{"id":149017,"date":"2021-05-14T15:58:43","date_gmt":"2021-05-14T14:58:43","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=149017"},"modified":"2022-08-31T12:02:44","modified_gmt":"2022-08-31T11:02:44","slug":"how-to-take-award-winning-wildlife-shots","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/apoy2022\/how-to-take-award-winning-wildlife-shots\/","title":{"rendered":"How to take award-winning wildlife shots"},"content":{"rendered":"

Benedict Brain<\/span> discovers the story behind this heart-warming wildlife image, which won the Natural World round in APOY 2021.<\/strong><\/p>\n

In association with MPB<\/strong><\/a><\/p>\n

\u2018I love being outdoors! Nature is a great healer and good for the soul,\u2019 declares wildlife photographer Jayne Bond. \u2018I do enjoy photographing landscapes and flora but wildlife is such a joy to see and to capture it on camera is always fabulous.\u2019 Jayne\u2019s winning image \u2013 which won Round 2 of APOY 2021<\/a> (Natural World) \u2013 was taken close to Winterton on the Norfolk coast in December 2019.<\/p>\n

It\u2019s the time of year when the seals come ashore to give birth to pups. \u2018It\u2019s absolutely essential to follow the strict ethical code set out by the beach wardens to ensure the safety of the pups, so keeping a good distance away and using a long lens is imperative,\u2019 warns Jayne, who continues, \u2018When I saw this seal pup asleep against a sand drift it told such a great story of the constant challenges these young pups face. The seal pup was fairly isolated so it was a great position to get a clean shot from a good distance.\u2019<\/p>\n

Jayne arrived at the beach in the early afternoon after about a five-hour drive. It had been raining quite hard and it was blowing a gale. Despite the poor weather Jayne decided to walk along the top of the dunes to get a sense of where the seals were and what photographic opportunities there might be for the next few days.<\/p>\n\"\"\n

The seals come first<\/strong>
\n\u2018I really believe it\u2019s vital to liaise with the wardens,\u2019 says Jayne, \u2018particularly at that time of year. The safety and well-being of the wildlife must always come first!\u2019 Jayne had a few ideas of what she was looking for. \u2018Grey seals are such fabulous characters, full of personality and can be quite inquisitive,\u2019 she says, and continues, \u2018I\u2019m generally looking for pups that are alert with their eyes open, emphasising their absolute cuteness but when I came across this one, asleep against the sand drift, it seemed so peaceful after the storm.\u2019<\/p>\n

The weather was the biggest challenge for Jayne, who had spent so much time photographing seals the previous year in very stormy weather that it felt a bit like d\u00e9j\u00e0 vu. \u2018This seal pup was sleeping during the storm and a small sand-drift had formed against it,\u2019 explains Jayne.<\/p>\n

\u2018I took a few shots, but the light was very dull. It looked like the clouds were starting to disperse with occasional glimpses of sunlight breaking through so I decided to sit in that spot for a while. It was such a fabulous composition with the seal pup resting against the sand drift, it was definitely worth waiting for a bit of light.\u2019<\/p>\n

Canon user<\/strong>
\nJayne was using her trusty Canon EOS-1D X Mark II and 500mm lens. This image was shot at f\/5.6, ISO 1250 and 1\/6400sec. \u2018I appreciate that that shutter speed seems really fast,\u2019 explains Jayne, who goes on to say, \u2018but the 500mm lens is pretty big and heavy for me to hold steady, especially in windy conditions so it did help.<\/p>\n

\u2018The Canon EOS-1D X Mark II was my dream camera. It\u2019s an absolutely fabulous piece of kit and can handle low light incredibly well, which is vital for wildlife photography,\u2019 she enthuses. \u2018Since taking this image though I\u2019ve started to move over to a mirrorless system. I now have the Canon EOS R5 which I love and have paired this up with the Canon RF 100-500mm lens.<\/p>\n

The kit is still pretty new to me so I\u2019m still getting used to all the settings but I love everything about it. I sold a few lenses and my 1D X Mark II through MPB. It\u2019s such an easy process and their service is superb. Even though I\u2019ve now changed to a mirrorless system I\u2019ve still kept my 500mm lens which I use on the EOS R5 with an adapter. It\u2019s my favourite and most used lens \u2013 however, I\u2019ve got to be a little bit pragmatic.<\/p>\n

I did carry it up the mountains in the Cairngorms when I was photographing the mountain hares, but I\u2019m not getting any younger and carrying heavy gear around is getting tougher! So I\u2019ve got a few tricky decisions to make over the coming months!\u2019<\/p>\n\"\"\n

About our winner<\/strong>
\nAfter 35 years working in mainstream education, Jayne made the life-changing decision to take early retirement in 2013, allowing her to focus on the creative aspects of photography and art. See www.studiomlino.com<\/a><\/span><\/p>\n

\n

\"\"<\/h2>\n

Canon EOS 1DX Mark II<\/h2>\n

At a glance:<\/strong>
\n* \u00a31,700-2,600 Body only (used condition)
\n* 20.2-million-pixel full-frame CMOS sensor
\n* ISO 100-51,200, extendable to ISO 50-409,600
\n* 14fps shooting, or 16fps in live view
\n* Internal 4K 60fps video recording
\n* 61-point AF with 41 cross-type<\/p>\n

Released in early 2016 the Canon EOS-1D X Mark II has a 20.2MP full-frame CMOS sensor. Designed for sports and action photographers, it has an all-new 61-point autofocus system that includes 41 cross-type points for accuracy, while Canon\u2019s exclusive Dual Pixel AF allows focusing in live view and movie mode.<\/p>\n

What we said<\/strong>
\n\u2018This camera does exactly what you want it to, it has the autofocus and frames per second to capture whatever picture your eye can see.\u2019 \u2018The super-accurate autofocus was instantly picking out the details I wanted. Would I buy one? In a word, no. I would buy two. This camera is so impressive that if you didn\u2019t replace both your bodies you\u2019d find yourself constantly swapping the IDX Mk II onto the lens you wanted to use.\u2019<\/p>\n

What to pay<\/strong>
\nWhen we ran a Field Test on the Canon EOS-1D X Mark II back in June 2016, it cost \u00a35,199 (body only). Over the years we\u2019ve seen the price drop steadily, and it can now be picked up for around \u00a31,700 to \u00a32,600 (body only).<\/p>\n

MPB<\/a> is the sponsor of APOY 2021.\u00a0<\/strong><\/p>\n\"\"\n","protected":false},"excerpt":{"rendered":"

Jayne Bond, winner of the Natural World round of APOY, reveals how she took this fantastic seal image<\/p>\n","protected":false},"author":7,"featured_media":148865,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1569],"tags":[],"product-category":[],"class_list":["post-149017","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-apoy2022"],"yoast_head":"\nHow to take award-winning wildlife shots - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"The winner of the Natural World round of APOY reveals how to take award-winning wildlife shots\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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