{"id":150570,"date":"2021-07-12T13:16:39","date_gmt":"2021-07-12T12:16:39","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=150570"},"modified":"2022-07-20T15:58:22","modified_gmt":"2022-07-20T14:58:22","slug":"black-and-white-film-printing-services","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/film\/black-and-white-film-printing-services\/","title":{"rendered":"The best black and white film printing services"},"content":{"rendered":"

Want a traditional black and white print but don\u2019t have your own darkroom? Ailsa McWhinnie rounds up the best black and white film printing services offered by some of the UK\u2019s finest and most experienced printers<\/strong><\/p>\n

\n

There is nothing quite like holding a traditional, silver-halide black & white print in your hand. Steeped in the history of photography, it has a depth, resonance and integrity that\u2019s difficult to replicate in digital form. Some would even argue it cannot be replicated.<\/p>\n

Printing is a fundamental part of the photographic process \u2013 bringing to life images that would otherwise remain as a scan or sitting in a neg file, where few have the opportunity to appreciate them. While many film-shooting photographers prefer to print their own negatives, logistics can get in the way.<\/p>\n

Not many people have the space required for a darkroom, and work and other commitments often have to take priority over this time-consuming hobby. For those who would still like to see their images in print form, there are a number of highly respected and extremely experienced black & white hand printers still working in the UK.<\/p>\n

Often with decades of experience behind them, the years they\u2019ve spent in the darkroom have resulted in an intuitive ability to read the trickiest negatives. Their expertise means they\u2019ll get the best out of a neg, and many of them will even be able to give it an interpretation the photographers themselves hadn\u2019t imagined.<\/p>\n

Needless to say, their skills don\u2019t come cheaply; you can expect a 10x8in print to set you back by around \u00a325-40, with VAT on top in some cases. Then, if you want toning on top, there will be a mark-up of around 50-100 per cent. However, the costs are more than worth it when you see the results. Below, we have rounded up nine of the best black & white printers still working in the UK today.<\/p>\n

Most of them also offer film processing, too. Give them a go, and you never know \u2013 you may end up with your prints in the wash, rubbing shoulders with a David Bailey or a Don McCullin.<\/p>\n

NB: Please note that prices may fluctuate.\u00a0<\/strong><\/p>\n

\n

The best black and white film printing services<\/h2>\n

Lighthouse Darkroom<\/strong><\/h2>\n

www.lighthousedarkroom.com<\/a> <\/strong>
\n020 7272 7073<\/strong><\/p>\n\"lighthouse\n

Lighthouse Darkroom is run by Mike Crawford, whose features about film and darkroom processes will be familiar to regular readers of AP. He took over the darkroom in 1993, and since then, has printed for the likes of Brian Griffin and Elliott Erwitt, making 200 prints from the Magnum photographer\u2019s archive in 2019.<\/p>\n

He has also worked on Martin Parr\u2019s early black & white images, as well as making prints for collectors\u2019 editions of books by Mark\u00e9ta Luska\u010dov\u00e1 and John Myers. Prices start at \u00a331.50 for a 10x8in black & white fibre-based print, rising to \u00a398 for a 20x24in. If you require a specialist paper, there\u2019s a 10 per cent surcharge, while additional prints from the same negative have a 15 per cent discount. Film processing is \u00a318.50 per roll of 35mm or 120 film, or \u00a310.50 per sheet of 5x4in.<\/p>\n

\n

Robin Bell<\/strong><\/h2>\n

www.robinbell.com <\/strong><\/a>
\n07768 663456<\/strong><\/p>\n\"robin\n

Having worked as a black & white printer for the best part of 40 years, it\u2019s no surprise that Robin\u2019s roster of clients includes many of the great and the good of the black & white photography world, from Tom Stoddart to Terry O\u2019Neill to David Bailey, as well as archives from Sotheby\u2019s, the National Portrait Gallery and the V&A.<\/p>\n

He\u2019s happy to offer clients consultations about their needs, as well as hand tinting and archival printing services. Print sizes start at 7x5in, costing \u00a315, rising to \u00a335 for a 10x8in, and on to \u00a3500 for a 60x40in (with all standard sizes in between). He also provides a lith printing service, while retouching is \u00a350 per hour. Based on the south coast, Robin also prints many of the exhibitions for his wife\u2019s gallery in St Leonard\u2019s on Sea, the Lucy Bell Fine Art Gallery (www.lucy-bell.com<\/a>).<\/p>\n

\n

Adrian Ensor<\/strong><\/h2>\n

adrianensor.com<\/a> <\/strong>
\n020 7636 1739<\/strong><\/p>\n\"adrian\n

It\u2019s safe to say Adrian Ensor is one of the UK\u2019s most experienced black & white printers. He\u2019s printed for clients from all over the world for the past six decades, and celebrated his 60th anniversary in the industry with an exhibition that included a replica of his office and darkroom. He’s recently been working on a project called Unseen Originals, printing iconic negatives that have been purchased online by a photographic collector, and he believes that he may be the first person ever to have printed some of them.<\/p>\n

He charges \u00a330 for a 10x8in fibre-based print, rising to \u00a365 for a 20x16in, and \u00a3100 for a 30x20in, while toning such as gold, selenium and thiocarbamide comes in at 100 per cent extra. In addition he makes his darkroom available for hire, and offers mentoring too, for \u00a3140 per day. His book, Advanced Processing and Printing, was published by RotoVision in 2001.<\/p>\n

\n

Bayeux<\/strong><\/h2>\n

www.bayeux.co.uk <\/strong><\/a>
\n020 7436 1066<\/strong><\/p>\n\"bayeux\n

Up until ten or 20 years ago, you could barely move in certain parts of central London without bumping into at least one mega-lab. Motorcycle couriers constantly came and went, dropping off and collecting film in order to serve the needs of top editorial and advertising photographers.<\/p>\n

One of the last few of this type is Bayeux, which offers a range of services, including traditional black & white printing. Don\u2019t let the slick exterior intimidate you \u2013 the service here is still personal, and offers both resin-coated and fibre-based prints. Resin-coated starts at \u00a313 for a 7x5in and \u00a323 for a 10x8in, while fibre-based comes in at \u00a348 for a 10x8in.<\/p>\n

As with London Darkroom, they can print impressively large, so if you really need a 98x46in print in your life, be prepared to hand over your credit card to the tune of \u00a31,117.<\/p>\n

\n

Black & White Basement<\/strong><\/h2>\n

bwbasement.com <\/strong><\/a>
\n020 7624 2244<\/strong><\/p>\n\"black\n

A few hundred metres from the famous Abbey Road studios, you\u2019ll find Black & White Basement. Offering film processing, printing, tuition and darkroom hire, it\u2019s an all-round service for the analogue photographer. They\u2019re also planning to open a film-scanning and printing department, and a photography gallery space on the premises.<\/p>\n

The hand-printing side of things is overseen by David Champion, who has 30 years of experience under his belt and is well accustomed to meeting the exacting requirements of film photographers. A 10x8in resin-coated print costs \u00a312, up to \u00a345 for a 20x16in.<\/p>\n

For fibre-based prints, you should double the price, and postage is on top of that. Turnaround time is seven to ten working days, but if you need your prints quicker than that, give them a call. At the moment, and until lockdown is eased, everything is by mail order only.<\/p>\n

\n

Image Black and White<\/strong><\/h2>\n

www.imageblackandwhite.com <\/strong><\/a>
\n020 7580 5020<\/strong><\/p>\n\"image\n

Having moved from London to Kingston-upon-Thames, printer Peter Guest continues to provide printing services to the great and good of photography \u2013 be they a fashion photographer who still shoots film, or an up-and-coming image maker who has discovered the joy of the analogue process.<\/p>\n

Having worked in the industry for more than 20 years, he is a relative newcomer compared with some of the printers featured here, but that doesn\u2019t mean he hasn\u2019t seen it all, and he\u2019s always keen to build up a relationship with his clients so he comes to know their specific needs.<\/p>\n

The smallest size print he offers is 5x7in, which costs \u00a315, going up to \u00a329 for a 10x8in, all the way up to \u00a3300 for a 40x30in. He also provides a lith printing service. He processes film by hand as well, working with all sizes from 35mm to 10x8in.<\/p>\n

\n

Downtown Darkroom<\/strong><\/h2>\n

downtowndarkroom.co.uk <\/strong><\/a>
\n07712 401701<\/strong><\/p>\n\"downtown\n

Sharon Easterling discovered her love for photography while studying graphic design at college, and went on to join Downtown Darkroom in 1988. She started off processing film, then went on to learn how to print, training in the craft under Mike Spry, who was legendary for his lith prints.<\/p>\n

She prints for both professional and amateur clients, most notably rock photographer Anton Corbijn (think U2, Coldplay and Depeche Mode), who she\u2019s worked with for more than 30 years, and last year she printed 52 images for Pennie Smith, which formed part of The Clash: London Calling exhibition at The Museum of London.<\/p>\n

Sharon prints on both resin and fibre-based paper, with resin-coated prints starting at \u00a310 for a 7x5in. Fibre-based prints are \u00a315 for a 7x5in, \u00a328 for a 10x8in, and go up to \u00a397 for a 20x24in print \u2013 with various other sizes available in between.<\/p>\n

\n

London Darkroom<\/strong><\/h2>\n

www.londondarkroom.com <\/strong><\/a>
\n07841 903014<\/strong><\/p>\n\"black\n

They say size doesn\u2019t matter, but in the case of London Darkroom that wouldn\u2019t be entirely correct. Set up by photographer Sebastian Edge in 2011, the lab has built a reputation for producing prints of mammoth sizes, going all the way up to an impressive 51x62in.<\/p>\n

You\u2019d better be absolutely certain you want a print of such a size, though, as it\u2019ll set you back a cool \u00a3975. A 10x8in print for \u00a335 seems rather pedestrian by comparison, but the lab takes as much care over the smaller sizes as it does with the big ones. This facility isn\u2019t just about printing, though.<\/p>\n

It has a members\u2019 darkroom that permits 24-hour access to all the equipment for a fixed monthly fee. More details about the current members and their work can be found on the website. Finally, Covid restrictions notwithstanding, there are several workshops available that cater for all levels of experience, either one-to-one or in small groups.<\/p>\n

\n

Metro Imaging<\/strong><\/h2>\n

metroimaging.co.uk <\/strong><\/a>
\n020 7865 0000<\/strong><\/p>\n\"printing\n

Like Bayeux, Metro is one of those central-London labs that covers pretty much everything from processing and scanning to retouching and framing. And, of course, printing. The lab\u2019s hand-printing service starts from \u00a331.80 for a fibre-based 10x8in, increasing to \u00a357.20 for a 12x16in, and going all the way up to \u00a3108 for its maximum size of 20x24in.<\/p>\n

And for something a little different, if you would like genuine fibre-based prints from a digital file, Metro can provide that service, saying it\u2019s the only lab in the UK to be able to do so. Its Lambda printer exposes the digital image directly on to silver-gelatin paper, which is then processed through chemistry in exactly the same way as a print from a negative.<\/p>\n

Its \u2018Self-Service\u2019 print costs (in which the photographer supplies the finished file) start at \u00a329.54 for a 10x8in, while its \u2018Bespoke\u2019 service (in which Metro\u2019s technicians work on the file before printing) costs from \u00a345.<\/p>\n

\n

Print your own<\/h2>\n

Are you keen to print your own negatives \u2013 either for the first time, or to return to it after a break? If you don\u2019t want to build your own darkroom in the under-stairs cupboard, pay a visit to www.localdarkroom.com<\/a> to see if there are any community labs in your area \u2013 or to post a request of your own.<\/p>\n

A lot of them will provide chemistry and sometimes even tuition for an hourly or monthly-membership fee. In addition, a number of the printers featured here provide darkroom tuition (and who wouldn\u2019t want to benefit from their years of experience?), so take a look at their websites to find out more about what they offer.<\/p>\n

\n

Follow AP on\u00a0Facebook<\/a>,\u00a0Twitter<\/a>,\u00a0Instagram<\/a>, and\u00a0YouTube<\/a>.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

If you want to print black and white film but don’t have a darkroom, what are the options – we reveal some of UK’s best darkroom services<\/p>\n","protected":false},"author":7,"featured_media":150582,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[41,371,1617,1623,1624],"tags":[],"product-category":[],"class_list":["post-150570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buying-advice","category-camera_skills","category-film","category-how-to-film","category-inspiration-film"],"yoast_head":"\nThe best black and white film printing services - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"If you want to print black and white film but don't have a darkroom, what are the options - we reveal some of UK's best printing services\" \/>\n<meta name=\"robots\" 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