{"id":150700,"date":"2021-07-16T16:44:18","date_gmt":"2021-07-16T15:44:18","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=150700"},"modified":"2021-07-17T10:05:02","modified_gmt":"2021-07-17T09:05:02","slug":"my-all-time-favourite-film-matt-parry","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/film\/my-all-time-favourite-film-matt-parry\/","title":{"rendered":"My all-time favourite film: Matt Parry"},"content":{"rendered":"<h2>With so much 35mm film to choose from, the buying decision can be daunting \u2013 especially for digital shooters new to film photography, or those coming back after a long break. Some film can be relatively expensive, after all, and then there are the development costs to consider.<\/h2>\n<hr \/>\n<p>To give you some guidance, we asked noted travel and landscape shooter Matt Parry* to make some recommendations \u2013 he\u2019s been a passionate film photographer for a long time and reckons he\u2019s about 75% film orientated at the moment. Matt&#8217;s work has appeared in National Geographic Traveller UK, Wanderlust, Lonely Planet Traveller and, of course, AP.<\/p>\n<img loading=\"lazy\" decoding=\"async\" class=\"150707 aligncenter\" src=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/2021\/07\/matt-parry.jpeg\" alt=\"\" width=\"300\" height=\"300\" \/>\n<p>*Although Matt also works for Harman Technology Limited he is writing here in an independent capacity. All images CREDIT: Matt Parry.<\/p>\n<p><strong>What films did you cut your teeth on?<\/strong><br \/>\nMy favourite colour film for many years was AgfaVista 200, also known as the Fujifilm C200. It is discontinued now, but delivered great, nicely saturated images in good light. You might still be able to find it somewhere but it&#8217;s at the end of its life.<\/p>\n\t\t<div  class=\"c-caption aligncenter\" style=\"max-width: 1044px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"150701\" src=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/2021\/07\/matt-agfa-vista.jpg\" alt=\"\" width=\"1024\" height=\"686\" \/>\t\t\t<p class=\"c-caption__text\">Agfa Vista 200<\/p>\n\t\t<\/div>\n\t\t\n<p>I loved Kodak Gold 200 and 400 too and Fujifilm Superior 400, too.<\/p>\n<p><strong>What are your current favourite films?<\/strong><br \/>\nI love Kodak Portra 800. There are three Portras, rated at ISO 160, 400 and 800. It\u2019s not just the film speeds that are a bit different though, as you will also get slightly varied colours and tones. I cherish 160 and 800 as they offer something a bit different.<\/p>\n\t\t<div  class=\"c-caption aligncenter\" style=\"max-width: 788px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"150702\" src=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/2021\/07\/Portra-800_120_Matt-Parry-1.jpg\" alt=\"\" width=\"768\" height=\"768\" \/>\t\t\t<p class=\"c-caption__text\">Portra 800<\/p>\n\t\t<\/div>\n\t\t\n<p>You are going to get more grain with Portra 800 but the colours are beautiful \u2013 they are definitely at the pro end of the Kodak arsenal. Around the golden hour is the perfect time to shoot this film, but the brighter the light, the cleaner the shots.<\/p>\n<p>If I am shooting in the middle of the day, I tend to go for slower film, such as Portra 160 or Kodak Gold 200. I also like Fujifilm Industrial 100, which I buy from <a href=\"https:\/\/analoguewonderland.co.uk\/products\/fujifilm-industrial-100-film-35mm-colour-iso-100\" target=\"_blank\" rel=\"noopener\">Analogue Wonderland<\/a>.<\/p>\n<p>It comes in a cool white box and has to be imported from Japan but has lovely saturated colours. It just works.<\/p>\n\t\t<div id=&quot;attachment_150703&quot;  class=\"c-caption aligncenter\" style=\"max-width: 1044px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"150703\" src=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/2021\/07\/matt-cinestill-50D.jpg\" alt=\"\" width=\"1024\" height=\"686\" \/>\t\t\t<p class=\"c-caption__text\">CineStill 50D<\/p>\n\t\t<\/div>\n\t\t\n<p>I also like CineStill 50D as it is really punchy and vibrant. I prefer 50D to 800T as it\u2019s a great film when you are walking round in good light.<\/p>\n<p><strong>What about black and white film? <\/strong><br \/>\nFor a general walkaround film, I would say Ilford XP2. The results are really sharp, with fine grain, and it can be processed as C41 or black or white (you just need to rate it as ISO 125 or 160).<\/p>\n\t\t<div id=&quot;attachment_150704&quot;  class=\"c-caption aligncenter\" style=\"max-width: 1044px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"150704\" src=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/2021\/07\/XP2_135_\u00a9Matt-Parry-3.jpg\" alt=\"\" width=\"1024\" height=\"686\" \/>\t\t\t<p class=\"c-caption__text\">Ilford XP2<\/p>\n\t\t<\/div>\n\t\t\n<p>If I wanted something slower, I\u2019d go with the Ilford FP4. For special effects, meanwhile, I would go with the Ilford Ortho Plus 80. The reds and dark oranges come out really dark but the film still keeps lot of detail and fine grain &#8211; take a portrait of somebody with bright red lipstick and it can look really dramatic. Blues and greens are treated differently too, so Ortho Plus is well worth a try. It is quite slow, however, so you need need the right light.<\/p>\n\t\t<div id=&quot;attachment_150705&quot;  class=\"c-caption aligncenter\" style=\"max-width: 788px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"150705\" src=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/2021\/07\/Ortho_120_\u00a9Matt-Parry-2.jpg\" alt=\"\" width=\"768\" height=\"768\" \/>\t\t\t<p class=\"c-caption__text\">Ortho\u00a0 Plus 80<\/p>\n\t\t<\/div>\n\t\t\n<p>You can also get Rollei Infrared film these days at a keen price, but I have never personally used it.<\/p>\n<p><strong>What is your recommended budget film for people keen to experiment with analogue but keep costs down? <\/strong><br \/>\nFor black and white, I would say Kentmere 100 and 400 and for colour, Kodak ColorPlus or Kodak Gold 200. Cheap Kodak films are great value and there is a lot of advanced technology and expertise there &#8211; they are forgiving, too.<\/p>\n\t\t<div id=&quot;attachment_150706&quot;  class=\"c-caption aligncenter\" style=\"max-width: 535px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"150706\" src=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/2021\/07\/Kodak-Gold-200_135_Matt-Parry-1.jpg\" alt=\"\" width=\"515\" height=\"768\" \/>\t\t\t<p class=\"c-caption__text\">Kodak Gold 200<\/p>\n\t\t<\/div>\n\t\t\n<hr \/>\n<p><strong>Further reading<\/strong><br \/>\n<a href=\"https:\/\/other.kelsey.host\/amateurphotographer\/film\/buying-the-best-film-what-you-need-to-know-150630\" target=\"_blank\" rel=\"noopener\">Buying the best film: what you need to know<\/a><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Seasoned travel and landscape photographer Matt Parry reveals his all-time favourite film &#8211; a lot of it can be picked up quite cheaply<\/p>\n","protected":false},"author":7,"featured_media":150701,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1617,1624],"tags":[],"product-category":[],"class_list":["post-150700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-inspiration-film"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.8 (Yoast SEO v26.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>My all-time favourite film: Matt Parry - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"Seasoned travel and landscape photographer Matt Parry reveals his all-time favourite film - a lot of it can be picked up quite cheaply\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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