{"id":144014,"date":"2020-12-11T15:48:40","date_gmt":"2020-12-11T15:48:40","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=144014"},"modified":"2020-12-11T15:51:05","modified_gmt":"2020-12-11T15:51:05","slug":"how-the-abbey-road-album-cover-was-shot","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/how-the-abbey-road-album-cover-was-shot\/","title":{"rendered":"How the Abbey Road album cover was shot"},"content":{"rendered":"

Fact file:<\/strong> Abbey Road by The Beatles
\nMusicians:<\/strong> John Lennon, Paul McCartney, George Harrison, Ringo Starr, Billy Preston, George Martin
\nReleased:<\/strong> 26 September 1969 (Apple Records)
\nBest chart performance:<\/strong> No.1 UK Albums Chart (the album entered the chart at No.1) and No.1 US Billboard Top LPs chart. The LP also reached No.1 in Australia, Canada, The Netherlands, Norway, Sweden, Spain and West Germany. Sales: Over 31 million worldwide
\nFascinating fact:<\/strong> The final track of the album, The End, was the last time all four of The Beatles recorded a track together \u2013 this was on 18 August 1969. John Lennon privately left the group six days before the release of the album, while Paul McCartney publicly confirmed he was no longer in The Beatles
\non 9 April 1970.<\/p>\n\"\"\n\n

A photograph taken by the late Iain Macmillan (below) from a stepladder in the middle of Abbey Road, London, on 8 August 1969 remains one of rock and roll\u2019s most iconic images over half a century later. Using a Hasselblad 500C camera, with a Zeiss Distagon 50mm f\/4 lens, Macmillan only took six shots of the Beatles as they walked across the crossing near EMI Studios, where the group usually recorded. The visual idea for the shoot came from Paul McCartney.<\/p>\n\"\"\n

In a 1989 interview with The Guardian newspaper, Macmillan recalled, \u2018We hired a policeman to hold up traffic while I was up on the ladder. A few days before the shoot, he [Paul] drew a sketch of how he imagined the cover, which we executed almost exactly that day. \u2018I took a couple of shots. We let some of the traffic go, then they walked across the road the other way, and I took a few more. The one chosen was number five of six. It was the only one that had their legs in a perfect \u2018V\u2019 formation.\u2019<\/p>\n

It was a straightforward shoot that took little more than 10 minutes. Macmillan commented, \u2018That photo has been called an icon of the 1960s. I suppose it is. I think the reason it became so popular is its simplicity. Also it\u2019s a shot people can relate to. It\u2019s a place where people can still walk.\u2019 Macmillan also shot an Abbey Road road sign, which was used on the album\u2019s back cover.<\/p>\n

Short schedule<\/strong>
\nThe next step in the process was down to John Kosh, who John Lennon had hired as creative director for the band\u2019s label Apple Records. In 1969, Kosh was working up the design for the next Beatles album Get Back \u2013 later renamed Let It Be \u2013 when he suddenly found out it was being replaced on the release schedule by Abbey Road. Kosh recalls, \u2018It was literally a Monday gig and artwork had to be sent to the printer by Wednesday. It was that fast. Iain [Macmillan] had produced this series of photographs and we were poring over them with a loupe, finding which was the best one.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

The back of the iconic album<\/p>\n\t\t<\/div>\n\t\t\n

Taking things into consideration like, \u201cdoes it matter that Paul\u2019s out of step?\u201d Then we decided that this [picture] must be the one and both of us were worried if this was good enough [for an album cover]. I was thinking, \u201cShit, we could have done this better\u201d. It all had to be done in a huge rush.\u2019 Arguably Kosh\u2019s biggest contribution to the front cover design of Abbey Road was his bold decision to omit the name of the group and the title of the record.<\/p>\n

He explains, \u2018I got a phone call from Sir Joseph Lockwood (chairman of EMI, Apple Records\u2019 parent company) at some ungodly hour and his string of invective with his high-class accent made it even worse. The next day I met George [Harrison] and told him what had happened. George said, \u201cOh, screw him. We\u2019re The Beatles.\u201d\u2019 Kosh has one regret about his work on Abbey Road \u2013 cashing the cheque he got for it.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

A lot of Iain Macmillan\u2019s equipment, including the Hasselblad 500C used to photograph the cover of Abbey Road, sold at a Bonhams auction in October 2020 for over \u00a335,000<\/p>\n\t\t<\/div>\n\t\t\n

\u2018It was for \u00a3700 and was signed by John [Lennon] and Paul [McCartney]. I cashed it because I had to pay the rent. It was a treasure because John and Paul weren\u2019t supposed to be talking to each other at the time; it was right in the middle of the [Beatles] split. The press were having a field day saying they\u2019d broken up, but I was sitting in Abbey Road studios watching John and Paul cutting The Ballad of John and Yoko \u2013 they were joking and having a great time, but they weren\u2019t supposed to be talking\u2026 and, like an idiot, I cashed the cheque!\u2019<\/p>\n

Our panel on Abbey Road<\/h2>\n

\"\"
\nJill Furmanovsky:<\/strong><\/a> I was just 16 when Abbey Road came out and the music and cover still mean a lot to me. As an image, the cover photo is near on perfect. Just a few frames shot by Iain Macmillan on a summer\u2019s day, it radiates warmth. The graphics were uncluttered by much text, so you could dive into the image and be there. This is a spiritual home for music.<\/p>\n\"\"\n

Peter Neill:<\/strong><\/a> This cover always stood out, as if it belonged in a book about great technique.\u00a0The lead-in lines provided by the crossing, the trees and the road draw you into the photograph. These, combined with the symmetry of the walk, are a brilliant example of opportunistic photography making something loved
\nby millions.<\/p>\n\"\"\n

Mat Snow:<\/strong> <\/a>Conceptual mastermind John Kosh started his album design career on a peak, brilliantly illustrating the Fab Four\u2019s intriguing paradoxes: united but individual, famous but enigmatic, ordinary but exotic. Iain Macmillan had just 10 minutes up a stepladder to get the famous shot. The Beatles on Abbey Road: no words needed.<\/p>\n

About our panel of judges<\/h2>\n

Some of the finest names in music and photography chose this series\u2019 covers:
\nJanette Beckman, Jason Bell, Ed Caraeff, Andy Cowles, Kevin Cummins, Andy Earl,Jill Furmanovsky, Christie Goodwin, Peter Hook, Simon Larbalestier, Gered Mankowitz, Dennis Morris, Peter Neill, Aubrey \u2018Po\u2019 Powell, Rankin, Jamel Shabazz, Mat Snow, Howard Wakefield, Kirk Weddle, Rachael Wright<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"

For the latest in our series on the greatest album photography of all time, we focus on Abbey Road by The Beatles – for many, the Fab Four’s finest achievement<\/p>\n","protected":false},"author":7,"featured_media":144015,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39],"tags":[],"product-category":[],"class_list":["post-144014","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photo-news"],"yoast_head":"\nHow the Abbey Road album cover was shot - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"For the latest in our series on the greatest album photography of all time, we focus on Abbey Road by The Beatles - for many, the Fab Four's finest achievement\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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