{"id":136514,"date":"2020-04-26T08:57:02","date_gmt":"2020-04-26T07:57:02","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/?p=136514"},"modified":"2020-04-26T09:01:09","modified_gmt":"2020-04-26T08:01:09","slug":"pinhole-going-the-scenic-route","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/expert_advice\/pinhole-going-the-scenic-route\/","title":{"rendered":"Pinhole photography: Going the scenic route"},"content":{"rendered":"\t\t
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Open Invitation, St Mary\u2019s Church, Stainburn, North Yorkshire. Credit: Martin Henson<\/p>\n\t\t<\/div>\n\t\t\n

It\u2019s World Pinhole Day on 26 April, so to celebrate this, we thought we\u2019d speak to somebody who is using this intriguing and quirky technique for landscape \u2013 traditionally a genre where high-quality lenses, bodies and tripods tend to be the order of the day. After all, some pinhole photography can seem a bit… dare we say self-indulgent, showing off the photographer\u2019s skill with the technique but little more? With this in mind, we contacted Martin Henson, a Yorkshire-based landscape and fine art photographer who\u2019s become a leading exponent of using pinhole techniques to capture stunning scenics. And he also shoots film.<\/p>\n

\u2018I started in pinhole photography around seven years ago, as I was interested in creating work that was different to my previous style, using conventional methods of capture using both film and digital cameras,\u2019 Martin explains. \u2018Pinhole images offer an alternative look and feel that has a timeless ethereal quality. They aren\u2019t sharp or as well defined but over the years I have learned that absolute perfection is not always required to produce quality and that there is beauty in imperfection. I think in Japan it\u2019s called wabi sabi… it\u2019s the picture that counts, not the camera used.\u2019<\/p>\n\t\t

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Rivets underneath the Iron Bridge in Ilkley, West Yorkshire. Credit: Martin Henson<\/p>\n\t\t<\/div>\n\t\t\n

Meter made<\/h3>\n

While this kind of lo-fi approach may appeal to many readers weary of our modern obsession with sometimes artificially sharp and \u2018perfect\u2019 landscapes, Martin counsels that pinhole is not for the faint-hearted. \u2018If you have never used film, the main challenge is moving from digital capture, with no instant preview, no exposure meter. Yes you can use digital pinhole, however in my experience film\u2019s greater latitude to underexposure and especially overexposure works perfectly with the pinhole\u2019s long exposures. Another area that might seem daunting is composing without a viewfinder, figuring how to meter the scene and dealing with film\u2019s reciprocity failure.\u2019<\/p>\n

Martin has little time for purists who say that pinhole photography and fine-art landscape photography don\u2019t go together.<\/p>\n

\u2018I see no reason why this is the case. Pinhole needs a certain type of light to work well and I often go back to the same scene time and again and get a different look and feel each time. Also landscapes create a cohesive type of work that fits well together, rather than random subjects.\u2019<\/p>\n

So what does Martin think are the main benefits of using pinhole techniques and gear for landscape photography? \u2018Apart from the unique look, it is the care and thought you have to put into composition and exposure. Photography becomes a more involved way of working, with all settings and decisions made by you, rather than there being intervention from electronics. So picture-making becomes more rewarding and although it\u2019s a challenge, it does become second nature with practice.\u2019<\/p>\n\t\t

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Stepping Stones over the River Wharfe in Yorkshire. Credit: Martin Henson<\/p>\n\t\t<\/div>\n\t\t\n

Common pinhole photography pitfalls<\/h3>\n

According the Martin, the biggest mistakes pinhole beginners make are to do with our old friends, exposure and composition. \u2018Because pinhole cameras have such small apertures and handheld meters rarely meter past f\/128, you should always meter at f\/22 then extrapolate that meter reading to the pinhole f-stop of your camera. This is quite hard to do when you\u2019re out in a landscape with so many things to remember, so my first tip is: make a chart with the corrected times for your pinhole aperture size printed on. Then it\u2019s easy, take a light reading and look at that time on the chart. Another good tip is to use a phone app, such as Reciprocity Timer. This will calculate the exposure times that\u2019s needed to correct for film\u2019s reciprocity failure. Also don\u2019t be too apprehensive with exposure times. Always give more time than you think is needed, as it\u2019s better to overexpose than underexpose. Finally get close to your subject \u2013 many pinhole shots are spoilt compositionally by too much boring foreground.\u2019<\/p>\n\t\t

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Setting sun, Jersey, Channel Islands. Credit: Martin Henson<\/p>\n\t\t<\/div>\n\t\t\n

Workshop opportunities<\/h3>\n

Even though pinhole photography is a nice market, it\u2019s good to hear that Martin has sold quite a few images over the years. \u2018I sell many images through different outlets worldwide through a licensing company and also through my own site. I often sell pinhole images in threes, so they complement each other. For me, though, the satisfaction doesn\u2019t come from getting sales but from going out and completing projects.\u2019 So if push comes to shove, which are Martin\u2019s favourite pinhole images, and why? \u2018The images I like best are always the ones where I step out of my comfort zone, such as shooting into the light source, getting really close or low down, with the camera exaggerating foreground size and composition. Be daring and you will always get pictures that are different from the norm.\u2019<\/p>\n\t\t

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Cobbled path, White Wells, Ilkley, West Yorkshire. Credit: Martin Henson<\/p>\n\t\t<\/div>\n\t\t\n

Martin doesn\u2019t have any exhibitions running at the moment, primarily because of the setting up costs involved. \u2018However I am planning one for next year that runs with the Ilkley Arts festival, so watch this space. I also do pinhole workshops from my home studio; details and bookings can be made by following the link on my website at martinimages.photium.com<\/a>. I also have a dedicated black & white learning forum, and all are welcome with any interest in monochrome work \u2013 both film and digital: www.digitalmonochromeforum.co.uk<\/a>.\u2019<\/p>\n

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Credit: Martin Henson<\/p>\n\t\t<\/div>\n\t\t\n

Martin\u2019s gear and processing technique<\/h3>\n

\u2018I have two pinhole cameras, both made by Zero Image which specialises in making them. One is a Zero 2000 that shoots 6x6cm 120 roll film, the other is a Zero 45 Large format that takes 4×5 sheet film. By removing or adding panels with this camera it gives different focal lengths and pinhole sizes. I have three panels that give me 75mm, 50mm and 25mm \u2013 these are classified as wide to super wide angle. I use the 120 roll film camera for travel and the 4×5 camera for most landscapes; the advantage with the 4×5 camera is that I can develop one sheet at a time to suit the dynamic range of the scene and also carry different film stock in the film holders. A tripod is essential and also a handheld light meter to take either incident or spot readings. The main films I use are Fuji Acros II, Ilford FP4, and Kodak Tri-X. I develop all my negatives at home using different types of developer that I think will suit the dynamic range. I also carry orange, yellow and red filters.\u2019<\/p>\n

After the negatives are developed and dried Martin scans the 4×5 sheets in an Epson V800 flatbed scanner, and for the medium format roll film he uses a Nikon 9000 ED scanner. \u2018I use VueScan as the scanning software, and the files are then edited in Photoshop using only selective contrast control which I call Contrast Grading.\u2019<\/p>\n

You can buy tutorials in this technique from his website<\/a>.<\/p>\n

\n

Martin Henson is a proud Yorkshireman who started photography when he was 12. He has won numerous competitions over the years, and had pictures published in nearly every popular photo magazine on the market. \u2018I was always drawn back to monochrome as the preferred medium: for me it\u2019s simple but effective, dramatic not garish, and for landscape can\u2019t be beaten.\u2019 Most of his images are taken with 25 miles of his home. See his site at www.martinhensonphotography.co.uk<\/a>.<\/strong><\/p>\n

\n\n","protected":false},"excerpt":{"rendered":"

To mark World Pinhole Day, landscape expert Martin Henson tells Geoff Harris how he uses this technique with film<\/p>\n","protected":false},"author":2716,"featured_media":136523,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[375,337,36],"tags":[],"product-category":[],"class_list":["post-136514","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expert_advice","category-latest","category-technique"],"yoast_head":"\nPinhole photography: Going the scenic route - Amateur Photographer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/expert_advice\/pinhole-going-the-scenic-route\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pinhole photography: Going the scenic route\" \/>\n<meta property=\"og:description\" content=\"To mark World Pinhole Day, landscape expert Martin Henson tells Geoff Harris how he uses this technique with film\" \/>\n<meta property=\"og:url\" content=\"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/expert_advice\/pinhole-going-the-scenic-route\/\" \/>\n<meta property=\"og:site_name\" content=\"Amateur Photographer\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/Amateur.photographer.magazine\" \/>\n<meta property=\"article:published_time\" content=\"2020-04-26T07:57:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-04-26T08:01:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2020\/04\/World-Pinhole-Day-Jersey-coastline-e1587380200456.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"630\" \/>\n\t<meta property=\"og:image:height\" content=\"335\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@AP_Magazine\" \/>\n<meta name=\"twitter:site\" content=\"@AP_Magazine\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/expert_advice\/pinhole-going-the-scenic-route\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/expert_advice\/pinhole-going-the-scenic-route\/\"},\"author\":{\"name\":\"\",\"@id\":\"\"},\"headline\":\"Pinhole photography: Going the scenic route\",\"datePublished\":\"2020-04-26T07:57:02+00:00\",\"dateModified\":\"2020-04-26T08:01:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/expert_advice\/pinhole-going-the-scenic-route\/\"},\"wordCount\":1315,\"commentCount\":0,\"image\":{\"@id\":\"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/expert_advice\/pinhole-going-the-scenic-route\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2020\/04\/World-Pinhole-Day-Jersey-coastline-e1587380200456.jpg\",\"articleSection\":[\"Expert advice\",\"Latest\",\"Technique\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/expert_advice\/pinhole-going-the-scenic-route\/\",\"url\":\"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/expert_advice\/pinhole-going-the-scenic-route\/\",\"name\":\"Pinhole photography: Going the scenic route - 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