{"id":140310,"date":"2020-09-03T17:13:00","date_gmt":"2020-09-03T16:13:00","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=140310"},"modified":"2020-09-03T17:15:11","modified_gmt":"2020-09-03T16:15:11","slug":"keep-on-moving-winners-revealed-from-our-major-competition","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/keep-on-moving-winners-revealed-from-our-major-competition\/","title":{"rendered":"‘Keep on Moving’ winners revealed from our major competition"},"content":{"rendered":"\"\"\n

We are pleased to announce that Zay Yar Lin from Myanmar is the winner \u00a0of Round Four of Amateur Photographer of the Year (APOY) 2020<\/a>. He can pick products of up to \u00a31,000 in value (based on Sigma\u2019s RRP), and if his choice is above this price, he can decide to pay the difference. Both the 150-600mm F5-6.3 DG OS HSM | Contemporary (RRP \u00a3999.99) or the 60-600mm F4.5-6.3 DG OS HSM | Sports (RRP \u00a31,899.99) would be great choices.<\/p>\n\"\"\n

First prize\u00a0Zay Yar Lin<\/strong>,\u00a0Myanmar (20pts)<\/strong>
\nThe above image appears at first glance to be a composite, but then, as the eye adjusts, we realise it is the edge of a ship\u2019s deck with the swirling sea below. The theme of movement is apparent both in the shapes created by the swabbing of the deck and the foaming waves, and the way the two echo each other is mesmerising. And it was taken with an iPhone, which goes to show that using whatever camera you have on you at the time is better than using no camera at all!
\nApple iPhone 7 Plus, 6.6mm, 1\/529sec at f\/2.8, ISO 20
\n<\/em><\/strong><\/p>\n\"\"\n

Second prize: Nawfal Jirjees<\/strong>,\u00a0Dubai (19pts)<\/strong>
\nNawfal has captured the sheer majesty of this horse in one frame. The extended front leg, the arched neck and the flick of the tail all come together to show the animal\u2019s controlled power. The way in which the sand is kicked up looks almost like waves in water. Shooting with a 400mm lens has made the background dunes appear closer than they would have been, and the curves and ripples provide context to the scene. Finally, the low light provides highlights and a three-dimensionality that would be lost if it were more overhead. Atmospheric and enchanting.
\nSony A7R III, 400mm, f\/2.8, ISO 100<\/em><\/p>\n\"\"\n

Third prize: Andrew Robertson<\/strong>,\u00a0UK (18 pts)<\/strong>
\nTraffic trails are a perennially popular subject for photographers, and this is a particularly well-executed example. Our attention goes first to the illuminated towers of Battersea Power Station, then down to the headlights of the waiting trains. The many straight lines and sharp angles that dominate the upper part of the frame contrast beautifully with the multi-coloured curves of the traffic trails in the foreground. While there is a lot going on, the scene is never confusing, which is an excellent achievement.
\nCanon EOS 5D Mark IV, 70-200mm at 80mm, 192sec at f\/29, ISO 100<\/strong><\/em><\/p>\n\"\"\n

Fourth prize<\/strong>:\u00a0Sabrina Garofoli<\/strong>,\u00a0Italy (17 pts)<\/strong>
\nWe love a minimal shot, and this one manages to be both minimal and absorbing at the same time, which is no mean feat. Its success is down to several important elements: the sinuous curve of the moving train, which appears almost snake-like, and does an extremely good job of leading the eye through the scene; the colour palette, which is limited to only white, red and black; and the precision of composition, which has kept each of the pylons completely separate from one another. Excellent stuff.
\nCanon EOS 6D, 24-105mm at 24mm, 3.2sec at f\/13, ISO 100<\/strong> <\/em><\/p>\n\"\"\n

Fifth prize<\/strong>:\u00a0Kirst King-Jones<\/strong>,\u00a0Canada (16 pts)<\/strong>
\nA great deal of trial and error went into this beautiful shot of a hummingbird, which was taken on the island of Tobago. We normally see images of hummingbirds as they hover
\nto feed, so this gives us a lesser-seen view of the magical creature. The image would not have worked if the bird\u2019s eye was anything other than tack-sharp, so this is an achievement in itself. Then, the blur of its wings tells us something about the speed at which they flap. A lovely shot that succeeds on both a creative and a technical level.
\nNikon D4S, 600mm, 1\/320sec at f\/8, ISO 5000, flash<\/p>\n\"\"\n

6. Chris Ellison,\u00a0UK (15 pts)<\/strong>
\nA great capture that oozes a feel-good factor. The sheer joy in the boys\u2019 faces is infectious as they run towards the camera. Great framing, spot-on focus and excellent timing (the boy on the left is completely off the ground) all come together to create a great travel shot.
\nCanon EOS 5D Mark III, 70-300mm at 135mm, 1\/250sec at f\/6.3, ISO 1600<\/strong><\/em><\/p>\n\"\"\n

7. <\/strong>Paul Cooper,\u00a0UK (14 pts)<\/strong>
\nYou can almost hear the racket these scrapping starlings would have been making here. The right-hand bird is in perfect profile and appears to be gaining ground over the left-hand bird. An added bonus is the jewel colours of the birds\u2019 plumage.
\nCanon EOS-1D X, 600mm, 1\/2500sec at f\/8, ISO 8000<\/strong><\/em>
\n<\/span><\/p>\n\"\"\n

8. <\/strong>Steve Oldfield,\u00a0UK (13 pts)<\/strong>
\nA split second sooner or later and this shot would have failed, as it\u2019s the eye peeking through the gaps in the wing feathers that makes it so effective. The close-up wideangle emphasises the size of the bird, too.
\nNikon D600, 24-70mm at 31m, 1\/1250sec at f\/8,<\/strong> ISO 320<\/strong><\/em><\/p>\n\"\"\n

9. <\/strong>Sara Jazbar,\u00a0Italy (12 pts)<\/strong>
\nWho knew that the simple act of feeding could be so acrobatic? The fact that the fledgling appears to have lost its grip on the branch leaves the viewer wondering what happened next.
\nNikon D500, 150-600mm at 480mm, 1\/2500sec at f\/6, ISO 1400<\/strong><\/em><\/p>\n\"\"\n

10. <\/strong>Sophia Spurgin,\u00a0UK (11 pts)<\/strong>
\nSophia has cleverly combined action and atmosphere here, which is no mean feat. Even though it\u2019s a still, the image has a slow-motion quality, and we can feel the heat from the setting sun as it silhouettes the divers.
\nCanon EOS 5D Mark III, 24-105mm at 65mm, 1\/8000sec at f\/5.6, ISO 800<\/strong><\/em>
\n<\/span><\/p>\n\"\"\n

11.\u00a0Angi Wallace,\u00a0UK (10 pts)<\/strong>
\nSony A7II, 90mm Macro, 1\/160sec at f\/18, ISO 64 An \u2018oops!\u2019 moment, very well captured indeed. Angi is always extremely careful not to cause her subjects any distress, which is as it should be. In return, they reward her with natural behaviour, as this shot demonstrates.
\nSony A7II, 90mm Macro, 1\/160sec at f\/18, ISO 64<\/em><\/p>\n\"\"\n

12.\u00a0Christina Draper,\u00a0UK (9 pts)<\/strong>
\nIt\u2019s surprisingly tricky to get good action shots of dogs, but Christina has managed to capture hers at peak happiness. The long focal length keeps the background nicely blurred, and ensures all attention remains on the pup\u2019s cheeky face.
\nNikon D500, 70-200mm at 200mm, 1\/2500sec at f\/2.8, ISO 200<\/em><\/p>\n\"\"\n

13 Carole Zimmerman UK (8 pts)
\n<\/strong>The timing of this shot means Carole has captured this surfer looking almost as if he
\nis sheltering in a cave. Cleverly done.
\nCanon EOS 7D Mark II, 100-400mm at 400mm, 1\/2500sec\u00a0<\/em>at f\/7.1, ISO 320<\/p>\n\"\"\n

14 Andrew Robertson UK (7 pts)<\/strong>
\nThe way in which the lines appear to explode to the edges of the frame make the viewer feel as if they are being sucked into the central point. It works very well in mono, too.
\nCanon EOS 5D Mark III, 24-70mm at 24mm, 1sec at f\/5, ISO 320<\/p>\n\"\"\n

15 Ales Krivec Slovenia (6 pts)<\/strong>
\nA more subtle interpretation of the brief, but an effective one that wouldn\u2019t have worked as well without the foreground ducks.
\nNikon D810A, 14-24mm at 21mm, 1\/250sec at f\/11, ISO 200<\/p>\n\"\"\n

16 Simon Hadleigh-Sparks UK (5 pts)
\n<\/strong>A well-constructed composite that combines curves and straight lines to good effect. The limited colour palette ensures the final result isn\u2019t confusing to the eye.
\nCanon EOS 5D Mark III, 17-40mm, multiple exposure of 10-30secs at
\nISO 100<\/em><\/p>\n\"\"\n

17 Sabrina Garofoli\u00a0Italy (4 pts)
\n<\/strong>Sabrina has captured the hummingbird just as it is poised to feed on the flower\u2019s nectar. The judges loved the excellent timing, as well as the echo between the colour of the petals and that of the bird\u2019s plumage.
\nCanon EOS 7D Mark II, 24-105mm\u00a0at 87mm, 1\/250sec at f\/8, ISO 200<\/p>\n\"\"\n

18 Graeme Youngson UK (3 pts)
\n<\/strong>Great timing, great framing and great light all play an important part here. The shop signs saying \u2018To go\u2019 add another fortuitous element to the scene.<\/p>\n\"\"\n

19 Zay Yar Lin, Myanmar ( 2 pts)
\n<\/strong>A beautifully balanced image, offset by the setting sun in the right of the frame. It\u2019s almost as if the fishermen are performing a dance.
\nNikon D850, 16-35mm at 16mm, 1\/320sec at f\/10, ISO 200<\/p>\n\"\"\n

20 Dominic Beaven,\u00a0UK (1 pt)<\/strong>
\nThe sheer force and power of this punch leaps right out of the frame. Look closely, and you can even see the sweat flying from the body of the fighter on the left. Great timing, which is what this category is all about.
\nCanon EOS 5D Mark III, 16-35mm at 16mm, 1\/640sec at f\/4, ISO 6400
\n<\/span><\/p>\n

Top tips for shooting movement:\u00a0Four shortlisted entrants give their action hints<\/h2>\n

Andrew Robertson,3rd and 14th<\/strong>
\n<\/span>For me, the key to shooting motion is to decide what sort of image you would like to make and work out the appropriate exposure length. With my Electric Avenue image, I wanted a number of unbroken trails, which meant I had to use a very long exposure. I also wanted to retain some colour in the sky, so to achieve both this and the light trails, I took the shot just after sunset.<\/p>\n

Graeme Youngson, 18th<\/strong>
\n<\/span>Luck is vital \u2013 and you can increase your chances of getting lucky by always having your camera in your hand wherever you are, pre-set to the prevailing conditions, and by staying aware of what is going on around you. Don\u2019t worry about perfect framing (there\u2019s not time!).\u00a0A sense of movement can be enhanced by a certain amount of disorder, blurring and not including all the subject in the frame.\u00a0<\/span><\/p>\n

Sara Jazbar, 9th<\/strong>
\n<\/span>With very fast animals, or a very fast action, the most difficult thing is to capture the moment. For me, gear\u00a0is not that important with most photographic genres, but in some cases it does really help. A fast burst of 10fps will help to freeze
\nthe kind of moment that even the human eye might miss. My advice is to try try try, experiment and never give up!<\/p>\n

Christina Draper, 12th<\/strong>
\n<\/span>As my usual subjects are animals, I\u2019m quite used to shooting things at speed \u2013 especially my dog, Jaz. With fast-moving subjects, I usually try to lock my exposure first, then lock on to the subject, stay with them and almost forget everything else that\u2019s going on around. In this case, I caught Jaz doing her favourite thing \u2013 jumping \u2013 with some lovely light filtering through the trees.<\/p>\n

Judge\u2019s choice<\/strong><\/h2>\n

I am always drawn towards unusual images that at first glance might have ended up on the reject pile. When you spend a lot of time judging photography competitions, the same kind of pictures will inevitably make\u00a0an appearance every time. Shots like this one below give you reason to pause and really stop to look at what\u2019s going on and assess why the picture works.\u00a0<\/span><\/p>\n\"\"\n

Due to the timing of this particular shot \u2013 a millisecond either way \u2013 it seems very unlikely to have been something that the photographer set out to do deliberately.\u00a0<\/span>Perhaps Steve planned this shot, but to my eye it looks like a very happy accident; one that he probably came back to during the editing stage and realised it was just a little bit magic \u2013 I love the chance of it all.
\nAmy Davies, Features Editor<\/strong><\/em><\/p>\n\n","protected":false},"excerpt":{"rendered":"

Discover the top 20 images from Round Four of APOY, our major annual competition, along with some great tips for motion-packed shots<\/p>\n","protected":false},"author":7,"featured_media":140318,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[311,39],"tags":[],"product-category":[],"class_list":["post-140310","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-photo-news"],"yoast_head":"\n'Keep on Moving' winners revealed from our major competition - Amateur Photographer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/keep-on-moving-winners-revealed-from-our-major-competition\/\" \/>\n<meta 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