{"id":154260,"date":"2021-09-24T11:24:42","date_gmt":"2021-09-24T10:24:42","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=154260"},"modified":"2021-10-20T09:52:47","modified_gmt":"2021-10-20T08:52:47","slug":"social-media-influence-on-street-photography","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/social-media-influence-on-street-photography\/","title":{"rendered":"Fill the Frame documentary explores social media’s influence on street photography"},"content":{"rendered":"

New documentary, Fill the Frame, directed by street photographer Tim Huynh explores the genre and the influence of social media. Jessica Miller finds out more<\/h2>\n
\n

Through a look behind the cameras of eight New York-based amateur street photographers, a new film called Fill the Frame<\/strong><\/a> records some of the challenges of the street photography genre. With a background in film, director (and keen street photographer) Tim Huynh<\/strong> has always loved documentaries. \u2018I like being presented with facts and finding out the truth about a subject,\u2019 he explains.<\/p>\n

Whilst studying at the Academy of Creative Media at the University of Hawaii, Tim explains that the majority of his peers gravitated towards \u2018fiction\u2019 cinema. \u2018I decided to go rogue\u2026 after graduation I did a few other short projects but it soon became a burning dream to produce a feature documentary.\u2019<\/p>\n\t\t

\n\t\t\t\"Fill<\/a>\t\t\t

Fill The Frame movie posters<\/p>\n\t\t<\/div>\n\t\t\n

Maier league<\/h3>\n

Determined to create a full-length documentary film, Tim followed his growing interest in street photography and appreciation of the posthumously-celebrated Vivian Maier<\/strong> to develop his idea for Fill the Frame. He focused on photographers in New York City, because of its rich history and mix of \u2018seasoned and new street shooters\u2019.<\/p>\n

The eight selected photographers included Paul Kessel, Jonathan Higbee, Dimitri Mellos, Mathias Wasik, Melissa O\u2019Shaughnessy, Melissa Breyer, Julia Gillard and Lauren Welles<\/strong>; filming began in summer 2018 and continued into 2019.<\/p>\n\t\t

\n\t\t\t\"Julia<\/a>\t\t\t

Julia Gillard\u2019s first roll of film in 2006<\/p>\n\t\t<\/div>\n\t\t\n

With insights from authors, curators and publishers, Fill the Frame takes an in-depth look at each photographer, their work and life experiences; making clear that there is more to street photography than the final image.<\/p>\n

\u2018At first glance to the untrained eye, it can seem like an easy form of photography, but it does require skill and experience\u2026 you need to take the time to develop your own style. It has an unknown element that is beyond your control, so luck and timing is also involved.\u2019 In addition, the explosion of street photography on social media and the use of digital photography, has actually made good images hard to find, and Tim suggests it can gather a lot of clutter.<\/p>\n\t\t

\n\t\t\t\"black<\/a>\t\t\t

Black & White, by Melissa Breyer<\/p>\n\t\t<\/div>\n\t\t\n

Positive future for street photography<\/h3>\n

Despite this, he believes social media has been a positive influence in moving street photography in the right direction and in particular gaining more mainstream recognition. \u2018For the longest time, it was an underground genre of sorts, but now it has a substantial niche following.\u2019<\/p>\n

Highlights of the film for Tim include the historical aspects connecting with the present and future, where throughout we see how the contemporary photographers fit within the broader history; alternating with the likes of Vivian Maier, Helen Levitt, William Eggleston and Alex Webb.<\/p>\n\t\t

\n\t\t\t\"man<\/a>\t\t\t

iPhone, by Melissa O\u2019Shaughnessy<\/p>\n\t\t<\/div>\n\t\t\n

When it comes to current trends and the future of street photography, Tim comments, \u2018I\u2019m seeing the fine art street photography approach (Saul Leiter\u2019s work, for example) gaining more popularity than the Garry Winogrand traditional style of street photography\u2026 where the images will predominantly combine deep dark shadows, vibrant colours and architecture, and where the photographer is further back from the subject.\u2019<\/p>\n

Don\u2019t chase the glory<\/h3>\n

\u2018Anyone looking to always find the glory shot will be sorely disappointed,\u2019 Tim cautions. \u2018If you do street to receive some kind of glorification I suggest you rethink your purpose. Just enjoy the fact you have this interest and ability to roam the streets and make art happen, capture that moment that only you saw.\u2019<\/p>\n\t\t

\n\t\t\t\"Mathias<\/a>\t\t\t

Midtown 2018, by Mathias Wasik<\/p>\n\t\t<\/div>\n\t\t\n

Like other genres, street has many added benefits for physical and mental health. \u2018It gives you the opportunity to get outside, walk around, explore your neighbourhood and meet new people. I\u2019ve made many friends\u2026 the photographs are the bonus.\u2019<\/p>\n

Fill the Frame trailer<\/h3>\n