{"id":152274,"date":"2021-08-19T11:23:15","date_gmt":"2021-08-19T10:23:15","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=152274"},"modified":"2021-08-19T14:33:44","modified_gmt":"2021-08-19T13:33:44","slug":"shadows-for-impact","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/shadows-for-impact\/","title":{"rendered":"How to use shadows for impact"},"content":{"rendered":"

When used effectively shadows can direct the viewer’s attention, create impact, and emphasise texture. Tracy Calder explains how<\/h2>\n
\n

In his wonderful (if occasionally offensive) 1933 essay In Praise of Shadows, author Junichiro Tanizaki considers the role that shadows play in Japanese culture. From architecture to theatre and food, he argues that the sensitive use of shadow and light can heighten the beauty of spaces, faces and objects.<\/p>\n

\u2018Our ancestors, forced to live in dark rooms, presently came to discover beauty in shadows,\u2019 he reveals, \u2018ultimately to guide shadows towards beauty\u2019s ends.\u2019 For Tanizaki, shadows create a sense of mystery, tranquillity and depth. He marvels at the beauty of heavy shadows against light, the sensory richness of dark spaces and areas of contrast. \u2018Were it not for shadows,\u2019 he says, \u2018there would be no beauty.\u2019<\/p>\n

In the West, however, it\u2019s fair to say that our relationship to shadows hasn\u2019t always been so positive. As children we often declare that we are afraid of the dark and as adults we flood our homes with light, eradicating darkness. Artist Philippa Stanton perfectly encapsulates this in her book, Conscious Creativity.<\/p>\n

\u2018I have always had a wariness of shadows,\u2019 she confesses. \u2018Shadows can be frightening, an unknown quantity, harbouring threat and shadowy characters. But shadows are a part of life, both aesthetically and spiritually. As silence proves the sound and pausing proves the act, it is always darkness that proves the light.\u2019<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

\u00a9 Ross Hoddinott. The deep ripples in the sand made obvious and photogenic lead-in lines, with light and shade helping to highlight their structure and direction further. Holywell Bay, Cornwall. Nikon Z7 II, 14-30mm, 30sec at f\/11, ISO 64<\/p>\n\t\t<\/div>\n\t\t\n

The good the bad and the ugly<\/h3>\n

Essentially, a shadow is just a dark area or shape cast by an object that stands between rays of light and a surface. But, as Tanizaki suggests, not all shadows are equal. When shadows and light are used insensitively \u2013 think bags under a model\u2019s eyes or ugly shapes created by the use of on-camera flash \u2013 they can destroy a picture.<\/p>\n

When used sensitively, however, shadows can serve a whole variety of aesthetic functions<\/strong>: they can direct a viewer\u2019s gaze, help to describe the form of an object, emphasise texture, create a sense of mystery, improve the balance of a composition, become the subject of an image themselves or simply lessen the impact of less-desirable elements in the frame.<\/p>\n

To understand the complex beauty of shadows, and harness their potential in your work, I suggest looking at artforms such as painting and cinema as well as photography. As a film noir fan, I\u2019ve often marvelled at the way shadows can be used to suggest states of mind, impending disaster or sensations of heat or fear. (If you\u2019re new to the genre, I recommend starting with Double Indemnity or The Third Man). When it comes to painting, Rembrandt knew exactly how to balance shadows and light.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

\u00a9 Ian Bramham. The aim was to contrast the dark forbidding shadows of the railway viaduct with the white of the snowy ground and the misty sky. Ribblehead Viaduct, Yorkshire. Nikon D800, 16-35mm, 1\/5sec at f\/8, ISO 100<\/p>\n\t\t<\/div>\n\t\t\n

While most of his contemporaries used shadows to convey information about an object\u2019s form or position in space, Rembrandt gave his shadows psychological weight. Naturally, there are plenty of photographers who have used shadows to brilliant effect \u2013 some of my favourites include Paul Strand<\/strong>, Edward Weston<\/strong> and Robert Adams<\/strong>. When you look at these artworks, think about the role that shadows play in each scene.<\/p>\n

What roles do shadows play?<\/h3>\n

Shadows can be a great way of leading a viewer\u2019s eye around a picture<\/strong>. When an area of deep shadow contrasts with an area of bright light the eye is naturally drawn to this part of the frame. What\u2019s more, when the transition from dark to light is sudden, it creates a sharp edge or line that the eye will try to follow.<\/p>\n

Armed with this knowledge, you can position shadows in a way that will draw attention to key elements of the composition and dictate the order in which they are viewed. Shadows can also comprise shapes that will encourage the eye to move around the frame in a certain way.<\/p>\n

A triangular shadow, for example, may help to link three otherwise disassociated elements in the scene together. (There are plenty of articles devoted to the psychology of shapes, so I won\u2019t go into it here!)<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

\u00a9 Jeremy Walker. The shadows interacting with the lines of the pavement caught my eye, but the image had an empty space on the right until three people walked into it! Taken on the streets of London. Leica M10, 50mm, 1\/2000sec at f\/8, ISO 1600<\/p>\n\t\t<\/div>\n\t\t\n

If you\u2019ve ever taken drawing lessons, you will be familiar with the \u2018egg shading\u2019 exercise. Basically, it involves using various pencil strokes and shading techniques to fully describe the form of a humble egg. While it\u2019s designed for beginner artists, the exercise is great for photographers too.<\/p>\n

By moving a basic light source, such as a desk lamp, closer or further away from an egg you can observe how the shape and position of the shadows change. Next, you can position the lamp to the side, then point it straight down or even up onto the egg to see how it alters things. It can be interesting to notice how areas you thought might be in shadow receive a touch of light reflected from the surface the egg is sitting on.<\/p>\n

Shadows are also great for emphasising texture<\/strong>. Landscape photographers often wax lyrical about the quality of light immediately after sunrise and before sunset, and when you look at their pictures it\u2019s easy to see why.<\/p>\n

When the sun is low in the sky its rays are sometimes obstructed by trees, hills and other natural forms, which results in long shadows thrown onto the landscape. This mix of light and dark helps to emphasise texture and form as well as providing a sense of depth.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

\u00a9 Jeremy Walker. Grey overcast weather and a dirty window on a train allowed for lovely side lighting in this portrait
Leica M (Typ 240), 50mm, 1\/500sec at f\/6.8, ISO 1600<\/p>\n\t\t<\/div>\n\t\t\n

If we return to the movies again, we can also see how shadows can be used to imply mystery. Perhaps the most obvious example is FW Murnau\u2019s Nosferatu where the shadow of Count Orlok creeps up the stairs, gaining an almost physical presence, as it slips into Ellen\u2019s room and clutches at her chest.<\/p>\n

We fill in what we can\u2019t see with our mind, making it all the more terrifying! Of course, shadows can also become the sole subject of an image (with all other elements eliminated).<\/p>\n

For this to work you need a shadow with a clear outline<\/strong> and a clear purpose<\/strong>. Are you trying to create an abstract image that balances shapes, lines and space, for example, or are you trying to show the delicate nature of a branch full of blossom?<\/p>\n

A shadow by itself isn\u2019t always that interesting, certainly, but a shadow that is positioned in the frame with clear purpose and an understanding of composition is much more likely to result in a successful picture.<\/p>\n

Finally, we can use shadows to hide (or downplay) less-desirable aspects or elements in a scene \u2013 this has benefits for portrait photographers, but in addition it\u2019s pretty handy for street photographers who might find themselves dealing with unsightly street furniture (bins, ugly park benches and the like).<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

\u00a9 Ian Bramham. The subtle gradation of shadows from dark to light emphasises the set of curves as the staircase climbs towards the skylight. Liverpool Museum. Apple iPhone 4, 3.85mm, 1\/160sec at f\/2.8, ISO 8<\/p>\n\t\t<\/div>\n\t\t\n

Working with shadows<\/h3>\n

Without light there can be no shadows \u2013 it\u2019s the yang to the yin. The appearance of these shadows (how intense, well defined, big or small they are) will depend upon the size, angle and distance of the light source in relation to the object casting the shadow.<\/p>\n

When the sun is low in the sky, for example, it provides strong directional light, and the shadows will often be clearly defined, dark and long. However, if the light source is far away and weak then the edges of the shadows will be soft and less well defined.<\/p>\n

If you\u2019re working with sunlight, it\u2019s important to remember that the angle and intensity of this natural source will change depending on the seasons, the weather conditions and the time of day. (During the winter solstice, for example, the noon sun is the lowest it will be all year.) If you have the time, spend a day in one location and watch how the shadows shift and morph.<\/p>\n

Pay particular attention to the areas of transition from light to dark: are these soft and gradual or hard and sudden? Look at the shadows and see if there are any colours or tones to perceive. Sometimes the darkness is full of life and energy.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

\u00a9 Ross Hoddinott. Low, warm morning sunlight shaped this dramatic mountainous landscape, creating deep shade, texture and depth. Quiraing, Isle of Skye. Nikon Z 7, 24-70mm, 1\/5 sec at f\/11, ISO 64<\/p>\n\t\t<\/div>\n\t\t\n

Alternatively, if you\u2019re working with artificial light then rejoice in your ability to take control over the intensity, angle and distance of the light in relation to the subject. But don\u2019t disregard everything you have learnt about the subtlety and richness of shadows. Sure, you can use light modifiers to strengthen, weaken or shape the shadows. But you still need to be clear about their purpose in the image and the story you\u2019re trying to tell.<\/p>\n

As photographers we spend much of our time observing, responding or creating interesting light. For many of us, shadows are something to be eliminated or \u2018lifted\u2019. But if we start to consider shadows as areas for investigating beauty then the images we produce may well have a freshness and vitality that takes us by surprise.<\/p>\n

\n

Five top tips for creating impact with shadows<\/h2>\n

Experiment with colour<\/strong><\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

\u00a9 Getty Images \/ Anna Efetova<\/p>\n\t\t<\/div>\n\t\t\n

Shadows don\u2019t have to be grey (or black). If a colourful translucent object blocks rays of light then the end result will be colourful shadows! Experiment with balloons, colourful glass vases or children\u2019s toys as these can have really striking shapes.<\/p>\n

Look for shadows<\/strong><\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

\u00a9 Tracy Calder<\/p>\n\t\t<\/div>\n\t\t\n

Go out with the intention of capturing shadows and nothing else. Once you get your eye in, you\u2019ll start noticing all of the dark recesses and hidden corners in your immediate environment. Exploit all of this fresh picture potential!<\/p>\n

Think about surfaces<\/strong><\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

\u00a9 Tracy Calder<\/p>\n\t\t<\/div>\n\t\t\n

Consider how the surface your shadow falls on will affect its shape, intensity etc. Experiment with different textures, colours and forms. Remember that some surfaces will act like reflectors bouncing light back onto your subject.<\/p>\n

Make it black and white<\/strong><\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

\u00a9 Getty Images \/ Alberto Cabanillas \/ EyeEm<\/p>\n\t\t<\/div>\n\t\t\n

Sometimes it can be easier to see shadows if we remove the distraction of colour and work in black & white. Shooting in monochrome allows you to concentrate on lines, shapes, shadows and forms and it enables you to notice areas of subtle transition more easily.<\/p>\n

Add some lines<\/strong><\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

\u00a9 Getty Images \/ Katerina Zakolotneva \/EyeEm<\/p>\n\t\t<\/div>\n\t\t\n

If you watch the film noir examples cited earlier, you\u2019ll notice how shadows can actually be directed onto a subject to add drama or create a certain mood. Some portrait photographers like the look of sun rays directed through window blinds, as the shadows they produce are especially graphic.<\/p>\n

\n

Further reading<\/strong><\/p>\n

Quick tips: Photographing shadows<\/a><\/p>\n

Photo editing masterclass: Lifting the shadows <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Shadows can create drama and impact in your photographs, Tracy Calder explains how<\/p>\n","protected":false},"author":17,"featured_media":152310,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[371,39,36],"tags":[1742],"product-category":[],"class_list":["post-152274","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-camera_skills","category-photo-news","category-technique","tag-shadows"],"yoast_head":"\nHow to use shadows for impact - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"Shadows can create impact, direct the viewers attention and emphasise textures in photographs, Tracy Calder shows you how\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/shadows-for-impact\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How to use shadows for impact\" \/>\n<meta property=\"og:description\" content=\"Shadows can create impact, direct the viewers attention and emphasise textures in photographs, Tracy Calder shows you how\" \/>\n<meta property=\"og:url\" content=\"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/shadows-for-impact\/\" \/>\n<meta property=\"og:site_name\" content=\"Amateur Photographer\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/Amateur.photographer.magazine\" \/>\n<meta property=\"article:published_time\" content=\"2021-08-19T10:23:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-08-19T13:33:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2021\/08\/Jeremy_1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"David Wardhoff\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@AP_Magazine\" \/>\n<meta name=\"twitter:site\" content=\"@AP_Magazine\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"David Wardhoff\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/shadows-for-impact\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/shadows-for-impact\/\"},\"author\":{\"name\":\"David Wardhoff\",\"@id\":\"https:\/\/other.kelsey.host\/amateurphotographer\/#\/schema\/person\/a0d2954939792f1acafe017c234a17b3\"},\"headline\":\"How to use shadows for impact\",\"datePublished\":\"2021-08-19T10:23:15+00:00\",\"dateModified\":\"2021-08-19T13:33:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/shadows-for-impact\/\"},\"wordCount\":2023,\"image\":{\"@id\":\"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/shadows-for-impact\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2021\/08\/Jeremy_1.jpg\",\"keywords\":[\"Shadows\"],\"articleSection\":[\"Camera skills\",\"Latest news\",\"Technique\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/shadows-for-impact\/\",\"url\":\"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/shadows-for-impact\/\",\"name\":\"How to use shadows for impact - 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