{"id":145540,"date":"2021-02-06T11:24:21","date_gmt":"2021-02-06T11:24:21","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=145540"},"modified":"2021-02-06T11:25:22","modified_gmt":"2021-02-06T11:25:22","slug":"taking-landscapes-around-floodlit-soccer-grounds","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/interviews\/taking-landscapes-around-floodlit-soccer-grounds\/","title":{"rendered":"Taking landscapes around floodlit soccer grounds"},"content":{"rendered":"

What triggered Ian Hughes\u2019s project, Around The Floodlit Grounds, was watching the 1997 film Fever Pitch, based on Nick Hornby\u2019s memoir about his relationship with Arsenal Football Club.<\/p>\n

\u2018There was a scene in that where a boy is being carried on his dad\u2019s shoulders towards Highbury Stadium for a night match. I thought, that would be a good picture to go and take one day,\u2019 explains Hughes. Eight years later, Hughes took that picture.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Arsenal, Highbury, 2005<\/p>\n\t\t<\/div>\n\t\t\n

The first floodlit football ground he photographed was in 2004, 160 miles north of Highbury. \u2018I just happened to be in Rotherham one night. I saw the stadium from a distance, Millmoor, and took a quick picture from the bridge nearby.<\/p>\n

I didn\u2019t really know how to go about it, I just thought it was a spectacle, an interesting thing to capture. I loved the way the floodlights were spilling out, lighting up the surrounding area \u2013 there was a big car park nearby, it was quite dramatic lighting. I didn\u2019t know how to go about it so I ended up putting myself in the picture, a long exposure with my tripod. I\u2019m used to having people in my pictures as I\u2019m a street photographer at heart.\u2019<\/p>\n

Balancing a day job working for a call centre, over 150 floodlit football grounds have been photographed at night, including all 50 in Sussex where he now lives \u2013 a long way from his home town of Neston, in the Wirral, and a long time since the excitement of the night match was embedded on two mile walks from his grandad\u2019s house to watch their beloved Everton play at Goodison Park.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Milwall, The New Den, 2015<\/p>\n\t\t<\/div>\n\t\t\n

Confidence<\/strong>
\nSustaining a project for 16 years can be tough. When Hughes was studying for a degree in editorial photography, the Magnum Photos photographer and lecturer at Brighton University, Mark Power, encouraged him. \u2018He\u2019d been thinking of doing a similar project or series of pictures of football grounds from a distance, so I thought if that\u2019s good enough for him, it\u2019s good enough for me.\u2019<\/p>\n

Another confidence boost came from a less likely source. \u2018Around 2012 I did a talk at Brighton & Hove Camera Club. There wasn\u2019t much interest around my floodlit football ground pictures at the time. I did the talk, mostly showing my street photography; there wasn\u2019t a great reaction, I heard somebody snoring. After the tea break, I started showing the football ground pictures and then everybody came to life, they encouraged me. That one night kept it going \u2013 it could have all fizzled out.\u2019<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Bexhill United, The Polegrove, 2011<\/p>\n\t\t<\/div>\n\t\t\n

As the match referee blows his whistle, Hughes begins his photography, circulating the ground looking for the best angle to shoot from. He started using a Mamiya 7 medium format film camera. For the last ten years, a Canon EOS 5D Mark II with 28mm, 50mm and 100-300mm zoom lens. Each exposure is around 30 seconds, at f\/22 if possible. Post-production is kept to a minimum.<\/p>\n

Dealing with floodlights<\/strong>
\nThe biggest challenge is to avoid shooting direct into floodlights. \u2018Quite often it\u2019s a case of finding a shadow to point the camera from. If you stand behind a wall or tree, it might not look like a good picture straight away but being a long exposure, the light can do funny things. Long exposure photography can bring up different kinds of interesting effects that you don\u2019t realise with the naked eye.\u2019<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Loxwood, Plaistow Road, 2016<\/p>\n\t\t<\/div>\n\t\t\n

The pictures are often taken in a dark alley or outside a suburban house. \u2018I do get a lot of curiosity from people but rarely a problem. If I found somebody stood on my doorstep with a tripod, hanging around for a few minutes, I\u2019d be suspicious. People come up and ask what I\u2019m doing and I try to explain. It\u2019s quite difficult, you\u2019re photographing a football match and you\u2019re half a mile down the road from where it\u2019s happening.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Bexhill United, The Polegrove, 2011<\/p>\n\t\t<\/div>\n\t\t\n

A few people say, \u201cI know somebody inside who can let you in\u201d. I explain I\u2019m not really interested in the action, just trying to capture the ambience of the floodlights on the surrounding streets. I\u2019ve had a few stop and searches from police!\u2019 he adds.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Dundee United, Tannadice, 2019<\/p>\n\t\t<\/div>\n\t\t\n

The images reach beyond the football fan to show something familiar, transformed by floodlight in a compelling way. As a kid, Hughes witnessed Alsation dogs tear into hooligans at Chester. As a teenager, missiles smashed through a coach window, narrowly missing his head, on an away-day to Manchester United. It\u2019s perhaps not surprising that he has applied a more tranquil approach to his reportage.<\/p>\n\n\"\"\n

Ian Hughes<\/strong>
\nIan studied photography at Wirral college. Taught by Tom Wood he developed a love for street photography. He was a cruise ship photographer in Miami for eight years \u2013 Love Boat Rejects, unsold pictures he collected, were exhibited worldwide decades later. In 2006 he gained a degree in editorial photography. He was a finalist in the 2012 International Street Photographer Awards and was a winner in the 2015 LensCulture Emerging Talent Awards<\/p>\n","protected":false},"excerpt":{"rendered":"

Ian Hughes shoots the landscapes around floodlit football club grounds. We find out more about his motivations and approach – with matches taking place without crowds, you might be able to try it yourself<\/p>\n","protected":false},"author":7,"featured_media":145544,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[374],"tags":[],"product-category":[],"class_list":["post-145540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"yoast_head":"\nTaking landscapes around floodlit soccer grounds - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"Ian Hughes shoots the landscapes surrounding floodlit football club grounds. 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