\n
Great for landscape photography<\/h2>\nRicoh GR II<\/h2>\n![\"Ricoh](\"\/wp-content\/uploads\/2019\/08\/Ricoh-GR-II-front.jpg\")
\nAt a glance:<\/h3>\n\n- \u00a3400<\/li>\n
- 16.2MP APS-C CMOS sensor<\/li>\n
- 28mm equivalent f\/2.8 lens<\/li>\n
- ISO 100-25,600<\/li>\n
- 4fps continuous shooting<\/li>\n
- 3in rear display, 1,230k-dot fixed<\/li>\n
- 320 shots battery life<\/li>\n
- 251g<\/li>\n
- Optional GH-3 accessory kit and GW-3 wide conversion lens available<\/li>\n<\/ul>\n
Landscape photography is typically associated with cameras that boast large sensors and offer extremely high resolution to capture the finest detail in a scene. You might be wondering why it is, then, that the Ricoh GR II has made it onto our shortlist as one of our recommended choices for landscape photographers on a budget. Popular for street photography and situations where you don\u2019t want to attract too much attention to yourself or you wish to blend into the surroundings, the GR II makes a valid choice for travelling and landscape work too. If you\u2019d like full manual control and excellent image quality without the burden of having to lug a heavy camera system mountain high and valley low, it might be the ideal camera you\u2019re looking for.<\/p>\n
Some photographers choose it as a small, lightweight, pocket-friendly companion to their DSLR or mirrorless camera, while others rely on it exclusively as their main camera. One of the great things about it is that it\u2019s not too dissimilar to working with a DSLR or mirrorless camera. Okay, its 28mm fixed lens isn\u2019t as versatile as a wideangle zoom, but the buttons and dials across the body fall nicely to hand and it\u2019s very comfortable to hold. The way it can be stashed in a trouser or jacket pocket is one of the main reasons it\u2019s loved so much.<\/p>\n
The introduction of the new Ricoh GR III earlier this year has seen the GR II drop in price. Shop around and you\u2019ll be able to find one in excellent used condition for around \u00a3400 (just as we did on mpb.com<\/a>) or even cheaper on eBay<\/a>. But what can you expect for spending this kind of money? As already mentioned, the GR II features a fixed f\/2.8 lens that\u2019s equivalent to 28mm, behind which lies a 16.2-million-pixel, APS-C sized CMOS sensor that delivers detailed and vibrant images when you shoot in raw. It saves raw images as DNG files, meaning they can be opened in virtually any raw-conversion software, and ensures both forward and backwards compatibility with any future software. Like the earlier Ricoh GR, it has a sensitivity range of ISO 100-25,600, features a useful built-in, two-stop, neutral density filter and has a quick one-second- startup\/shutdown time. Battery life is rated at 320 shots on a single charge, but if you take advantage of its Wi-Fi connectivity expect to shoot less. Thankfully, Duracell DR9709 replacements for the Ricoh DB-65 battery are neither expensive (\u00a315) nor difficult to source.<\/p>\nAs with most cameras, the GR II isn\u2019t without a few pitfalls. Its generous selection of controls might be a bit cramped for some. It has a tendency to overexpose a little, and you need to remove your quick-release tripod plate each time you\u2019d like to access the battery and SD card compartment. Instead of having an adjustable lens ring, it has a removable front ring. Landscape photographers may wish to attach an optional lens hood or use 49mm filters and adapters by purchasing the GH-3 accessory kit (\u00a359). Those who\u2019d like to shoot wider can also buy the 0.75x wide conversion lens (GW-3) that turns it into a 21mm equivalent. A quick search online revealed you can pick up the GH-3 and GW-3 in good used condition for around \u00a3160.<\/p>\n\t\t
\n\t\t\t![\"Ricoh](\"\/wp-content\/uploads\/2019\/08\/Ricoh-GR-II-Bodiam-Castle.jpg\")
\t\t\tThe GW-3 wide conversion lens and GH-3 adapter were fitted to the GR II to capture this scene of Bodiam Castle. Ricoh GR II, 1\/30sec at f\/4, ISO 100<\/p>\n\t\t<\/div>\n\t\t\n
Handling<\/h3>\n
The Ricoh GR II\u2019s design is rather utilitarian, with the focus on making it an easy-to-use camera, rather than a stylish or flashy one. The camera consists of a simple black magnesium-alloy body, which keeps the camera fairly light and sturdy, but with no weather-seals it shouldn\u2019t be exposed to wet or sandy conditions. Just to the right of the thumb rest you\u2019ll find plus and minus buttons for immediate control of exposure compensation in shooting mode and zoom in review mode. A jog control switch is also present. This is capable of doing a number of things, such as controlling the ISO sensitivity, plus it can be pushed in to select AF mode, metering mode or change the image style. The level of customisation on the GR II is very good indeed and although the fixed 3in, 1,230k-dot screen isn\u2019t the touch-sensitive type, it has reasonable daylight visibility for when you\u2019re composing images in the great outdoors.<\/p>\n
Should I buy it?<\/h3>\n
The GR II is closely related to its predecessor, the Ricoh GR, but improves in a few areas to make it a better camera, notably the addition of wireless connectivity, better battery life and improved burst depth. If you can\u2019t stretch to the GR II, the original GR (around \u00a3275 in good used condition) is a cheaper alternative.<\/p>\n
If you have a love for landscapes and fancy a very capable backup compact that takes up minimal space in your backpack, or maybe you like the idea of owning a camera you can tuck in your pocket and achieve fantastic landscape images with when you\u2019re without your DSLR or mirrorless camera, the GR II shouldn\u2019t be overlooked. It\u2019s reliable, offers good value for money, and its preset exposure times of 30sec, 60sec, 120sec, 240sec and 300sec are particularly useful for long-exposure work.<\/p>\n
\nAlso consider<\/h3>\nSony A7R<\/h2>\n![\"Sony](\"\/wp-content\/uploads\/2019\/08\/Sony-A7R.jpg\")
\nAt a glance:<\/h3>\n\n- Price<\/strong> \u00a3629 good condition<\/li>\n
- Sensor<\/strong> 36.4MP full-frame CMOS<\/li>\n
- Sensitivity<\/strong> ISO 50-25,600<\/li>\n
- Continuous shooting<\/strong> 4fps<\/li>\n
- Video<\/strong> Full HD at 60p<\/li>\n
- Rear display<\/strong> 3in, 921k-dot<\/li>\n
- Viewfinder<\/strong> 0.5in, 2.36-million-dot EVF<\/li>\n<\/ul>\n
The A7R hit the market at the same time as Sony released the A7 and it became the manufacturer\u2019s first full-frame mirrorless interchangeable-lens cameras to use the E mount. With a high-resolution 36.4MP sensor and 7360×4912 pixel output, it quickly made a name for itself among those who wanted to resolve an astonishing level of detail from a small, light and conveniently sized body. Sony\u2019s line-up of full-frame E-mount lenses has expanded hugely since 2014, and now that it has been superseded by the A7R II, A7R III and A7R IV, the original A7R has become one of the most affordable high-resolution mirrorless cameras you can buy second-hand today.<\/p>\n
\nTokina AT-X 16-28mm f\/2.8 PRO FX<\/h2>\n![\"Tokina](\"\/wp-content\/uploads\/2019\/08\/Tokina-16-28mm.jpg\")
\nAt a glance:<\/h3>\n\n- Price<\/strong> \u00a3409 good condition<\/li>\n
- Construction<\/strong> 15 elements in 13 groups<\/li>\n
- Maximum aperture<\/strong> f\/2.8<\/li>\n
- Filter thread<\/strong> N\/A<\/li>\n
- Weight<\/strong> 950g<\/li>\n
- Size<\/strong> 90x133mm<\/li>\n<\/ul>\n
Available in Canon and Nikon mounts, this Tokina lens is purpose-made for wideangle moments. It\u2019s a tempting second-hand option for any full-frame users who\u2019d like to squeeze more of their surroundings in the frame and make a hefty saving over big-brand alternatives. Tokina\u2019s exclusive one-touch focus clutch mechanism allows photographers to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually. It has a built-in lens hood to protect the bulbous front element from knocks and scrapes and as such requires an adapter ring and compatible holder to use it with filters out in the field.<\/p>\n
\nGreat for sport & action photography<\/h2>\nNikon D5300 with AF-S DX Nikkor 55-300mm f\/4.5-5.6G ED VR<\/h2>\n![\"Nikon](\"\/wp-content\/uploads\/2019\/08\/Nikon-D5300-front.jpg\")
\nAt a glance:<\/h3>\n\n- \u00a3443<\/li>\n
- 24.2-million-pixel DX-format CMOS sensor<\/li>\n
- Nikon F lens mount<\/li>\n
- ISO 100-ISO 25,600<\/li>\n
- 5fps continuous shooting<\/li>\n
- Full HD video at 60p<\/li>\n
- 3.2in rear display, 1,037k-dot vari-angle screen<\/li>\n
- 600 shots battery life<\/li>\n
- 480g (body only)<\/li>\n<\/ul>\n
\nAt a glance:<\/h3>\n\n- \u00a3400<\/li>\n
- 16.2MP APS-C CMOS sensor<\/li>\n
- 28mm equivalent f\/2.8 lens<\/li>\n
- ISO 100-25,600<\/li>\n
- 4fps continuous shooting<\/li>\n
- 3in rear display, 1,230k-dot fixed<\/li>\n
- 320 shots battery life<\/li>\n
- 251g<\/li>\n
- Optional GH-3 accessory kit and GW-3 wide conversion lens available<\/li>\n<\/ul>\n
Landscape photography is typically associated with cameras that boast large sensors and offer extremely high resolution to capture the finest detail in a scene. You might be wondering why it is, then, that the Ricoh GR II has made it onto our shortlist as one of our recommended choices for landscape photographers on a budget. Popular for street photography and situations where you don\u2019t want to attract too much attention to yourself or you wish to blend into the surroundings, the GR II makes a valid choice for travelling and landscape work too. If you\u2019d like full manual control and excellent image quality without the burden of having to lug a heavy camera system mountain high and valley low, it might be the ideal camera you\u2019re looking for.<\/p>\n
Some photographers choose it as a small, lightweight, pocket-friendly companion to their DSLR or mirrorless camera, while others rely on it exclusively as their main camera. One of the great things about it is that it\u2019s not too dissimilar to working with a DSLR or mirrorless camera. Okay, its 28mm fixed lens isn\u2019t as versatile as a wideangle zoom, but the buttons and dials across the body fall nicely to hand and it\u2019s very comfortable to hold. The way it can be stashed in a trouser or jacket pocket is one of the main reasons it\u2019s loved so much.<\/p>\n
The introduction of the new Ricoh GR III earlier this year has seen the GR II drop in price. Shop around and you\u2019ll be able to find one in excellent used condition for around \u00a3400 (just as we did on mpb.com<\/a>) or even cheaper on eBay<\/a>. But what can you expect for spending this kind of money? As already mentioned, the GR II features a fixed f\/2.8 lens that\u2019s equivalent to 28mm, behind which lies a 16.2-million-pixel, APS-C sized CMOS sensor that delivers detailed and vibrant images when you shoot in raw. It saves raw images as DNG files, meaning they can be opened in virtually any raw-conversion software, and ensures both forward and backwards compatibility with any future software. Like the earlier Ricoh GR, it has a sensitivity range of ISO 100-25,600, features a useful built-in, two-stop, neutral density filter and has a quick one-second- startup\/shutdown time. Battery life is rated at 320 shots on a single charge, but if you take advantage of its Wi-Fi connectivity expect to shoot less. Thankfully, Duracell DR9709 replacements for the Ricoh DB-65 battery are neither expensive (\u00a315) nor difficult to source.<\/p>\nAs with most cameras, the GR II isn\u2019t without a few pitfalls. Its generous selection of controls might be a bit cramped for some. It has a tendency to overexpose a little, and you need to remove your quick-release tripod plate each time you\u2019d like to access the battery and SD card compartment. Instead of having an adjustable lens ring, it has a removable front ring. Landscape photographers may wish to attach an optional lens hood or use 49mm filters and adapters by purchasing the GH-3 accessory kit (\u00a359). Those who\u2019d like to shoot wider can also buy the 0.75x wide conversion lens (GW-3) that turns it into a 21mm equivalent. A quick search online revealed you can pick up the GH-3 and GW-3 in good used condition for around \u00a3160.<\/p>\n\t\t
\n\t\t\t\t\t\tThe GW-3 wide conversion lens and GH-3 adapter were fitted to the GR II to capture this scene of Bodiam Castle. Ricoh GR II, 1\/30sec at f\/4, ISO 100<\/p>\n\t\t<\/div>\n\t\t\n
Handling<\/h3>\n
The Ricoh GR II\u2019s design is rather utilitarian, with the focus on making it an easy-to-use camera, rather than a stylish or flashy one. The camera consists of a simple black magnesium-alloy body, which keeps the camera fairly light and sturdy, but with no weather-seals it shouldn\u2019t be exposed to wet or sandy conditions. Just to the right of the thumb rest you\u2019ll find plus and minus buttons for immediate control of exposure compensation in shooting mode and zoom in review mode. A jog control switch is also present. This is capable of doing a number of things, such as controlling the ISO sensitivity, plus it can be pushed in to select AF mode, metering mode or change the image style. The level of customisation on the GR II is very good indeed and although the fixed 3in, 1,230k-dot screen isn\u2019t the touch-sensitive type, it has reasonable daylight visibility for when you\u2019re composing images in the great outdoors.<\/p>\n
Should I buy it?<\/h3>\n
The GR II is closely related to its predecessor, the Ricoh GR, but improves in a few areas to make it a better camera, notably the addition of wireless connectivity, better battery life and improved burst depth. If you can\u2019t stretch to the GR II, the original GR (around \u00a3275 in good used condition) is a cheaper alternative.<\/p>\n
If you have a love for landscapes and fancy a very capable backup compact that takes up minimal space in your backpack, or maybe you like the idea of owning a camera you can tuck in your pocket and achieve fantastic landscape images with when you\u2019re without your DSLR or mirrorless camera, the GR II shouldn\u2019t be overlooked. It\u2019s reliable, offers good value for money, and its preset exposure times of 30sec, 60sec, 120sec, 240sec and 300sec are particularly useful for long-exposure work.<\/p>\n
\nAlso consider<\/h3>\nSony A7R<\/h2>\n\nAt a glance:<\/h3>\n\n- Price<\/strong> \u00a3629 good condition<\/li>\n
- Sensor<\/strong> 36.4MP full-frame CMOS<\/li>\n
- Sensitivity<\/strong> ISO 50-25,600<\/li>\n
- Continuous shooting<\/strong> 4fps<\/li>\n
- Video<\/strong> Full HD at 60p<\/li>\n
- Rear display<\/strong> 3in, 921k-dot<\/li>\n
- Viewfinder<\/strong> 0.5in, 2.36-million-dot EVF<\/li>\n<\/ul>\n
The A7R hit the market at the same time as Sony released the A7 and it became the manufacturer\u2019s first full-frame mirrorless interchangeable-lens cameras to use the E mount. With a high-resolution 36.4MP sensor and 7360×4912 pixel output, it quickly made a name for itself among those who wanted to resolve an astonishing level of detail from a small, light and conveniently sized body. Sony\u2019s line-up of full-frame E-mount lenses has expanded hugely since 2014, and now that it has been superseded by the A7R II, A7R III and A7R IV, the original A7R has become one of the most affordable high-resolution mirrorless cameras you can buy second-hand today.<\/p>\n
\nTokina AT-X 16-28mm f\/2.8 PRO FX<\/h2>\n\nAt a glance:<\/h3>\n\n- Price<\/strong> \u00a3409 good condition<\/li>\n
- Construction<\/strong> 15 elements in 13 groups<\/li>\n
- Maximum aperture<\/strong> f\/2.8<\/li>\n
- Filter thread<\/strong> N\/A<\/li>\n
- Weight<\/strong> 950g<\/li>\n
- Size<\/strong> 90x133mm<\/li>\n<\/ul>\n
Available in Canon and Nikon mounts, this Tokina lens is purpose-made for wideangle moments. It\u2019s a tempting second-hand option for any full-frame users who\u2019d like to squeeze more of their surroundings in the frame and make a hefty saving over big-brand alternatives. Tokina\u2019s exclusive one-touch focus clutch mechanism allows photographers to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually. It has a built-in lens hood to protect the bulbous front element from knocks and scrapes and as such requires an adapter ring and compatible holder to use it with filters out in the field.<\/p>\n
\nGreat for sport & action photography<\/h2>\nNikon D5300 with AF-S DX Nikkor 55-300mm f\/4.5-5.6G ED VR<\/h2>\n\nAt a glance:<\/h3>\n\n- \u00a3443<\/li>\n
- 24.2-million-pixel DX-format CMOS sensor<\/li>\n
- Nikon F lens mount<\/li>\n
- ISO 100-ISO 25,600<\/li>\n
- 5fps continuous shooting<\/li>\n
- Full HD video at 60p<\/li>\n
- 3.2in rear display, 1,037k-dot vari-angle screen<\/li>\n
- 600 shots battery life<\/li>\n
- 480g (body only)<\/li>\n<\/ul>\n
Landscape photography is typically associated with cameras that boast large sensors and offer extremely high resolution to capture the finest detail in a scene. You might be wondering why it is, then, that the Ricoh GR II has made it onto our shortlist as one of our recommended choices for landscape photographers on a budget. Popular for street photography and situations where you don\u2019t want to attract too much attention to yourself or you wish to blend into the surroundings, the GR II makes a valid choice for travelling and landscape work too. If you\u2019d like full manual control and excellent image quality without the burden of having to lug a heavy camera system mountain high and valley low, it might be the ideal camera you\u2019re looking for.<\/p>\n
Some photographers choose it as a small, lightweight, pocket-friendly companion to their DSLR or mirrorless camera, while others rely on it exclusively as their main camera. One of the great things about it is that it\u2019s not too dissimilar to working with a DSLR or mirrorless camera. Okay, its 28mm fixed lens isn\u2019t as versatile as a wideangle zoom, but the buttons and dials across the body fall nicely to hand and it\u2019s very comfortable to hold. The way it can be stashed in a trouser or jacket pocket is one of the main reasons it\u2019s loved so much.<\/p>\n
The introduction of the new Ricoh GR III earlier this year has seen the GR II drop in price. Shop around and you\u2019ll be able to find one in excellent used condition for around \u00a3400 (just as we did on mpb.com<\/a>) or even cheaper on eBay<\/a>. But what can you expect for spending this kind of money? As already mentioned, the GR II features a fixed f\/2.8 lens that\u2019s equivalent to 28mm, behind which lies a 16.2-million-pixel, APS-C sized CMOS sensor that delivers detailed and vibrant images when you shoot in raw. It saves raw images as DNG files, meaning they can be opened in virtually any raw-conversion software, and ensures both forward and backwards compatibility with any future software. Like the earlier Ricoh GR, it has a sensitivity range of ISO 100-25,600, features a useful built-in, two-stop, neutral density filter and has a quick one-second- startup\/shutdown time. Battery life is rated at 320 shots on a single charge, but if you take advantage of its Wi-Fi connectivity expect to shoot less. Thankfully, Duracell DR9709 replacements for the Ricoh DB-65 battery are neither expensive (\u00a315) nor difficult to source.<\/p>\n As with most cameras, the GR II isn\u2019t without a few pitfalls. Its generous selection of controls might be a bit cramped for some. It has a tendency to overexpose a little, and you need to remove your quick-release tripod plate each time you\u2019d like to access the battery and SD card compartment. Instead of having an adjustable lens ring, it has a removable front ring. Landscape photographers may wish to attach an optional lens hood or use 49mm filters and adapters by purchasing the GH-3 accessory kit (\u00a359). Those who\u2019d like to shoot wider can also buy the 0.75x wide conversion lens (GW-3) that turns it into a 21mm equivalent. A quick search online revealed you can pick up the GH-3 and GW-3 in good used condition for around \u00a3160.<\/p>\n\t\t The GW-3 wide conversion lens and GH-3 adapter were fitted to the GR II to capture this scene of Bodiam Castle. Ricoh GR II, 1\/30sec at f\/4, ISO 100<\/p>\n\t\t<\/div>\n\t\t\n The Ricoh GR II\u2019s design is rather utilitarian, with the focus on making it an easy-to-use camera, rather than a stylish or flashy one. The camera consists of a simple black magnesium-alloy body, which keeps the camera fairly light and sturdy, but with no weather-seals it shouldn\u2019t be exposed to wet or sandy conditions. Just to the right of the thumb rest you\u2019ll find plus and minus buttons for immediate control of exposure compensation in shooting mode and zoom in review mode. A jog control switch is also present. This is capable of doing a number of things, such as controlling the ISO sensitivity, plus it can be pushed in to select AF mode, metering mode or change the image style. The level of customisation on the GR II is very good indeed and although the fixed 3in, 1,230k-dot screen isn\u2019t the touch-sensitive type, it has reasonable daylight visibility for when you\u2019re composing images in the great outdoors.<\/p>\n The GR II is closely related to its predecessor, the Ricoh GR, but improves in a few areas to make it a better camera, notably the addition of wireless connectivity, better battery life and improved burst depth. If you can\u2019t stretch to the GR II, the original GR (around \u00a3275 in good used condition) is a cheaper alternative.<\/p>\n If you have a love for landscapes and fancy a very capable backup compact that takes up minimal space in your backpack, or maybe you like the idea of owning a camera you can tuck in your pocket and achieve fantastic landscape images with when you\u2019re without your DSLR or mirrorless camera, the GR II shouldn\u2019t be overlooked. It\u2019s reliable, offers good value for money, and its preset exposure times of 30sec, 60sec, 120sec, 240sec and 300sec are particularly useful for long-exposure work.<\/p>\n The A7R hit the market at the same time as Sony released the A7 and it became the manufacturer\u2019s first full-frame mirrorless interchangeable-lens cameras to use the E mount. With a high-resolution 36.4MP sensor and 7360×4912 pixel output, it quickly made a name for itself among those who wanted to resolve an astonishing level of detail from a small, light and conveniently sized body. Sony\u2019s line-up of full-frame E-mount lenses has expanded hugely since 2014, and now that it has been superseded by the A7R II, A7R III and A7R IV, the original A7R has become one of the most affordable high-resolution mirrorless cameras you can buy second-hand today.<\/p>\n Available in Canon and Nikon mounts, this Tokina lens is purpose-made for wideangle moments. It\u2019s a tempting second-hand option for any full-frame users who\u2019d like to squeeze more of their surroundings in the frame and make a hefty saving over big-brand alternatives. Tokina\u2019s exclusive one-touch focus clutch mechanism allows photographers to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually. It has a built-in lens hood to protect the bulbous front element from knocks and scrapes and as such requires an adapter ring and compatible holder to use it with filters out in the field.<\/p>\n\t\t\tHandling<\/h3>\n
Should I buy it?<\/h3>\n
\nAlso consider<\/h3>\n
Sony A7R<\/h2>\n
\nAt a glance:<\/h3>\n
\n
\nTokina AT-X 16-28mm f\/2.8 PRO FX<\/h2>\n
\nAt a glance:<\/h3>\n
\n
\nGreat for sport & action photography<\/h2>\n
Nikon D5300 with AF-S DX Nikkor 55-300mm f\/4.5-5.6G ED VR<\/h2>\n
\nAt a glance:<\/h3>\n
\n
![\"Nikon](\"\/wp-content\/uploads\/2019\/08\/Nikon-D5300-cricket.jpg\")
\t\t\t![\"Canon](\"\/wp-content\/uploads\/2019\/08\/Canon-EOS-7D.jpg\")
\n![\"Sigma](\"\/wp-content\/uploads\/2019\/08\/Sigma-APO-150-500mm-F5-6.3-DG-OS-HSM.jpg\")
\n![\"Fujifilm](\"\/wp-content\/uploads\/2019\/08\/Fujifilm-X100S-front.jpg\")
\n![\"Fujifilm](\"\/wp-content\/uploads\/2019\/08\/Fujifilm-X100S-street.jpg\")
\t\t\t![\"Fujifilm](\"\/wp-content\/uploads\/2019\/08\/Fujifilm-X70.jpg\")
\n![\"Panasonic](\"\/wp-content\/uploads\/2019\/08\/Panasonic-Lumix-GX80-1.jpg\")
\n![\"Olympus](\"\/wp-content\/uploads\/2019\/08\/Olympus-OM-D-E-M10-front.jpg\")
\n![\"Olympus](\"\/wp-content\/uploads\/2019\/08\/Olympus-OM-D-E-M10-portrait.jpg\")
\t\t\t![\"Tamron](\"\/wp-content\/uploads\/2019\/08\/Tamron-SP-60mm-f2-di-II-LD-Macro.jpg\")
\n![\"Canon](\"\/wp-content\/uploads\/2019\/08\/Canon-PowerShot-G7-X-Mark-II.jpg\")
\n