenses and accessories.<\/p>\n
\n\t\t\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Exakta-66.jpg\")
\t\t\tExakta 66 marked a departure for its manufacturer from the more usual Exakta 35mm SLRs. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Exakta 66<\/h2>\n\n- Launched<\/strong> 1953<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3700-1,000<\/li>\n<\/ul>\n
The Exakta name is usually more associated with 35mm SLRs, and the first 66 model did resemble a large 35mm camera. But in 1953 the Exakta camera was redesigned into this more stylish version. It features a waist-level viewfinder, has a detachable film back and accepts a wide range of interchangeable lenses. The mechanical shutter speeds run from 1\/1,000sec down to an incredible 12 full seconds.<\/p>\n
\n\t\t\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Pentacon-Six.jpg\")
\t\t\tPentacon Six with eye-level viewfinder fitted and waist-level finder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Pentacon Six<\/h2>\n\n- Launched<\/strong> 1956<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3200-300<\/li>\n<\/ul>\n
If you like your roll film reflexes to handle like big 35mm SLRs, but want one half the price of a Pentax 6×7, then go for a Pentacon Six. You don\u2019t get an interchangeable film back, but you get a choice of eye-level or waist-level viewfinders and lenses made by prestigious names like Zeiss and Schneider. Controls such as the film wind lever, mechanical shutter speed dial and aperture ring are all exactly where you would expect to find them on a smaller 35mm camera.<\/p>\n
\n\t\t\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Corfield-66.jpg\")
\t\t\tCorfield 66, a rare English-made roll film reflex. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Corfield 66<\/h2>\n\n- Launched<\/strong> 1961<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Made by the English Corfield factory, best known for its range of 35mm Periflex cameras, this is an all- mechanical roll film SLR with a waist-level viewfinder, shutter speeded 1\/10- 1\/500sec and a detachable film back. The Lumax 95mm f\/3.5 standard lens is interchangeable, but the lens mount is unique and no other lenses were made for the camera. Only about 300 were made, so today this is a bit of an oddity which although fun to use, is likely to appeal more to collectors.<\/p>\n
\n\t\t\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Noviflex.jpg\")
\t\t\tThe Noviflex is a collector\u2019s camera, but it\u2019s still very usable. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Noviflex<\/h2>\n\n- Launched<\/strong> 1934<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Predating the earliest Hasselblad by more than a decade, this was the first SLR to shoot 6x6cm images on 120 film. That makes it a collector\u2019s item these days, but it\u2019s also a very usable camera, although it has neither interchangeable lenses nor a detachable film back. Reflex viewing is available only with the fixed waist-level finder, but the camera can be used at eye-level thanks to a fold-up wire frame at the front and a back sight at the rear. The mechanical focal plane shutter offers 1\/20-1\/1,000sec speeds.<\/p>\n
\n\t\t\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Kiev-6C.jpg\")
\t\t\tThe Kiev 6C ready for eye-level shooting, plus its accessory waist-level viewfinder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Kiev 6C<\/h2>\n\n- Launched<\/strong> 1977<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-120<\/li>\n<\/ul>\n
Here\u2019s another gigantic 35mm SLR lookalike. There\u2019s no detachable film back, but there is a choice of waist-level, plain or through-the-lens (TTL) metered eye-level viewfinders. It shares its lens mount and choice of lenses with a Pentacon Six, and the 90mm f\/2.8 Vega lens with which it is usually equipped is known for its sharpness. The mechanical shutter offers 1\/2-1\/1,000sec speeds, but the left-handed shutter release makes the camera awkward to use handheld.<\/p>\n
\n\t\t\n\t\t\t![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-Mamiya-M645-1000S.jpg\")
\t\t\tMamiya M645 1000S shoots fifteen 6×4.5cm exposures. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Mamiya M645 1000S<\/h2>\n\n- Launched<\/strong> 1976<\/li>\n
- Format<\/strong> 15 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3220-280<\/li>\n<\/ul>\n
The Mamiya RB67\u2019s little brother was originally launched in 1975 and upgraded a year later with a higher top shutter speed, self-timer and depth-of-field preview. So of the two early models, the upgraded 1000S is the better one. It offers interchangeable viewfinders and focusing screens, but there is no interchangeable film back. The electronic focal plane shutter is speeded 8-1\/1,000sec and there is a mirror lock-up facility. The standard lens is a Mamiya-Sekor C 80mm f\/2.8, but a full range is available from 24mm to 500mm. A second shutter release on top of the body is convenient for use at waist level. This and the M645 cameras that followed make ideal introductions to quality, budget-priced, roll film reflex photography. Unlike the early metal cameras, however, the later cameras were made of plastic.<\/p>\n
\nChoosing a roll film reflex<\/h2>\n\n- Which image format works best for you?<\/li>\n
- Traditional box shape camera or large 35mm SLR lookalike?<\/li>\n
- Waist-level or eye-level viewfinder?<\/li>\n
- Plain focusing screen or rangefinder equipped?<\/li>\n
- Fully manual or metered?<\/li>\n
- Are you prepared to use a tripod, or do you want to only use the camera handheld? If the latter, a waist-level viewfinder will suit you better.<\/li>\n
- Can you buy 120 film easily? If not, run a search on Amazon: www.amazon.co.uk\/s?k=120+roll+film<\/a>.<\/li>\n
- Can you get 120 film processed? If your local high street processors can\u2019t handle it, try www.digitalab.co.uk\/film-processing<\/a>.<\/li>\n
- Although many roll film reflexes are relatively cheap to buy, their lenses and accessories remain expensive. Take this into account when making your choice.<\/li>\n<\/ul>\n
\nUsing a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
\n\t\t
Like many of its contemporaries, the RB67 adopts a modular design. At its heart is a box containing the reflex mirror, focusing screen and a lens panel that extends on bellows. The film is loaded into a magazine back that fits to the rear. Lenses fit via a breach-lock at the front. Waist-level and eye-level viewfinders slot over the focusing screen on the top.<\/p>\n
The camera is usually found with a standard 90mm f\/3.8 Mamiya-Sekkor C lens that stops down to f\/32 and focuses from 4 feet to infinity. A Seiko mechanical shutter situated in the lens is speeded 1\u20131\/400sec, while M and X synchronisation means flash can be used at any shutter speed. A range of accessory lenses from 37mm fisheye to 500mm telephoto is available.<\/p>\n\t\t
\t\t\tBreaking down the Mamiya RB67. Left to right:120 roll film back, cut film holder, body and bellows (showing the focusing scale for different focal lengths), and standard lens. Metered prism and waist-level viewfinders are shown above. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Thanks to the built-in bellows which extend 46mm from the body, close-up photography is possible, right down to 3.9cm camera-to-subject distance when a 50mm wideangle lens is in use. Focusing scales for different focal lengths are revealed on the side of the camera as the bellows are extended.<\/p>\n
The film back incorporates a dark slide to protect the film if it is changed mid-roll, but which must be pulled out before an exposure is made. The back can be rotated for landscape or portrait pictures. Film wind is by lever. Other film backs are available including one for motorised film advance, another for 20 exposures on 220 film, a special back for shooting 6×4.5cm images, a Polaroid back and even holders for plates and cut film.<\/p>\n\t\t
\t\t\tThe RB67 is usually found with its waist-level finder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
The waist-level viewfinder with which the camera is usually equipped incorporates a focusing hood with magnifier and unfolds to reveal a 7x7cm screen, with indicators to show which way the back is oriented. The mirror is lowered by a lever on the side of the body, apertures and shutter speeds are set on rings around the lens, focus is by turning a body-mounted knob to extend and retract the bellows and the shutter is released by a button beneath the lens. On exposure, the reflex mirror flips up and doesn\u2019t return until the body lever is depressed again.<\/p>\n\t\t
\t\t\tInside the 120 roll film back, ready for loading. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Although the RB67 is best used on a tripod, it is easy to operate handheld with a waist-level viewfinder. Handholding the camera with an eye-level viewfinder is more clumsy, but is made easier by the addition of a heavy-duty grip that screws into the tripod bush, adds an accessory shoe for a flashgun and links a trigger to the shutter release.<\/p>\n
Other accessories available for the RB67 include a range of grips, auto extension tubes, manual and metered waist-level and eye-level prism viewfinders with eye- correction lenses, a sports finder, interchangeable focusing screens, bellows lens hood and more.<\/p>\n
\n\t\t
\t\t\tHasselblad 500C\/M: expensive, but top quality. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Hasselblad 500C\/M<\/h2>\n\n- Launched<\/strong> 1970<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3900-1,200<\/li>\n<\/ul>\n
Hasselblads break down into the traditional modular design of body, lens, film back and viewfinder. Early cameras used focal plane shutters, but with the Hasselblad 500C, launched in 1957, a switch was made to lens integral mechanical leaf shutters, speeded 1-1\/500sec. The 500C\/M is an upgrade of the Hasselblad 500C, notable for the ease with which focusing screens can be exchanged. Look for one with the special bright screen to increase viewfinder brilliance. A wide range of lenses and accessories is available. Hasselblads are expensive, but their quality is legendary.<\/p>\n
\n\t\t\n\t\t\t\t\t\tZenith 80 with standard lens fitted, plus telephoto and wideangle lenses. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Zenith 80<\/h2>\n\n- Launched<\/strong> 1972<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-150<\/li>\n<\/ul>\n
If you fancy a Hasselblad but your budget won\u2019t stretch to it, try this Russian copy of a Hasselblad 1000F. Its usual standard lens is an 80mm Industar, but a 65mm f\/3.5 Mir-3 wideangle and a 300mm f\/4.5 Tair-33 telephoto were also made for the camera. The shutter is mechanical, but a word of warning: shutter speeds must be set before film winding. Setting the shutter after winding will jam the mechanism. Despite its relatively low cost, it\u2019s a good solid camera capable of quality results.<\/p>\n
\n\t\t\n\t\t\t\t\t\tPentax 6×7, side by side with a Pentax ME Super for scale, giving an idea of its size. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Pentax 6×7<\/h2>\n\n- Launched<\/strong> 1969<\/li>\n
- Format<\/strong> 10 exp 6x7cm<\/li>\n
- Guide price today<\/strong> \u00a3400-600<\/li>\n<\/ul>\n
Here\u2019s a camera that you can use like a giant 35mm SLR, but with the image size and quality of a roll film camera. It can be equipped with a metered eye-level viewfinder or a non-metered version plus a waist-level finder. The standard lens is usually a 90mm focal length, but a range from 35mm fisheye to 1,000mm telephoto is also available. The electronic focal plane shutter offers speeds of 1-1\/1,000sec.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Bronica ETRS shoots a more economical 6×4.5cm image. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Bronica ETRS<\/h2>\n\n- Launched<\/strong> 1979<\/li>\n
- Format<\/strong> 16 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3200-250<\/li>\n<\/ul>\n
For more economy, while still shooting a decent size image, the Bronica ETR, launched in 1976 and later upgraded as the ETRS, is worth a glance. The lens-integral shutter is electronic and speeded 8-1\/500sec, but defaults to a 1\/500 mechanical speed if the battery fails. Waist-level and eye-level viewfinders are available along with a wide range of lenses and accessories.<\/p>\n
\n\t\t\n\t\t\t\t\t\tExakta 66 marked a departure for its manufacturer from the more usual Exakta 35mm SLRs. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Exakta 66<\/h2>\n\n- Launched<\/strong> 1953<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3700-1,000<\/li>\n<\/ul>\n
The Exakta name is usually more associated with 35mm SLRs, and the first 66 model did resemble a large 35mm camera. But in 1953 the Exakta camera was redesigned into this more stylish version. It features a waist-level viewfinder, has a detachable film back and accepts a wide range of interchangeable lenses. The mechanical shutter speeds run from 1\/1,000sec down to an incredible 12 full seconds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tPentacon Six with eye-level viewfinder fitted and waist-level finder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Pentacon Six<\/h2>\n\n- Launched<\/strong> 1956<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3200-300<\/li>\n<\/ul>\n
If you like your roll film reflexes to handle like big 35mm SLRs, but want one half the price of a Pentax 6×7, then go for a Pentacon Six. You don\u2019t get an interchangeable film back, but you get a choice of eye-level or waist-level viewfinders and lenses made by prestigious names like Zeiss and Schneider. Controls such as the film wind lever, mechanical shutter speed dial and aperture ring are all exactly where you would expect to find them on a smaller 35mm camera.<\/p>\n
\n\t\t\n\t\t\t\t\t\tCorfield 66, a rare English-made roll film reflex. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Corfield 66<\/h2>\n\n- Launched<\/strong> 1961<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Made by the English Corfield factory, best known for its range of 35mm Periflex cameras, this is an all- mechanical roll film SLR with a waist-level viewfinder, shutter speeded 1\/10- 1\/500sec and a detachable film back. The Lumax 95mm f\/3.5 standard lens is interchangeable, but the lens mount is unique and no other lenses were made for the camera. Only about 300 were made, so today this is a bit of an oddity which although fun to use, is likely to appeal more to collectors.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Noviflex is a collector\u2019s camera, but it\u2019s still very usable. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Noviflex<\/h2>\n\n- Launched<\/strong> 1934<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Predating the earliest Hasselblad by more than a decade, this was the first SLR to shoot 6x6cm images on 120 film. That makes it a collector\u2019s item these days, but it\u2019s also a very usable camera, although it has neither interchangeable lenses nor a detachable film back. Reflex viewing is available only with the fixed waist-level finder, but the camera can be used at eye-level thanks to a fold-up wire frame at the front and a back sight at the rear. The mechanical focal plane shutter offers 1\/20-1\/1,000sec speeds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Kiev 6C ready for eye-level shooting, plus its accessory waist-level viewfinder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Kiev 6C<\/h2>\n\n- Launched<\/strong> 1977<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-120<\/li>\n<\/ul>\n
Here\u2019s another gigantic 35mm SLR lookalike. There\u2019s no detachable film back, but there is a choice of waist-level, plain or through-the-lens (TTL) metered eye-level viewfinders. It shares its lens mount and choice of lenses with a Pentacon Six, and the 90mm f\/2.8 Vega lens with which it is usually equipped is known for its sharpness. The mechanical shutter offers 1\/2-1\/1,000sec speeds, but the left-handed shutter release makes the camera awkward to use handheld.<\/p>\n
\n\t\t\n\t\t\t\t\t\tMamiya M645 1000S shoots fifteen 6×4.5cm exposures. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Mamiya M645 1000S<\/h2>\n\n- Launched<\/strong> 1976<\/li>\n
- Format<\/strong> 15 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3220-280<\/li>\n<\/ul>\n
The Mamiya RB67\u2019s little brother was originally launched in 1975 and upgraded a year later with a higher top shutter speed, self-timer and depth-of-field preview. So of the two early models, the upgraded 1000S is the better one. It offers interchangeable viewfinders and focusing screens, but there is no interchangeable film back. The electronic focal plane shutter is speeded 8-1\/1,000sec and there is a mirror lock-up facility. The standard lens is a Mamiya-Sekor C 80mm f\/2.8, but a full range is available from 24mm to 500mm. A second shutter release on top of the body is convenient for use at waist level. This and the M645 cameras that followed make ideal introductions to quality, budget-priced, roll film reflex photography. Unlike the early metal cameras, however, the later cameras were made of plastic.<\/p>\n
\nChoosing a roll film reflex<\/h2>\n\n- Which image format works best for you?<\/li>\n
- Traditional box shape camera or large 35mm SLR lookalike?<\/li>\n
- Waist-level or eye-level viewfinder?<\/li>\n
- Plain focusing screen or rangefinder equipped?<\/li>\n
- Fully manual or metered?<\/li>\n
- Are you prepared to use a tripod, or do you want to only use the camera handheld? If the latter, a waist-level viewfinder will suit you better.<\/li>\n
- Can you buy 120 film easily? If not, run a search on Amazon: www.amazon.co.uk\/s?k=120+roll+film<\/a>.<\/li>\n
- Can you get 120 film processed? If your local high street processors can\u2019t handle it, try www.digitalab.co.uk\/film-processing<\/a>.<\/li>\n
- Although many roll film reflexes are relatively cheap to buy, their lenses and accessories remain expensive. Take this into account when making your choice.<\/li>\n<\/ul>\n
\nUsing a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
\n\t\t
Hasselblads break down into the traditional modular design of body, lens, film back and viewfinder. Early cameras used focal plane shutters, but with the Hasselblad 500C, launched in 1957, a switch was made to lens integral mechanical leaf shutters, speeded 1-1\/500sec. The 500C\/M is an upgrade of the Hasselblad 500C, notable for the ease with which focusing screens can be exchanged. Look for one with the special bright screen to increase viewfinder brilliance. A wide range of lenses and accessories is available. Hasselblads are expensive, but their quality is legendary.<\/p>\n
\n\t\t
\t\t\tZenith 80 with standard lens fitted, plus telephoto and wideangle lenses. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Zenith 80<\/h2>\n\n- Launched<\/strong> 1972<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-150<\/li>\n<\/ul>\n
If you fancy a Hasselblad but your budget won\u2019t stretch to it, try this Russian copy of a Hasselblad 1000F. Its usual standard lens is an 80mm Industar, but a 65mm f\/3.5 Mir-3 wideangle and a 300mm f\/4.5 Tair-33 telephoto were also made for the camera. The shutter is mechanical, but a word of warning: shutter speeds must be set before film winding. Setting the shutter after winding will jam the mechanism. Despite its relatively low cost, it\u2019s a good solid camera capable of quality results.<\/p>\n
\n\t\t\n\t\t\t\t\t\tPentax 6×7, side by side with a Pentax ME Super for scale, giving an idea of its size. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Pentax 6×7<\/h2>\n\n- Launched<\/strong> 1969<\/li>\n
- Format<\/strong> 10 exp 6x7cm<\/li>\n
- Guide price today<\/strong> \u00a3400-600<\/li>\n<\/ul>\n
Here\u2019s a camera that you can use like a giant 35mm SLR, but with the image size and quality of a roll film camera. It can be equipped with a metered eye-level viewfinder or a non-metered version plus a waist-level finder. The standard lens is usually a 90mm focal length, but a range from 35mm fisheye to 1,000mm telephoto is also available. The electronic focal plane shutter offers speeds of 1-1\/1,000sec.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Bronica ETRS shoots a more economical 6×4.5cm image. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Bronica ETRS<\/h2>\n\n- Launched<\/strong> 1979<\/li>\n
- Format<\/strong> 16 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3200-250<\/li>\n<\/ul>\n
For more economy, while still shooting a decent size image, the Bronica ETR, launched in 1976 and later upgraded as the ETRS, is worth a glance. The lens-integral shutter is electronic and speeded 8-1\/500sec, but defaults to a 1\/500 mechanical speed if the battery fails. Waist-level and eye-level viewfinders are available along with a wide range of lenses and accessories.<\/p>\n
\n\t\t\n\t\t\t\t\t\tExakta 66 marked a departure for its manufacturer from the more usual Exakta 35mm SLRs. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Exakta 66<\/h2>\n\n- Launched<\/strong> 1953<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3700-1,000<\/li>\n<\/ul>\n
The Exakta name is usually more associated with 35mm SLRs, and the first 66 model did resemble a large 35mm camera. But in 1953 the Exakta camera was redesigned into this more stylish version. It features a waist-level viewfinder, has a detachable film back and accepts a wide range of interchangeable lenses. The mechanical shutter speeds run from 1\/1,000sec down to an incredible 12 full seconds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tPentacon Six with eye-level viewfinder fitted and waist-level finder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Pentacon Six<\/h2>\n\n- Launched<\/strong> 1956<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3200-300<\/li>\n<\/ul>\n
If you like your roll film reflexes to handle like big 35mm SLRs, but want one half the price of a Pentax 6×7, then go for a Pentacon Six. You don\u2019t get an interchangeable film back, but you get a choice of eye-level or waist-level viewfinders and lenses made by prestigious names like Zeiss and Schneider. Controls such as the film wind lever, mechanical shutter speed dial and aperture ring are all exactly where you would expect to find them on a smaller 35mm camera.<\/p>\n
\n\t\t\n\t\t\t\t\t\tCorfield 66, a rare English-made roll film reflex. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Corfield 66<\/h2>\n\n- Launched<\/strong> 1961<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Made by the English Corfield factory, best known for its range of 35mm Periflex cameras, this is an all- mechanical roll film SLR with a waist-level viewfinder, shutter speeded 1\/10- 1\/500sec and a detachable film back. The Lumax 95mm f\/3.5 standard lens is interchangeable, but the lens mount is unique and no other lenses were made for the camera. Only about 300 were made, so today this is a bit of an oddity which although fun to use, is likely to appeal more to collectors.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Noviflex is a collector\u2019s camera, but it\u2019s still very usable. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Noviflex<\/h2>\n\n- Launched<\/strong> 1934<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Predating the earliest Hasselblad by more than a decade, this was the first SLR to shoot 6x6cm images on 120 film. That makes it a collector\u2019s item these days, but it\u2019s also a very usable camera, although it has neither interchangeable lenses nor a detachable film back. Reflex viewing is available only with the fixed waist-level finder, but the camera can be used at eye-level thanks to a fold-up wire frame at the front and a back sight at the rear. The mechanical focal plane shutter offers 1\/20-1\/1,000sec speeds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Kiev 6C ready for eye-level shooting, plus its accessory waist-level viewfinder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Kiev 6C<\/h2>\n\n- Launched<\/strong> 1977<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-120<\/li>\n<\/ul>\n
Here\u2019s another gigantic 35mm SLR lookalike. There\u2019s no detachable film back, but there is a choice of waist-level, plain or through-the-lens (TTL) metered eye-level viewfinders. It shares its lens mount and choice of lenses with a Pentacon Six, and the 90mm f\/2.8 Vega lens with which it is usually equipped is known for its sharpness. The mechanical shutter offers 1\/2-1\/1,000sec speeds, but the left-handed shutter release makes the camera awkward to use handheld.<\/p>\n
\n\t\t\n\t\t\t\t\t\tMamiya M645 1000S shoots fifteen 6×4.5cm exposures. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Mamiya M645 1000S<\/h2>\n\n- Launched<\/strong> 1976<\/li>\n
- Format<\/strong> 15 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3220-280<\/li>\n<\/ul>\n
The Mamiya RB67\u2019s little brother was originally launched in 1975 and upgraded a year later with a higher top shutter speed, self-timer and depth-of-field preview. So of the two early models, the upgraded 1000S is the better one. It offers interchangeable viewfinders and focusing screens, but there is no interchangeable film back. The electronic focal plane shutter is speeded 8-1\/1,000sec and there is a mirror lock-up facility. The standard lens is a Mamiya-Sekor C 80mm f\/2.8, but a full range is available from 24mm to 500mm. A second shutter release on top of the body is convenient for use at waist level. This and the M645 cameras that followed make ideal introductions to quality, budget-priced, roll film reflex photography. Unlike the early metal cameras, however, the later cameras were made of plastic.<\/p>\n
\nChoosing a roll film reflex<\/h2>\n\n- Which image format works best for you?<\/li>\n
- Traditional box shape camera or large 35mm SLR lookalike?<\/li>\n
- Waist-level or eye-level viewfinder?<\/li>\n
- Plain focusing screen or rangefinder equipped?<\/li>\n
- Fully manual or metered?<\/li>\n
- Are you prepared to use a tripod, or do you want to only use the camera handheld? If the latter, a waist-level viewfinder will suit you better.<\/li>\n
- Can you buy 120 film easily? If not, run a search on Amazon: www.amazon.co.uk\/s?k=120+roll+film<\/a>.<\/li>\n
- Can you get 120 film processed? If your local high street processors can\u2019t handle it, try www.digitalab.co.uk\/film-processing<\/a>.<\/li>\n
- Although many roll film reflexes are relatively cheap to buy, their lenses and accessories remain expensive. Take this into account when making your choice.<\/li>\n<\/ul>\n
\nUsing a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
\n\t\t
If you fancy a Hasselblad but your budget won\u2019t stretch to it, try this Russian copy of a Hasselblad 1000F. Its usual standard lens is an 80mm Industar, but a 65mm f\/3.5 Mir-3 wideangle and a 300mm f\/4.5 Tair-33 telephoto were also made for the camera. The shutter is mechanical, but a word of warning: shutter speeds must be set before film winding. Setting the shutter after winding will jam the mechanism. Despite its relatively low cost, it\u2019s a good solid camera capable of quality results.<\/p>\n
\n\t\t
\t\t\tPentax 6×7, side by side with a Pentax ME Super for scale, giving an idea of its size. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Pentax 6×7<\/h2>\n\n- Launched<\/strong> 1969<\/li>\n
- Format<\/strong> 10 exp 6x7cm<\/li>\n
- Guide price today<\/strong> \u00a3400-600<\/li>\n<\/ul>\n
Here\u2019s a camera that you can use like a giant 35mm SLR, but with the image size and quality of a roll film camera. It can be equipped with a metered eye-level viewfinder or a non-metered version plus a waist-level finder. The standard lens is usually a 90mm focal length, but a range from 35mm fisheye to 1,000mm telephoto is also available. The electronic focal plane shutter offers speeds of 1-1\/1,000sec.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Bronica ETRS shoots a more economical 6×4.5cm image. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Bronica ETRS<\/h2>\n\n- Launched<\/strong> 1979<\/li>\n
- Format<\/strong> 16 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3200-250<\/li>\n<\/ul>\n
For more economy, while still shooting a decent size image, the Bronica ETR, launched in 1976 and later upgraded as the ETRS, is worth a glance. The lens-integral shutter is electronic and speeded 8-1\/500sec, but defaults to a 1\/500 mechanical speed if the battery fails. Waist-level and eye-level viewfinders are available along with a wide range of lenses and accessories.<\/p>\n
\n\t\t\n\t\t\t\t\t\tExakta 66 marked a departure for its manufacturer from the more usual Exakta 35mm SLRs. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Exakta 66<\/h2>\n\n- Launched<\/strong> 1953<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3700-1,000<\/li>\n<\/ul>\n
The Exakta name is usually more associated with 35mm SLRs, and the first 66 model did resemble a large 35mm camera. But in 1953 the Exakta camera was redesigned into this more stylish version. It features a waist-level viewfinder, has a detachable film back and accepts a wide range of interchangeable lenses. The mechanical shutter speeds run from 1\/1,000sec down to an incredible 12 full seconds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tPentacon Six with eye-level viewfinder fitted and waist-level finder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Pentacon Six<\/h2>\n\n- Launched<\/strong> 1956<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3200-300<\/li>\n<\/ul>\n
If you like your roll film reflexes to handle like big 35mm SLRs, but want one half the price of a Pentax 6×7, then go for a Pentacon Six. You don\u2019t get an interchangeable film back, but you get a choice of eye-level or waist-level viewfinders and lenses made by prestigious names like Zeiss and Schneider. Controls such as the film wind lever, mechanical shutter speed dial and aperture ring are all exactly where you would expect to find them on a smaller 35mm camera.<\/p>\n
\n\t\t\n\t\t\t\t\t\tCorfield 66, a rare English-made roll film reflex. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Corfield 66<\/h2>\n\n- Launched<\/strong> 1961<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Made by the English Corfield factory, best known for its range of 35mm Periflex cameras, this is an all- mechanical roll film SLR with a waist-level viewfinder, shutter speeded 1\/10- 1\/500sec and a detachable film back. The Lumax 95mm f\/3.5 standard lens is interchangeable, but the lens mount is unique and no other lenses were made for the camera. Only about 300 were made, so today this is a bit of an oddity which although fun to use, is likely to appeal more to collectors.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Noviflex is a collector\u2019s camera, but it\u2019s still very usable. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Noviflex<\/h2>\n\n- Launched<\/strong> 1934<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Predating the earliest Hasselblad by more than a decade, this was the first SLR to shoot 6x6cm images on 120 film. That makes it a collector\u2019s item these days, but it\u2019s also a very usable camera, although it has neither interchangeable lenses nor a detachable film back. Reflex viewing is available only with the fixed waist-level finder, but the camera can be used at eye-level thanks to a fold-up wire frame at the front and a back sight at the rear. The mechanical focal plane shutter offers 1\/20-1\/1,000sec speeds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Kiev 6C ready for eye-level shooting, plus its accessory waist-level viewfinder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Kiev 6C<\/h2>\n\n- Launched<\/strong> 1977<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-120<\/li>\n<\/ul>\n
Here\u2019s another gigantic 35mm SLR lookalike. There\u2019s no detachable film back, but there is a choice of waist-level, plain or through-the-lens (TTL) metered eye-level viewfinders. It shares its lens mount and choice of lenses with a Pentacon Six, and the 90mm f\/2.8 Vega lens with which it is usually equipped is known for its sharpness. The mechanical shutter offers 1\/2-1\/1,000sec speeds, but the left-handed shutter release makes the camera awkward to use handheld.<\/p>\n
\n\t\t\n\t\t\t\t\t\tMamiya M645 1000S shoots fifteen 6×4.5cm exposures. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Mamiya M645 1000S<\/h2>\n\n- Launched<\/strong> 1976<\/li>\n
- Format<\/strong> 15 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3220-280<\/li>\n<\/ul>\n
The Mamiya RB67\u2019s little brother was originally launched in 1975 and upgraded a year later with a higher top shutter speed, self-timer and depth-of-field preview. So of the two early models, the upgraded 1000S is the better one. It offers interchangeable viewfinders and focusing screens, but there is no interchangeable film back. The electronic focal plane shutter is speeded 8-1\/1,000sec and there is a mirror lock-up facility. The standard lens is a Mamiya-Sekor C 80mm f\/2.8, but a full range is available from 24mm to 500mm. A second shutter release on top of the body is convenient for use at waist level. This and the M645 cameras that followed make ideal introductions to quality, budget-priced, roll film reflex photography. Unlike the early metal cameras, however, the later cameras were made of plastic.<\/p>\n
\nChoosing a roll film reflex<\/h2>\n\n- Which image format works best for you?<\/li>\n
- Traditional box shape camera or large 35mm SLR lookalike?<\/li>\n
- Waist-level or eye-level viewfinder?<\/li>\n
- Plain focusing screen or rangefinder equipped?<\/li>\n
- Fully manual or metered?<\/li>\n
- Are you prepared to use a tripod, or do you want to only use the camera handheld? If the latter, a waist-level viewfinder will suit you better.<\/li>\n
- Can you buy 120 film easily? If not, run a search on Amazon: www.amazon.co.uk\/s?k=120+roll+film<\/a>.<\/li>\n
- Can you get 120 film processed? If your local high street processors can\u2019t handle it, try www.digitalab.co.uk\/film-processing<\/a>.<\/li>\n
- Although many roll film reflexes are relatively cheap to buy, their lenses and accessories remain expensive. Take this into account when making your choice.<\/li>\n<\/ul>\n
\nUsing a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
\n\t\t
Here\u2019s a camera that you can use like a giant 35mm SLR, but with the image size and quality of a roll film camera. It can be equipped with a metered eye-level viewfinder or a non-metered version plus a waist-level finder. The standard lens is usually a 90mm focal length, but a range from 35mm fisheye to 1,000mm telephoto is also available. The electronic focal plane shutter offers speeds of 1-1\/1,000sec.<\/p>\n
\n\t\t
\t\t\tThe Bronica ETRS shoots a more economical 6×4.5cm image. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Bronica ETRS<\/h2>\n\n- Launched<\/strong> 1979<\/li>\n
- Format<\/strong> 16 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3200-250<\/li>\n<\/ul>\n
For more economy, while still shooting a decent size image, the Bronica ETR, launched in 1976 and later upgraded as the ETRS, is worth a glance. The lens-integral shutter is electronic and speeded 8-1\/500sec, but defaults to a 1\/500 mechanical speed if the battery fails. Waist-level and eye-level viewfinders are available along with a wide range of lenses and accessories.<\/p>\n
\n\t\t\n\t\t\t\t\t\tExakta 66 marked a departure for its manufacturer from the more usual Exakta 35mm SLRs. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Exakta 66<\/h2>\n\n- Launched<\/strong> 1953<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3700-1,000<\/li>\n<\/ul>\n
The Exakta name is usually more associated with 35mm SLRs, and the first 66 model did resemble a large 35mm camera. But in 1953 the Exakta camera was redesigned into this more stylish version. It features a waist-level viewfinder, has a detachable film back and accepts a wide range of interchangeable lenses. The mechanical shutter speeds run from 1\/1,000sec down to an incredible 12 full seconds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tPentacon Six with eye-level viewfinder fitted and waist-level finder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Pentacon Six<\/h2>\n\n- Launched<\/strong> 1956<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3200-300<\/li>\n<\/ul>\n
If you like your roll film reflexes to handle like big 35mm SLRs, but want one half the price of a Pentax 6×7, then go for a Pentacon Six. You don\u2019t get an interchangeable film back, but you get a choice of eye-level or waist-level viewfinders and lenses made by prestigious names like Zeiss and Schneider. Controls such as the film wind lever, mechanical shutter speed dial and aperture ring are all exactly where you would expect to find them on a smaller 35mm camera.<\/p>\n
\n\t\t\n\t\t\t\t\t\tCorfield 66, a rare English-made roll film reflex. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Corfield 66<\/h2>\n\n- Launched<\/strong> 1961<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Made by the English Corfield factory, best known for its range of 35mm Periflex cameras, this is an all- mechanical roll film SLR with a waist-level viewfinder, shutter speeded 1\/10- 1\/500sec and a detachable film back. The Lumax 95mm f\/3.5 standard lens is interchangeable, but the lens mount is unique and no other lenses were made for the camera. Only about 300 were made, so today this is a bit of an oddity which although fun to use, is likely to appeal more to collectors.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Noviflex is a collector\u2019s camera, but it\u2019s still very usable. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Noviflex<\/h2>\n\n- Launched<\/strong> 1934<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Predating the earliest Hasselblad by more than a decade, this was the first SLR to shoot 6x6cm images on 120 film. That makes it a collector\u2019s item these days, but it\u2019s also a very usable camera, although it has neither interchangeable lenses nor a detachable film back. Reflex viewing is available only with the fixed waist-level finder, but the camera can be used at eye-level thanks to a fold-up wire frame at the front and a back sight at the rear. The mechanical focal plane shutter offers 1\/20-1\/1,000sec speeds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Kiev 6C ready for eye-level shooting, plus its accessory waist-level viewfinder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Kiev 6C<\/h2>\n\n- Launched<\/strong> 1977<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-120<\/li>\n<\/ul>\n
Here\u2019s another gigantic 35mm SLR lookalike. There\u2019s no detachable film back, but there is a choice of waist-level, plain or through-the-lens (TTL) metered eye-level viewfinders. It shares its lens mount and choice of lenses with a Pentacon Six, and the 90mm f\/2.8 Vega lens with which it is usually equipped is known for its sharpness. The mechanical shutter offers 1\/2-1\/1,000sec speeds, but the left-handed shutter release makes the camera awkward to use handheld.<\/p>\n
\n\t\t\n\t\t\t\t\t\tMamiya M645 1000S shoots fifteen 6×4.5cm exposures. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Mamiya M645 1000S<\/h2>\n\n- Launched<\/strong> 1976<\/li>\n
- Format<\/strong> 15 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3220-280<\/li>\n<\/ul>\n
The Mamiya RB67\u2019s little brother was originally launched in 1975 and upgraded a year later with a higher top shutter speed, self-timer and depth-of-field preview. So of the two early models, the upgraded 1000S is the better one. It offers interchangeable viewfinders and focusing screens, but there is no interchangeable film back. The electronic focal plane shutter is speeded 8-1\/1,000sec and there is a mirror lock-up facility. The standard lens is a Mamiya-Sekor C 80mm f\/2.8, but a full range is available from 24mm to 500mm. A second shutter release on top of the body is convenient for use at waist level. This and the M645 cameras that followed make ideal introductions to quality, budget-priced, roll film reflex photography. Unlike the early metal cameras, however, the later cameras were made of plastic.<\/p>\n
\nChoosing a roll film reflex<\/h2>\n\n- Which image format works best for you?<\/li>\n
- Traditional box shape camera or large 35mm SLR lookalike?<\/li>\n
- Waist-level or eye-level viewfinder?<\/li>\n
- Plain focusing screen or rangefinder equipped?<\/li>\n
- Fully manual or metered?<\/li>\n
- Are you prepared to use a tripod, or do you want to only use the camera handheld? If the latter, a waist-level viewfinder will suit you better.<\/li>\n
- Can you buy 120 film easily? If not, run a search on Amazon: www.amazon.co.uk\/s?k=120+roll+film<\/a>.<\/li>\n
- Can you get 120 film processed? If your local high street processors can\u2019t handle it, try www.digitalab.co.uk\/film-processing<\/a>.<\/li>\n
- Although many roll film reflexes are relatively cheap to buy, their lenses and accessories remain expensive. Take this into account when making your choice.<\/li>\n<\/ul>\n
\nUsing a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
\n\t\t
For more economy, while still shooting a decent size image, the Bronica ETR, launched in 1976 and later upgraded as the ETRS, is worth a glance. The lens-integral shutter is electronic and speeded 8-1\/500sec, but defaults to a 1\/500 mechanical speed if the battery fails. Waist-level and eye-level viewfinders are available along with a wide range of lenses and accessories.<\/p>\n
\n\t\t
\t\t\tExakta 66 marked a departure for its manufacturer from the more usual Exakta 35mm SLRs. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Exakta 66<\/h2>\n\n- Launched<\/strong> 1953<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3700-1,000<\/li>\n<\/ul>\n
The Exakta name is usually more associated with 35mm SLRs, and the first 66 model did resemble a large 35mm camera. But in 1953 the Exakta camera was redesigned into this more stylish version. It features a waist-level viewfinder, has a detachable film back and accepts a wide range of interchangeable lenses. The mechanical shutter speeds run from 1\/1,000sec down to an incredible 12 full seconds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tPentacon Six with eye-level viewfinder fitted and waist-level finder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Pentacon Six<\/h2>\n\n- Launched<\/strong> 1956<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3200-300<\/li>\n<\/ul>\n
If you like your roll film reflexes to handle like big 35mm SLRs, but want one half the price of a Pentax 6×7, then go for a Pentacon Six. You don\u2019t get an interchangeable film back, but you get a choice of eye-level or waist-level viewfinders and lenses made by prestigious names like Zeiss and Schneider. Controls such as the film wind lever, mechanical shutter speed dial and aperture ring are all exactly where you would expect to find them on a smaller 35mm camera.<\/p>\n
\n\t\t\n\t\t\t\t\t\tCorfield 66, a rare English-made roll film reflex. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Corfield 66<\/h2>\n\n- Launched<\/strong> 1961<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Made by the English Corfield factory, best known for its range of 35mm Periflex cameras, this is an all- mechanical roll film SLR with a waist-level viewfinder, shutter speeded 1\/10- 1\/500sec and a detachable film back. The Lumax 95mm f\/3.5 standard lens is interchangeable, but the lens mount is unique and no other lenses were made for the camera. Only about 300 were made, so today this is a bit of an oddity which although fun to use, is likely to appeal more to collectors.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Noviflex is a collector\u2019s camera, but it\u2019s still very usable. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Noviflex<\/h2>\n\n- Launched<\/strong> 1934<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Predating the earliest Hasselblad by more than a decade, this was the first SLR to shoot 6x6cm images on 120 film. That makes it a collector\u2019s item these days, but it\u2019s also a very usable camera, although it has neither interchangeable lenses nor a detachable film back. Reflex viewing is available only with the fixed waist-level finder, but the camera can be used at eye-level thanks to a fold-up wire frame at the front and a back sight at the rear. The mechanical focal plane shutter offers 1\/20-1\/1,000sec speeds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Kiev 6C ready for eye-level shooting, plus its accessory waist-level viewfinder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Kiev 6C<\/h2>\n\n- Launched<\/strong> 1977<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-120<\/li>\n<\/ul>\n
Here\u2019s another gigantic 35mm SLR lookalike. There\u2019s no detachable film back, but there is a choice of waist-level, plain or through-the-lens (TTL) metered eye-level viewfinders. It shares its lens mount and choice of lenses with a Pentacon Six, and the 90mm f\/2.8 Vega lens with which it is usually equipped is known for its sharpness. The mechanical shutter offers 1\/2-1\/1,000sec speeds, but the left-handed shutter release makes the camera awkward to use handheld.<\/p>\n
\n\t\t\n\t\t\t\t\t\tMamiya M645 1000S shoots fifteen 6×4.5cm exposures. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Mamiya M645 1000S<\/h2>\n\n- Launched<\/strong> 1976<\/li>\n
- Format<\/strong> 15 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3220-280<\/li>\n<\/ul>\n
The Mamiya RB67\u2019s little brother was originally launched in 1975 and upgraded a year later with a higher top shutter speed, self-timer and depth-of-field preview. So of the two early models, the upgraded 1000S is the better one. It offers interchangeable viewfinders and focusing screens, but there is no interchangeable film back. The electronic focal plane shutter is speeded 8-1\/1,000sec and there is a mirror lock-up facility. The standard lens is a Mamiya-Sekor C 80mm f\/2.8, but a full range is available from 24mm to 500mm. A second shutter release on top of the body is convenient for use at waist level. This and the M645 cameras that followed make ideal introductions to quality, budget-priced, roll film reflex photography. Unlike the early metal cameras, however, the later cameras were made of plastic.<\/p>\n
\nChoosing a roll film reflex<\/h2>\n\n- Which image format works best for you?<\/li>\n
- Traditional box shape camera or large 35mm SLR lookalike?<\/li>\n
- Waist-level or eye-level viewfinder?<\/li>\n
- Plain focusing screen or rangefinder equipped?<\/li>\n
- Fully manual or metered?<\/li>\n
- Are you prepared to use a tripod, or do you want to only use the camera handheld? If the latter, a waist-level viewfinder will suit you better.<\/li>\n
- Can you buy 120 film easily? If not, run a search on Amazon: www.amazon.co.uk\/s?k=120+roll+film<\/a>.<\/li>\n
- Can you get 120 film processed? If your local high street processors can\u2019t handle it, try www.digitalab.co.uk\/film-processing<\/a>.<\/li>\n
- Although many roll film reflexes are relatively cheap to buy, their lenses and accessories remain expensive. Take this into account when making your choice.<\/li>\n<\/ul>\n
\nUsing a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
\n\t\t
The Exakta name is usually more associated with 35mm SLRs, and the first 66 model did resemble a large 35mm camera. But in 1953 the Exakta camera was redesigned into this more stylish version. It features a waist-level viewfinder, has a detachable film back and accepts a wide range of interchangeable lenses. The mechanical shutter speeds run from 1\/1,000sec down to an incredible 12 full seconds.<\/p>\n
\n\t\t
\t\t\tPentacon Six with eye-level viewfinder fitted and waist-level finder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Pentacon Six<\/h2>\n\n- Launched<\/strong> 1956<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3200-300<\/li>\n<\/ul>\n
If you like your roll film reflexes to handle like big 35mm SLRs, but want one half the price of a Pentax 6×7, then go for a Pentacon Six. You don\u2019t get an interchangeable film back, but you get a choice of eye-level or waist-level viewfinders and lenses made by prestigious names like Zeiss and Schneider. Controls such as the film wind lever, mechanical shutter speed dial and aperture ring are all exactly where you would expect to find them on a smaller 35mm camera.<\/p>\n
\n\t\t\n\t\t\t\t\t\tCorfield 66, a rare English-made roll film reflex. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Corfield 66<\/h2>\n\n- Launched<\/strong> 1961<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Made by the English Corfield factory, best known for its range of 35mm Periflex cameras, this is an all- mechanical roll film SLR with a waist-level viewfinder, shutter speeded 1\/10- 1\/500sec and a detachable film back. The Lumax 95mm f\/3.5 standard lens is interchangeable, but the lens mount is unique and no other lenses were made for the camera. Only about 300 were made, so today this is a bit of an oddity which although fun to use, is likely to appeal more to collectors.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Noviflex is a collector\u2019s camera, but it\u2019s still very usable. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Noviflex<\/h2>\n\n- Launched<\/strong> 1934<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Predating the earliest Hasselblad by more than a decade, this was the first SLR to shoot 6x6cm images on 120 film. That makes it a collector\u2019s item these days, but it\u2019s also a very usable camera, although it has neither interchangeable lenses nor a detachable film back. Reflex viewing is available only with the fixed waist-level finder, but the camera can be used at eye-level thanks to a fold-up wire frame at the front and a back sight at the rear. The mechanical focal plane shutter offers 1\/20-1\/1,000sec speeds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Kiev 6C ready for eye-level shooting, plus its accessory waist-level viewfinder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Kiev 6C<\/h2>\n\n- Launched<\/strong> 1977<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-120<\/li>\n<\/ul>\n
Here\u2019s another gigantic 35mm SLR lookalike. There\u2019s no detachable film back, but there is a choice of waist-level, plain or through-the-lens (TTL) metered eye-level viewfinders. It shares its lens mount and choice of lenses with a Pentacon Six, and the 90mm f\/2.8 Vega lens with which it is usually equipped is known for its sharpness. The mechanical shutter offers 1\/2-1\/1,000sec speeds, but the left-handed shutter release makes the camera awkward to use handheld.<\/p>\n
\n\t\t\n\t\t\t\t\t\tMamiya M645 1000S shoots fifteen 6×4.5cm exposures. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Mamiya M645 1000S<\/h2>\n\n- Launched<\/strong> 1976<\/li>\n
- Format<\/strong> 15 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3220-280<\/li>\n<\/ul>\n
The Mamiya RB67\u2019s little brother was originally launched in 1975 and upgraded a year later with a higher top shutter speed, self-timer and depth-of-field preview. So of the two early models, the upgraded 1000S is the better one. It offers interchangeable viewfinders and focusing screens, but there is no interchangeable film back. The electronic focal plane shutter is speeded 8-1\/1,000sec and there is a mirror lock-up facility. The standard lens is a Mamiya-Sekor C 80mm f\/2.8, but a full range is available from 24mm to 500mm. A second shutter release on top of the body is convenient for use at waist level. This and the M645 cameras that followed make ideal introductions to quality, budget-priced, roll film reflex photography. Unlike the early metal cameras, however, the later cameras were made of plastic.<\/p>\n
\nChoosing a roll film reflex<\/h2>\n\n- Which image format works best for you?<\/li>\n
- Traditional box shape camera or large 35mm SLR lookalike?<\/li>\n
- Waist-level or eye-level viewfinder?<\/li>\n
- Plain focusing screen or rangefinder equipped?<\/li>\n
- Fully manual or metered?<\/li>\n
- Are you prepared to use a tripod, or do you want to only use the camera handheld? If the latter, a waist-level viewfinder will suit you better.<\/li>\n
- Can you buy 120 film easily? If not, run a search on Amazon: www.amazon.co.uk\/s?k=120+roll+film<\/a>.<\/li>\n
- Can you get 120 film processed? If your local high street processors can\u2019t handle it, try www.digitalab.co.uk\/film-processing<\/a>.<\/li>\n
- Although many roll film reflexes are relatively cheap to buy, their lenses and accessories remain expensive. Take this into account when making your choice.<\/li>\n<\/ul>\n
\nUsing a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
\n\t\t
If you like your roll film reflexes to handle like big 35mm SLRs, but want one half the price of a Pentax 6×7, then go for a Pentacon Six. You don\u2019t get an interchangeable film back, but you get a choice of eye-level or waist-level viewfinders and lenses made by prestigious names like Zeiss and Schneider. Controls such as the film wind lever, mechanical shutter speed dial and aperture ring are all exactly where you would expect to find them on a smaller 35mm camera.<\/p>\n
\n\t\t
\t\t\tCorfield 66, a rare English-made roll film reflex. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Corfield 66<\/h2>\n\n- Launched<\/strong> 1961<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Made by the English Corfield factory, best known for its range of 35mm Periflex cameras, this is an all- mechanical roll film SLR with a waist-level viewfinder, shutter speeded 1\/10- 1\/500sec and a detachable film back. The Lumax 95mm f\/3.5 standard lens is interchangeable, but the lens mount is unique and no other lenses were made for the camera. Only about 300 were made, so today this is a bit of an oddity which although fun to use, is likely to appeal more to collectors.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Noviflex is a collector\u2019s camera, but it\u2019s still very usable. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Noviflex<\/h2>\n\n- Launched<\/strong> 1934<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Predating the earliest Hasselblad by more than a decade, this was the first SLR to shoot 6x6cm images on 120 film. That makes it a collector\u2019s item these days, but it\u2019s also a very usable camera, although it has neither interchangeable lenses nor a detachable film back. Reflex viewing is available only with the fixed waist-level finder, but the camera can be used at eye-level thanks to a fold-up wire frame at the front and a back sight at the rear. The mechanical focal plane shutter offers 1\/20-1\/1,000sec speeds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Kiev 6C ready for eye-level shooting, plus its accessory waist-level viewfinder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Kiev 6C<\/h2>\n\n- Launched<\/strong> 1977<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-120<\/li>\n<\/ul>\n
Here\u2019s another gigantic 35mm SLR lookalike. There\u2019s no detachable film back, but there is a choice of waist-level, plain or through-the-lens (TTL) metered eye-level viewfinders. It shares its lens mount and choice of lenses with a Pentacon Six, and the 90mm f\/2.8 Vega lens with which it is usually equipped is known for its sharpness. The mechanical shutter offers 1\/2-1\/1,000sec speeds, but the left-handed shutter release makes the camera awkward to use handheld.<\/p>\n
\n\t\t\n\t\t\t\t\t\tMamiya M645 1000S shoots fifteen 6×4.5cm exposures. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Mamiya M645 1000S<\/h2>\n\n- Launched<\/strong> 1976<\/li>\n
- Format<\/strong> 15 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3220-280<\/li>\n<\/ul>\n
The Mamiya RB67\u2019s little brother was originally launched in 1975 and upgraded a year later with a higher top shutter speed, self-timer and depth-of-field preview. So of the two early models, the upgraded 1000S is the better one. It offers interchangeable viewfinders and focusing screens, but there is no interchangeable film back. The electronic focal plane shutter is speeded 8-1\/1,000sec and there is a mirror lock-up facility. The standard lens is a Mamiya-Sekor C 80mm f\/2.8, but a full range is available from 24mm to 500mm. A second shutter release on top of the body is convenient for use at waist level. This and the M645 cameras that followed make ideal introductions to quality, budget-priced, roll film reflex photography. Unlike the early metal cameras, however, the later cameras were made of plastic.<\/p>\n
\nChoosing a roll film reflex<\/h2>\n\n- Which image format works best for you?<\/li>\n
- Traditional box shape camera or large 35mm SLR lookalike?<\/li>\n
- Waist-level or eye-level viewfinder?<\/li>\n
- Plain focusing screen or rangefinder equipped?<\/li>\n
- Fully manual or metered?<\/li>\n
- Are you prepared to use a tripod, or do you want to only use the camera handheld? If the latter, a waist-level viewfinder will suit you better.<\/li>\n
- Can you buy 120 film easily? If not, run a search on Amazon: www.amazon.co.uk\/s?k=120+roll+film<\/a>.<\/li>\n
- Can you get 120 film processed? If your local high street processors can\u2019t handle it, try www.digitalab.co.uk\/film-processing<\/a>.<\/li>\n
- Although many roll film reflexes are relatively cheap to buy, their lenses and accessories remain expensive. Take this into account when making your choice.<\/li>\n<\/ul>\n
\nUsing a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
\n\t\t
Made by the English Corfield factory, best known for its range of 35mm Periflex cameras, this is an all- mechanical roll film SLR with a waist-level viewfinder, shutter speeded 1\/10- 1\/500sec and a detachable film back. The Lumax 95mm f\/3.5 standard lens is interchangeable, but the lens mount is unique and no other lenses were made for the camera. Only about 300 were made, so today this is a bit of an oddity which although fun to use, is likely to appeal more to collectors.<\/p>\n
\n\t\t
\t\t\tThe Noviflex is a collector\u2019s camera, but it\u2019s still very usable. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Noviflex<\/h2>\n\n- Launched<\/strong> 1934<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a3150-200<\/li>\n<\/ul>\n
Predating the earliest Hasselblad by more than a decade, this was the first SLR to shoot 6x6cm images on 120 film. That makes it a collector\u2019s item these days, but it\u2019s also a very usable camera, although it has neither interchangeable lenses nor a detachable film back. Reflex viewing is available only with the fixed waist-level finder, but the camera can be used at eye-level thanks to a fold-up wire frame at the front and a back sight at the rear. The mechanical focal plane shutter offers 1\/20-1\/1,000sec speeds.<\/p>\n
\n\t\t\n\t\t\t\t\t\tThe Kiev 6C ready for eye-level shooting, plus its accessory waist-level viewfinder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Kiev 6C<\/h2>\n\n- Launched<\/strong> 1977<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-120<\/li>\n<\/ul>\n
Here\u2019s another gigantic 35mm SLR lookalike. There\u2019s no detachable film back, but there is a choice of waist-level, plain or through-the-lens (TTL) metered eye-level viewfinders. It shares its lens mount and choice of lenses with a Pentacon Six, and the 90mm f\/2.8 Vega lens with which it is usually equipped is known for its sharpness. The mechanical shutter offers 1\/2-1\/1,000sec speeds, but the left-handed shutter release makes the camera awkward to use handheld.<\/p>\n
\n\t\t\n\t\t\t\t\t\tMamiya M645 1000S shoots fifteen 6×4.5cm exposures. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Mamiya M645 1000S<\/h2>\n\n- Launched<\/strong> 1976<\/li>\n
- Format<\/strong> 15 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3220-280<\/li>\n<\/ul>\n
The Mamiya RB67\u2019s little brother was originally launched in 1975 and upgraded a year later with a higher top shutter speed, self-timer and depth-of-field preview. So of the two early models, the upgraded 1000S is the better one. It offers interchangeable viewfinders and focusing screens, but there is no interchangeable film back. The electronic focal plane shutter is speeded 8-1\/1,000sec and there is a mirror lock-up facility. The standard lens is a Mamiya-Sekor C 80mm f\/2.8, but a full range is available from 24mm to 500mm. A second shutter release on top of the body is convenient for use at waist level. This and the M645 cameras that followed make ideal introductions to quality, budget-priced, roll film reflex photography. Unlike the early metal cameras, however, the later cameras were made of plastic.<\/p>\n
\nChoosing a roll film reflex<\/h2>\n\n- Which image format works best for you?<\/li>\n
- Traditional box shape camera or large 35mm SLR lookalike?<\/li>\n
- Waist-level or eye-level viewfinder?<\/li>\n
- Plain focusing screen or rangefinder equipped?<\/li>\n
- Fully manual or metered?<\/li>\n
- Are you prepared to use a tripod, or do you want to only use the camera handheld? If the latter, a waist-level viewfinder will suit you better.<\/li>\n
- Can you buy 120 film easily? If not, run a search on Amazon: www.amazon.co.uk\/s?k=120+roll+film<\/a>.<\/li>\n
- Can you get 120 film processed? If your local high street processors can\u2019t handle it, try www.digitalab.co.uk\/film-processing<\/a>.<\/li>\n
- Although many roll film reflexes are relatively cheap to buy, their lenses and accessories remain expensive. Take this into account when making your choice.<\/li>\n<\/ul>\n
\nUsing a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
\n\t\t
Predating the earliest Hasselblad by more than a decade, this was the first SLR to shoot 6x6cm images on 120 film. That makes it a collector\u2019s item these days, but it\u2019s also a very usable camera, although it has neither interchangeable lenses nor a detachable film back. Reflex viewing is available only with the fixed waist-level finder, but the camera can be used at eye-level thanks to a fold-up wire frame at the front and a back sight at the rear. The mechanical focal plane shutter offers 1\/20-1\/1,000sec speeds.<\/p>\n
\n\t\t
\t\t\tThe Kiev 6C ready for eye-level shooting, plus its accessory waist-level viewfinder. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Kiev 6C<\/h2>\n\n- Launched<\/strong> 1977<\/li>\n
- Format<\/strong> 12 exp 6x6cm<\/li>\n
- Guide price today<\/strong> \u00a390-120<\/li>\n<\/ul>\n
Here\u2019s another gigantic 35mm SLR lookalike. There\u2019s no detachable film back, but there is a choice of waist-level, plain or through-the-lens (TTL) metered eye-level viewfinders. It shares its lens mount and choice of lenses with a Pentacon Six, and the 90mm f\/2.8 Vega lens with which it is usually equipped is known for its sharpness. The mechanical shutter offers 1\/2-1\/1,000sec speeds, but the left-handed shutter release makes the camera awkward to use handheld.<\/p>\n
\n\t\t\n\t\t\t\t\t\tMamiya M645 1000S shoots fifteen 6×4.5cm exposures. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Mamiya M645 1000S<\/h2>\n\n- Launched<\/strong> 1976<\/li>\n
- Format<\/strong> 15 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3220-280<\/li>\n<\/ul>\n
The Mamiya RB67\u2019s little brother was originally launched in 1975 and upgraded a year later with a higher top shutter speed, self-timer and depth-of-field preview. So of the two early models, the upgraded 1000S is the better one. It offers interchangeable viewfinders and focusing screens, but there is no interchangeable film back. The electronic focal plane shutter is speeded 8-1\/1,000sec and there is a mirror lock-up facility. The standard lens is a Mamiya-Sekor C 80mm f\/2.8, but a full range is available from 24mm to 500mm. A second shutter release on top of the body is convenient for use at waist level. This and the M645 cameras that followed make ideal introductions to quality, budget-priced, roll film reflex photography. Unlike the early metal cameras, however, the later cameras were made of plastic.<\/p>\n
\nChoosing a roll film reflex<\/h2>\n\n- Which image format works best for you?<\/li>\n
- Traditional box shape camera or large 35mm SLR lookalike?<\/li>\n
- Waist-level or eye-level viewfinder?<\/li>\n
- Plain focusing screen or rangefinder equipped?<\/li>\n
- Fully manual or metered?<\/li>\n
- Are you prepared to use a tripod, or do you want to only use the camera handheld? If the latter, a waist-level viewfinder will suit you better.<\/li>\n
- Can you buy 120 film easily? If not, run a search on Amazon: www.amazon.co.uk\/s?k=120+roll+film<\/a>.<\/li>\n
- Can you get 120 film processed? If your local high street processors can\u2019t handle it, try www.digitalab.co.uk\/film-processing<\/a>.<\/li>\n
- Although many roll film reflexes are relatively cheap to buy, their lenses and accessories remain expensive. Take this into account when making your choice.<\/li>\n<\/ul>\n
\nUsing a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
\n\t\t
Here\u2019s another gigantic 35mm SLR lookalike. There\u2019s no detachable film back, but there is a choice of waist-level, plain or through-the-lens (TTL) metered eye-level viewfinders. It shares its lens mount and choice of lenses with a Pentacon Six, and the 90mm f\/2.8 Vega lens with which it is usually equipped is known for its sharpness. The mechanical shutter offers 1\/2-1\/1,000sec speeds, but the left-handed shutter release makes the camera awkward to use handheld.<\/p>\n
\n\t\t
\t\t\tMamiya M645 1000S shoots fifteen 6×4.5cm exposures. Credit: John Wade<\/p>\n\t\t<\/div>\n\t\t\n
Mamiya M645 1000S<\/h2>\n\n- Launched<\/strong> 1976<\/li>\n
- Format<\/strong> 15 exp 6×4.5cm<\/li>\n
- Guide price today<\/strong> \u00a3220-280<\/li>\n<\/ul>\n
The Mamiya RB67\u2019s little brother was originally launched in 1975 and upgraded a year later with a higher top shutter speed, self-timer and depth-of-field preview. So of the two early models, the upgraded 1000S is the better one. It offers interchangeable viewfinders and focusing screens, but there is no interchangeable film back. The electronic focal plane shutter is speeded 8-1\/1,000sec and there is a mirror lock-up facility. The standard lens is a Mamiya-Sekor C 80mm f\/2.8, but a full range is available from 24mm to 500mm. A second shutter release on top of the body is convenient for use at waist level. This and the M645 cameras that followed make ideal introductions to quality, budget-priced, roll film reflex photography. Unlike the early metal cameras, however, the later cameras were made of plastic.<\/p>\n
\nChoosing a roll film reflex<\/h2>\n\n- Which image format works best for you?<\/li>\n
- Traditional box shape camera or large 35mm SLR lookalike?<\/li>\n
- Waist-level or eye-level viewfinder?<\/li>\n
- Plain focusing screen or rangefinder equipped?<\/li>\n
- Fully manual or metered?<\/li>\n
- Are you prepared to use a tripod, or do you want to only use the camera handheld? If the latter, a waist-level viewfinder will suit you better.<\/li>\n
- Can you buy 120 film easily? If not, run a search on Amazon: www.amazon.co.uk\/s?k=120+roll+film<\/a>.<\/li>\n
- Can you get 120 film processed? If your local high street processors can\u2019t handle it, try www.digitalab.co.uk\/film-processing<\/a>.<\/li>\n
- Although many roll film reflexes are relatively cheap to buy, their lenses and accessories remain expensive. Take this into account when making your choice.<\/li>\n<\/ul>\n
\nUsing a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
\n\t\t
The Mamiya RB67\u2019s little brother was originally launched in 1975 and upgraded a year later with a higher top shutter speed, self-timer and depth-of-field preview. So of the two early models, the upgraded 1000S is the better one. It offers interchangeable viewfinders and focusing screens, but there is no interchangeable film back. The electronic focal plane shutter is speeded 8-1\/1,000sec and there is a mirror lock-up facility. The standard lens is a Mamiya-Sekor C 80mm f\/2.8, but a full range is available from 24mm to 500mm. A second shutter release on top of the body is convenient for use at waist level. This and the M645 cameras that followed make ideal introductions to quality, budget-priced, roll film reflex photography. Unlike the early metal cameras, however, the later cameras were made of plastic.<\/p>\n
\n
Choosing a roll film reflex<\/h2>\n\n- Which image format works best for you?<\/li>\n
- Traditional box shape camera or large 35mm SLR lookalike?<\/li>\n
- Waist-level or eye-level viewfinder?<\/li>\n
- Plain focusing screen or rangefinder equipped?<\/li>\n
- Fully manual or metered?<\/li>\n
- Are you prepared to use a tripod, or do you want to only use the camera handheld? If the latter, a waist-level viewfinder will suit you better.<\/li>\n
- Can you buy 120 film easily? If not, run a search on Amazon: www.amazon.co.uk\/s?k=120+roll+film<\/a>.<\/li>\n
- Can you get 120 film processed? If your local high street processors can\u2019t handle it, try www.digitalab.co.uk\/film-processing<\/a>.<\/li>\n
- Although many roll film reflexes are relatively cheap to buy, their lenses and accessories remain expensive. Take this into account when making your choice.<\/li>\n<\/ul>\n
\nUsing a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
\n\t\t
\n
Using a roll film reflex<\/h2>\n\n- The movement of large mirrors can create undue vibrations. For this reason, use a tripod when you can, or select a shutter speed of 1\/250sec or higher when handholding.<\/li>\n
- If you intend to handhold the camera with an eye-level viewfinder, consider adding a hand grip to help reduce movement during exposure.<\/li>\n
- If you have been brought up on shooting in the 1:1.5 format of 35mm or most digital cameras, think carefully about changing your approach to picture composition when faced with a roll film square format.<\/li>\n
- Large waist-level viewfinder screens are impressive, but because they are big, it\u2019s easy to only look at the centre of the screen when composing a picture. Keep the camera steady and ensure you look at all four corners as well.<\/li>\n
- Use the built-in magnifier on a waist-level viewfinder for fine focus.<\/li>\n
- Remember, you have only a few pictures to each roll of film. Use them wisely and think much more about the picture, its composition, and exposure before firing the shutter.<\/li>\n<\/ul>\n
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![\"Roll](\"\/wp-content\/uploads\/2019\/08\/Roll-film-SLRs-film-600x400.jpg\")
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