{"id":153496,"date":"2021-09-10T11:52:50","date_gmt":"2021-09-10T10:52:50","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=153496"},"modified":"2021-09-10T11:58:40","modified_gmt":"2021-09-10T10:58:40","slug":"how-to-photography-misty-mornings-in-september","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/camera_skills\/how-to-photography-misty-mornings-in-september\/","title":{"rendered":"How to photograph misty mornings in September"},"content":{"rendered":"<h2>Now we are well into September it\u2019s a great time of year to shoot misty landscapes. As cold air moves over moist, dewy terrain after a clear cloudless night, some of the water evaporates into the air, which then cools and condenses \u2013 causing fog and mist to form.<\/h2>\n<p>If you are lucky enough to live near a beauty spot or historic landmark (Corfe Castle in Dorset is the obvious example) you can get some stunning shots of misty mornings. Mist itself is not always particularly interesting, but when other elements are included, such as buildings or trees poking through, the images you take can be really memorable.<\/p>\n<p><a href=\"https:\/\/www.visionsofsomerset.co.uk\/somerset-landscapes\" target=\"_blank\" rel=\"noopener\">Michelle Cowbourne<\/a> is lucky enough to live near a classic location for misty morning shots \u2013 Glastonbury Tor in Somerset. Michelle\u2019s misty landscape scenes are regularly featured in the <a href=\"https:\/\/www.visionsofsomerset.co.uk\/published\" target=\"_blank\" rel=\"noopener\">UK\u2019s top daily newspapers and their websites<\/a>, and she has also reached the finals of this year\u2019s <a href=\"https:\/\/www.rmets.org\/weather-photographer-year-2021\" target=\"_blank\" rel=\"noopener\">Weather Photographer of the Year<\/a>. Not bad for somebody who only took up photography in 2017!<\/p>\n<p>Here are Michelle\u2019s tips for making the most of \u2018mist opportunities\u2019 as we come into the autumn<\/p>\n<img loading=\"lazy\" decoding=\"async\" class=\"153499 aligncenter\" src=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/2021\/09\/9.6.21-High-Res-2.jpg\" alt=\"\" width=\"1024\" height=\"683\" \/>\n<p><strong>More than mist<\/strong><br \/>\n\u201cThe biggest challenge I faced at the beginning was making sure the composition was right. You need to get the right mixture of mist and landscape features, such as trees or houses to come through. It\u2019s important to add other elements of interest.\u201d<\/p>\n\t\t<div  class=\"c-caption aligncenter\" style=\"max-width: 1044px\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"153500\" src=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/2021\/09\/Mists-of-Avalon-High-Res-WPOTY.png\" alt=\"\" width=\"1024\" height=\"724\" \/>\t\t\t<p class=\"c-caption__text\">Michelle&#8217;s shortlisted image in Weather Photographer of the Year<\/p>\n\t\t<\/div>\n\t\t\n<p><strong>Shooting and focussing<\/strong><br \/>\n\u201cI tend to shoot in aperture priority generally and switch manual focus to make sure I can focus where I need to. Focus peaking really helps here. Balancing the light is really important too \u2013 I like to photograph mist when the sun comes up.\u201d<\/p>\n<img loading=\"lazy\" decoding=\"async\" class=\"153501 aligncenter\" src=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/2021\/09\/Misty-Levels-High-Res-A4.jpg\" alt=\"\" width=\"1024\" height=\"724\" \/>\n<p><strong>Filter choice<\/strong><br \/>\n\u201cI use LEE ND Grad filters to help with this, .6 and .9. As the sun comes up and the light gets harsher, I will switch as required. ND Grads help me balance the exposure and avoid blown-out highlights, which can be a risk with this mist photography.\u201d<\/p>\n<p><strong>Tripod or not?<\/strong><br \/>\n\u201cGenerally I don\u2019t use a tripod \u2013 but if I know it\u2019s going to be an amazing misty morning, I will take one along. Half the time you not sure, as weather apps are not particularly accurate. If I leave the tripod at home, I can still go quite slow handheld with the image stabilisation on my Nikon Z7 system.<\/p>\n<p><strong>Timing<\/strong><br \/>\n\u201cI get there half an hour before sunrise \u2013 this is the tough part, as there is a lot of waiting around, not to mention early starts. You also need to learn to see how the mist is moving and how it\u2019s being affected by the breeze. That is something that comes with experience.<\/p>\n<p>You will see mist build and drop. The sun can come up sometimes and it\u2019s full on blanket mist, so you might need to wait. Try to wait for things to start to flow more and you can see other elements pointing through the mist.\u201d<\/p>\n<img loading=\"lazy\" decoding=\"async\" class=\"153502 aligncenter\" src=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/2021\/09\/Moonlight-shadow.jpg\" alt=\"\" width=\"1024\" height=\"640\" \/>\n<p><strong>Work a spot you know<\/strong><br \/>\n\u201cPeople ask me why I don\u2019t tend to shoot mist around other locations, but I believe in really working a local spot. Every day is different too. The mist can be quite high and go right over the Tor, or it can form pools of light around it \u2013 the light can change quickly and become very eerie.<\/p>\n<p>You can also get amazing shots of the Tor reflected in banks of mist (see above). The skills I have learned shooting the Tor in mist are transferrable to other locations, too.&#8221;<\/p>\n<img loading=\"lazy\" decoding=\"async\" class=\"153503 aligncenter\" src=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/2021\/09\/The-Dream-High-Res-A4.jpg\" alt=\"\" width=\"1024\" height=\"724\" \/>\n<p><strong>Editing<\/strong><br \/>\n&#8220;I don\u2019t do much; I will tweak the highlights and shadows if necessary and add a little bit of Dehaze in Lightroom.&#8221;<\/p>\n<p>See more of Michelle\u2019s work <a href=\"https:\/\/www.visionsofsomerset.co.uk\/somerset-landscapes\" target=\"_blank\" rel=\"noopener\">here<\/a>. Don\u2019t forget to take part in the <a href=\"https:\/\/www.photocrowd.com\/photo-competitions\/photography-awards\/wpoty-2021\/vote\/\" target=\"_blank\" rel=\"noopener\">Public Vote<\/a> for Weather Photographer of the Year, where you can vote for Michelle&#8217;s image and those of other shortlisted photographers. Good luck to everyone involved!<\/p>\n<hr \/>\n<h2>General tips for photographing mist<\/h2>\n<p>\u2022 Mist quickly disappears in the morning, so make sure you\u2019ve set your alarm early and you\u2019re at your location before first light to ensure you don\u2019t miss the perfect mix of mist and light.<br \/>\n\u2022 Mist reflects ambient light, so it can trick your camera into thinking it\u2019s brighter than it actually is, so be ready to dial some exposure compensation to get round this.<br \/>\n\u2022 Try shooting with a long focal length to really compress the perspective and play on the extended feeling of depth that\u2019s created from the mist, reducing the clarity in the raw conversion.<br \/>\n\u2022 As there\u2019s a chance that water droplets will form on the front of your lens when out in these conditions, it\u2019s worth taking a few tissues.<br \/>\n\u2022 White balance \u2013 to preserve the cool blue of a misty morning, select the Daylight white balance setting, rather than Auto or Cloudy. To make the blue even more pronounced try the Tungsten setting.<br \/>\n\u2022 Think about lighting \u2013 mist looks most impressive when lit from behind, as shown here. Try to position yourself with the mist between you and the sun or a street-light. Coloured bulbs and illuminated signs can lend their colours to the mist too.<br \/>\n\u2022 Sharpen and blur \u2013 enhance the difference between the sharpness of the subject and the softness of the mist using the Sharpening tool and Blurring filters on selected areas with your editing software. Darkening subject edges against a light and misty backdrop using the Burning tool can help sharpness too.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>September is the ideal time to get misty landscape shots &#8211; and you don&#8217;t have to get up quite so early. A finalist in this year&#8217;s Weather Photographer of the Year shares her shooting tips<\/p>\n","protected":false},"author":7,"featured_media":153501,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[371,375,368],"tags":[],"product-category":[],"class_list":["post-153496","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-camera_skills","category-expert_advice","category-landscape_photography-technique"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.8 (Yoast SEO v26.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>How to photograph misty mornings in September - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"September is a great time to shoot misty mornings. 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