{"id":148500,"date":"2021-05-01T08:42:24","date_gmt":"2021-05-01T07:42:24","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=148500"},"modified":"2021-07-03T10:00:24","modified_gmt":"2021-07-03T09:00:24","slug":"nobody-does-it-better-which-maker-has-the-best-film-simulation-modes","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/buying-advice\/nobody-does-it-better-which-maker-has-the-best-film-simulation-modes\/","title":{"rendered":"Nobody does it better: which maker has the best film-simulation modes?"},"content":{"rendered":"

Welcome to our new series of articles where we focus on camera features and extras that one particular maker delivers especially well. We’re starting with film simulation modes\/in-camera colour and our first ‘Nobody Does it Better’ accolade goes to… Fujifilm.<\/p>\n

Even if you shoot raw images and love processing files on a computer, it\u2019s very rewarding to capture an image that\u2019s close to your ultimate goal in-camera. It also enables you to ensure that you\u2019ve got all the tones and detail where they\u2019re needed, for further finessing on the computer.<\/p>\n\n

All cameras apply some interpretation to images, but you can tailor their look using on-board settings that are called things like \u2018Picture Control\u2019, \u2018Picture Style\u2019 or \u2018Film Simulation\u2019 mode, depending upon the camera manufacturer.<\/p>\n\"\"\n

However, thanks to its experience of manufacturing film and its in-depth understanding of colour science Fujifilm really leads the pack for delivering great colour in-camera with its Film Simulation modes.<\/p>\n

These modes govern the colour, saturation and contrast of the images, giving them a particular look or style.<\/p>\n

\n

\"\"<\/h2>\n

<\/h2>\n

The film-simulation modes: what you get<\/h2>\n

Cameras like the Fujifilm X-T4, X-S10 and X-E4 have a total of 18 Film Simulation modes which means there\u2019s something to suit most tastes and situations. The list includes:<\/p>\n

Provia\/Standard<\/strong>
\nVelvia\/Vivid<\/strong>
\nASTIA\/Soft<\/strong>
\nClassic Chrome<\/strong>
\nPro Neg.Hi<\/strong>
\nPro Neg.Std<\/strong>
\nClassic Neg<\/strong>
\nEterna\/Cinema<\/strong>
\nEterna Bleach Bypass<\/strong>
\nBlack&White<\/strong>
\nBlack&White+Ye Filter,<\/strong>
\nBlack&White+R Filter<\/strong>
\nBlack&White+G filter<\/strong>
\nSepia<\/strong>
\nAcros<\/strong>
\nAcros +Ye Filter<\/strong>
\nAcros +R Filter<\/strong>
\nAcros +G Filter<\/strong><\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Fujifilm Acros<\/p>\n\t\t<\/div>\n\t\t\n

The new GFX100S<\/a> introduces a 19th mode called Nostalgic Negative.<\/p>\n

Many of those names will be familiar to avid film photographers, and Fujifilm\u2019s aim with its Film Simulation modes was to replicate the appearance of its analogue film stocks.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

With Fujifilm Provia<\/p>\n\t\t<\/div>\n\t\t\n

Provia\/Standard, for example, which is the default setting, is named after a transparency (slide) film which is still available today and has been popular for a wide range of photography including landscape, portrait, still life, nature and fashion.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

With Fujifilm Velvia<\/p>\n\t\t<\/div>\n\t\t\n

Velvia\/Vivid is named after the Velvia transparency film which is known for its high colour saturation which made it very popular for landscape photography.<\/p>\n

Everyone has their favourite Film Simulation mode(s), but it\u2019s well worth experimenting with them to see what impact they have on the mood of your images.<\/p>\n

The muted colours, earth tones and hard tonal gradations of Classic Chrome for example, don\u2019t suit every scene but it can work well for documentary photography and some moody landscapes.<\/p>\n

Of course one of the benefits of digital photography is that although you can use these Film Simulation modes to replicate the colour and contrast of the original film emulations, you\u2019re not limited to using their low speeds, you can use the settings at any digital ISO value. You can also adjust other parameters such as the Grain Effect, Highlight Tone, Shadow Tone, Color (saturation) and Sharpness to create a bespoke style.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Acros with red filter<\/p>\n\t\t<\/div>\n\t\t\n

How to set the Film Simulation mode<\/strong>
\nBy default, the quickest way to set the Film Simulation mode is via the Quick Menu. Just press the Q button, tap the Film Simulation icon (by default it will say \u2018Std\u2019) and then select the option that you want.<\/p>\n

The options can also be access via the first page of the main menu. This can be a better option because more of the scene is visible on the screen or in the viewfinder and, as you scroll through options, the image changes to reflect the selected mode.<\/p>\n\"\"\n

Also, with some recent cameras like the X-S10, if you press the Q button while browsing the Film Simulation options in the main menu, you\u2019ll see a description of the impact of the selected mode and the type of photography that it\u2019s generally used for.<\/p>\n

Of course, there\u2019s no right or wrong with the Film Simulation modes, it\u2019s a question of picking the one that you like best for a particular scene or situation.<\/p>\n

If you\u2019re still not sure which mode to use, go to Film Simulation BKT in the Shooting Settings section of the menu and pick three Film Simulation modes to use. Then access the drive mode options and select \u2018Film Simulation BKT\u2019 to shoot in batches of three images with a different mode applied to each.<\/p>\n

Using the Film Simulation modes with raw files<\/strong>
\nThe Film Simulation mode effects are applied to both raw and Jpeg images, but they\u2019re \u2018baked in\u2019 with Jpegs. That means that although you can make some adjustments using your preferred image-editing software, you can\u2019t swap between different modes and you\u2019ll come up against the usual constraints of Jpeg file adjustment.<\/p>\n

It\u2019s very different with\u00a0 files, however. As you\u2019d expect, with Fujifilm\u2019s own software, Fujifilm Raw Studio, you can apply different Film Simulation modes to your raw files as you process them. Helpfully, you can also do so in Adobe Camera Raw (supplied with Adobe Photoshop) and Adobe Lightroom.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Locating the Film Simulation modes in Lightroom<\/p>\n\t\t<\/div>\n\t\t\n

With a Fujifilm raw file open in Adobe Camera Raw, click on the dropdown icon to the right of the Profile box in the top \u2018Edit\u2019 tab and select \u2018Browse\u2019, followed by \u2018Camera Matching\u2019 if necessary.<\/p>\n

This reveals all the Film Simulation modes available for selection. Simply hover over the thumbnails to preview the impact on your image and click on the one you most like the look of to apply it.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Using Astia mode in Lightroom<\/p>\n\t\t<\/div>\n\t\t\n

Even if you shot your image using a black and white Film Simulation mode like Acros, you can still swap to a colour mode like Velvia or Eterna Bleach Bypass.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Eterna Bleach Bypass<\/p>\n\t\t<\/div>\n\t\t\n

Naturally, you don\u2019t have to stop there. You can continue to edit your file as you would normally.<\/p>\n

It\u2019s just as easy to apply the Film Simulation modes to Fujifilm raw files in Lightroom. This time, select the file in the Library and then open the Develop module. Then, click on the up\/down arrows next to the profile and again select \u2018Browse\u2019 followed by \u2018Camera Matching\u2019 if you don\u2019t see the Fujifilm Film Simulation options straight away. Again, you can access the impact of each mode by hovering over the thumbnail and then a poly it with a click.<\/p>\n

Watch out for our next ‘Nobody Does it Better’ next month, on advanced autofocus options<\/p>\n

\n

Further reading<\/strong>
\nGet the classic black and white film look with digital cameras<\/a><\/p>\n

\n

To read more articles like this one subscribe to our print magazine today. You\u2019ll save money every week and enjoy having each issue delivered to your door!\u00a0Click\u00a0here<\/a><\/strong><\/h2>\n","protected":false},"excerpt":{"rendered":"

For the best in-camera colour & film simulation modes, look to Fujifilm\u2019s X and GFX series – they even help dedicated raw shooters. Angela Nicholson is your guide<\/p>\n","protected":false},"author":7,"featured_media":148501,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[41,39],"tags":[],"product-category":[],"class_list":["post-148500","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buying-advice","category-photo-news"],"yoast_head":"\nNobody does it better: which maker has the best film-simulation modes? - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"For the best in-camera colour & film simulation modes, look to Fujifilm\u2019s X and GFX series - they even help dedicated raw shooters\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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