{"id":142835,"date":"2020-11-16T15:10:55","date_gmt":"2020-11-16T15:10:55","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=142835"},"modified":"2020-11-16T15:22:41","modified_gmt":"2020-11-16T15:22:41","slug":"the-stunning-wildlife-photography-of-david-yarrow","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/interviews\/the-stunning-wildlife-photography-of-david-yarrow\/","title":{"rendered":"The stunning wildlife photography of David Yarrow"},"content":{"rendered":"

At the beginning of his career David Yarrow was photographing sports stars and not wildlife. Aged just 20, he shot an iconic image of footballer Diego Maradona holding the FIFA World Cup aloft after Argentina had won the 1986 final against West Germany in Mexico City. But, despite naming his early photographic heroes as legendary British sports photographers Eamonn McCabe and Chris Smith, Yarrow quickly realised he was in a crowded field.<\/p>\n

He explains, \u2018I remember being at an Olympic Games\u2026 I thought I\u2019d got a good shot and then there were six other adjoining photographers that had exactly the same image. That was only going to go one way with motordrives, digital, frames per second, improved telephoto lenses and improved resolution in low light. With sports photography, even back in 1990, I worried that it was going to become a space characterised by over-supply of imagery.\u2019<\/p>\n\t\t

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The Untouchables, Amboseli, Kenya, 2017<\/p>\n\t\t<\/div>\n\t\t\n

Yarrow took a break from taking pictures for a living to go into the world of finance. He didn\u2019t return to it with gusto until around 2003, after his marriage fell apart, when photography became an \u2018escape\u2019. With a refreshing candour he reveals his path to photographing wildlife and warns some of his views might be \u2018unpalatable\u2019. He notes, \u2018There are four or five genres of photography that take up about 85% or 90% of the population of photography\u2026 so you\u2019ve got sport, female form, landscape, wildlife and still life.\u2019 Yarrow explains, \u2018Female form photography is f***ed, but it\u2019s only really been f***ed in the last three or four years because of MeToo and the gratuitous use of the female form. If someone is going around with a camera photographing naked women I think the world is increasingly questioning why they\u2019re doing it, because they can\u2019t be doing it for commercial gain.\u2019<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Diamonds in the Sky, Alaska, USA, 2018<\/p>\n\t\t<\/div>\n\t\t\n

He dabbled in landscape photography but chose not to pursue it, \u2018Because how can you take a picture better than Ansel Adams did at Yosemite?\u2019 Yarrow continues, \u2018War photography is for the brave and I have huge admiration for those [photographers]. So I was left with very few choices. I felt that I\u2019m not a wildlife photographer, I\u2019m a photographer, but I sensed that maybe wildlife was an area that maybe had been done down a bit, that people were using these long lenses to be lazy but that [approach] cuts the emotion.\u2019<\/p>\n

A journey into fine art Yarrow\u2019s epiphany about the potential of creating fine art wildlife imagery came after a financially unrewarding trip to shoot great white sharks in South Africa. \u2018I got obsessed with sharks and spent a lot of time in Cape Town trying to get a great white predating in False Bay. When I finally did I got a \u00a316,000 cheque from Getty, but it cost me \u00a318,000 to take the picture. It\u2019s clearly not a very good way to earn money if I\u2019ve lost \u00a32,000 taking that picture.<\/p>\n

Then a lawyer from Houston called me up and said, \u201cAre you the kid who took the photograph of the shark?\u201d and I sold him $20,000 worth of a print. That was when the penny dropped.\u2019 He adds, \u2018Nick Brandt and Peter Beard were the two photographers I\u2019d watched who had turned wildlife photography into art. People point to that Jim Brandenburg picture of a wolf behind the tree [as being art] and I felt that there was opportunity there. But I knew it was going to take an awful long time to get to a brand we\u2019ve got now where people pay, bizarrely, $100,000 for an image.\u2019<\/p>\n\t\t

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The Old Testament, Dinokeng, South Africa, 2017<\/p>\n\t\t<\/div>\n\t\t\n

Close-ups and humour<\/strong>
\nThe latest fruits of Yarrow\u2019s shoots are showcased in the new book Americas, Africa, Antarctica, Arctic, Asia, Europe. It primarily features his trademark close-up images of wildlife \u2013 often shot with remote gear that\u2019s sometimes scented to attract certain animals, such as lions and polar bears \u2013 interspersed with more humorous work featuring models and animals.<\/p>\n

Yarrow reveals, \u2018The key thing about this book is our team stayed in Verona for two-and-a-half weeks with the printers getting the print work to almost a photographic [print] quality. I think you can see it in terms of the tonal range of the prints. It [the book] also needed to be big. My images are huge when they\u2019re in galleries, so it would be silly not to have a big book.\u2019<\/p>\n\t\t

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Chicago, Illinois, USA, 2019<\/p>\n\t\t<\/div>\n\t\t\n

Notably, each image in the 368-page book comes with a detailed description of how it was shot. He explains, \u2018I think there\u2019s a lot of strong work there. There\u2019s 65,000 words and it was important to me to talk about behind-the-scenes and give context to every image.\u2019 Long-term Nikon user Yarrow is a diehard Nikon user, as well as being a Nikon Ambassador, yet he confesses, \u2018I have used Hasselblad. I did a book with Hasselblad and I tried to work with their new series of cameras not too long ago, but they\u2019re just not robust or quick enough for me. I think it\u2019s the better the devil you know. The D850 [camera] was made for me. Because we print so big, the resolution on it is fantastic. It\u2019s a camera that I think has helped my career enormously in the last three or four years.\u2019<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

The Usual Suspects, Montana, USA, 2018<\/p>\n\t\t<\/div>\n\t\t\n

On the optical side of things Yarrow reveals, \u2018I don\u2019t use zoom lenses but I can understand why people use zooms for convenience and cost. But, ultimately, when you\u2019re blowing a picture up to the size of a snooker table it does tend to show. At the margins some of the Nikon zooms are getting better but 99% of my work is on their primes and it\u2019s the 58mm, 35mm, 105mm; the 200mm f\/2 is a great lens as well.\u2019 He adds, in characteristically forthright fashion, \u2018I can never understand amateur photographers that go club class to Nairobi [to photograph wildlife] and then have a shit camera. Why don\u2019t they just go economy and get the D850?\u2019<\/p>\n

Behaviour of wildlife<\/strong>
\nAs his career has progressed Yarrow admits he has become more adept at understanding animal behaviour. \u2018Photographing animals is a bit like photographing people in that you can do better the more you know them. It\u2019s not just the animals; it\u2019s the people on the ground who know those animals. Some of the work we do with big elephants I could never have done five or ten years ago because I didn\u2019t have the best people who knew me and trusted me to do the kind of things that we\u2019re doing.\u2019<\/p>\n

He continues, \u2018It\u2019s partly knowing the animal and partly being in a position to work with people on the ground who want to help you because they trust you and know that you give back to conservation. This year we gave two million quid back and that obviously is going to help my relationship with people like the Kenyan government.\u2019 The issue of access to animals is a double-edged sword for Yarrow. He explains, \u2018If you\u2019ve got an animal that it\u2019s easy to get access to, it then becomes challenging to get something that\u2019s different [pictorially]. With an animal that\u2019s hard to get access to, the difficulty comes in getting that physical encounter; just getting yourself in the position to take the photographs.\u2019<\/p>\n

Yarrow continues, \u2018Tigers and polar bears usually I\u2019d spend the least amount of time with; probably\u00a01% of the time you\u2019ve got a camera with you. I think you have to have failures. If it was easy to get\u00a0the work that we get then I\u2019d have a lot more competition to worry about! Success is 99% failure\u00a0and it\u2019s by failing that you learn how to succeed. The great joy\u00a0that photographers have is that they can be very tough on their edit.\u00a0I take a lot of very bad pictures,\u00a0but the world doesn\u2019t need\u00a0to see them.\u2019<\/p>\n

Influencing conservation<\/strong>
\nYarrow\u2019s involvement in conservation charities includes being an affiliated photographer for the Tusk Trust and an ambassador for WildArk and the Kevin Richardson Foundation. Alongside his latest book he has a travelling exhibition that, at the time of writing, was due to be shown in 24 cities around the world. Despite such widespread exposure for his work Yarrow remains modest about how his work has influenced conservation issues. He replies, \u2018It would be wrong of me to say that we have had a huge influence but we can give it our very best shot. We had a show in Monaco recently and I saw a girl coming out of this big gallery crying; that makes me feel emboldened and empowered in what I do.\u2019<\/p>\n\n\"\"\n

Americas, Africa, Antarctica, Arctic, Asia, Europe, by David Yarrow, is published by Rizzoli Books (ISBN: 978-0-8478-6477-5) with an RRP of \u00a372.50. To find out more go to www.rizzoliusa.com. To see more of David\u2019s work, see his website<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Here’s a great antidote to the trials and tribulations of this pandemic year and bleak November days. We celebrate the amazing imagery of fine-art wildlife photographer David Yarrow, as featured in a recently published book<\/p>\n","protected":false},"author":7,"featured_media":142838,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[374,369],"tags":[],"product-category":[],"class_list":["post-142835","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","category-wildlife_photography"],"yoast_head":"\nThe stunning wildlife photography of David Yarrow - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"We celebrate the amazing wildlife photography of David Yarrow, who is also a Nikon ambassador\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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