{"id":161314,"date":"2022-02-24T16:25:01","date_gmt":"2022-02-24T16:25:01","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=161314"},"modified":"2022-02-24T16:25:01","modified_gmt":"2022-02-24T16:25:01","slug":"man-ray-nude-set-to-be-worlds-most-expensive-photograph","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/man-ray-nude-set-to-be-worlds-most-expensive-photograph\/","title":{"rendered":"Man Ray nude set to be world\u2019s most expensive photograph"},"content":{"rendered":"

Photographer and artist Man Ray’s iconic surrealist photograph Le Violon d’Ingres<\/em> (shown above) is likely to set a world record price for a single photograph at auction when it goes under the hammer at Christie’s New York in May 2022, thanks to a record pre-sale estimate of between $5million and $7million (US).<\/strong><\/p>\n\n

The Le Violon d’Ingres<\/em>\u00a0image depicts a nude woman with f-shaped violin markings on her back and, if it reaches its asking price or higher, it will instantly become the most expensive photo ever sold at auction. The current record auction price for a single photograph is held by Andreas Gursky\u2019s Rhein II, which was sold by Christie’s for $4.34million in November 2011<\/strong>.<\/p>\n\n\t\t

\n\t\t\t\"Andreas\t\t\t

Andreas Gursky’s record breaking Rhein II photograph sold for $4.34million at a Christie’s auction in 2011 \u00a9 Andreas Gursky\/Christie’s<\/p>\n\t\t<\/div>\n\t\t\n\n

In 2014 the Australia-born photographer Peter Lik claimed he has sold a photograph, entitled Phantom, for $6.5million<\/strong> but that transaction has never been officially proven and a buyer has never come forward, so\u00a0Gursky\u2019s Rhein II<\/em> currently remains the most expensive photo with an officially verified sale price.<\/p>\n\n

May Ray\u2019s 1924 masterpiece<\/strong>, widely considered to be his most famous work, is to be sold in May, alongside other photographs, artworks, jewellery and posters from a Surrealist collection compiled by Rosalind Gersten Jacobs (a retail executive and fashion buyer for Macy’s) and her husband Melvin Jacobs (who was chief executive of Saks Fifth Avenue)<\/strong>.<\/p>\n\n

Paintings by Man Ray previously have been auctioned off for up to $5.8million, <\/strong>but none of his photographs have ever sold for more than $3.13million. That \u00a33.13million figure was paid at a Christie\u2019s Paris auction in 2017 for Man Ray\u2019s Noire et Blanche<\/em> (1926)<\/strong>. Man Ray\u2019s Portrait of a Tearful Woman<\/em>\u00a0(1936) was sold for $2.17million by Christie\u2019s New York in May 2017<\/strong>.<\/p>\n\n\t\t

\n\t\t\t\"Noire\t\t\t

Noire et Blanche<\/em> by Man Ray, 1926, sold for $3.13million in 2017. The model in this picture is Alice Prin, the same woman who posed for Le Violon d’Ingres<\/em>. \u00a9 Man Ray\/Christie’s<\/p>\n\t\t<\/div>\n\t\t\n\n

In 1962, Man Ray sold ‘Le Violon d’Ingres’<\/em> directly to the Jacobs<\/strong>, a married couple who befriended many famous surrealist artists \u2013 including Marcel Duchamp, Ren\u00e9 Magritte and Max Ernst \u2013 and purchased many of their important works.<\/p>\n\n

Man Ray\u2019s Le Violin d\u2019Ingres<\/em> is a print that\u2019s considered by experts to be an original photographic copy, created around when Ray captured the photo negative<\/strong>. Both Rosalind and Melvin Jacobs have passed and their surrealist collection is being sold by their daughter, Peggy Jacobs Bader. In total the collection being sold in May 2022 could fetch more than $20million (US)<\/strong>.<\/p>\n\n

Peggy Jacobs Bader revealed, \u2018The acquisition of nearly every piece has a unique and intimate story behind it. The joyful spirit of my parents\u2019 relationship with the artists is reflected in the works they amassed. In viewing the collection, one gets a visceral sense of my parents\u2019 love of Surrealism, their discerning eye for great art, their playfulness and, at times, their mischievousness.’<\/em><\/p>\n\n

Darius Himes, international head of photographs at Christie\u2019s, explained<\/strong>, \u2018The reach and influence of the image, at once romantic, mysterious, roguish, and playful, has captured the minds of all for nearly 100 years. Le Violon d\u2019Ingres 1924, by Man Ray of his lover Kiki de Montparnasse, is inarguably one of the most iconic works of the 20th\u00a0century. This beguiling Surrealist image is the result of a unique and hand-manipulated darkroom process. As a photographic work, it is unprecedented in the marketplace<\/strong>. We are proud to handle it.\u2019<\/em><\/p>\n\n

Highlights from the Jacobs collection will tour to London, Paris and Hong Kong<\/strong> before returning to New York, where they will be on view at Christie\u2019s Rockefeller Center galleries ahead of the sales in May<\/strong>.<\/p>\n\n\t\t

\n\t\t\t\"Man\t\t\t

Man Ray’s Portrait of a Tearful Woman<\/em>. \u00a9 Man Ray\/Christie’s<\/p>\n\t\t<\/div>\n\t\t\n\n

The story of creating Le Violon d\u2019Ingres<\/em><\/h3>\n

The title of the Man Ray photograph is translated as ‘Ingres’ violin’<\/strong>, and it is a widely used French idiom that means ‘hobby\u2019. It invokes the name of Jean-August Dominique Ingres<\/strong>, a 19th century artist, who wished to be best known for his violin playing, rather than his painting.<\/p>\n\n

It was in Paris, in 1924, that Man Ray photographed his lover and companion, Alice Prin (aka\u00a0Kiki de Montparnasse)<\/strong>, who went on to become one of the most famous models of the 20th century. Inspired by the painting La Grande Baigneuse<\/em> (aka The Bather of Valpin\u00e7on)<\/strong> by Jean Auguste Dominique Ingres, Ray painted violin sound holes on Prin\u2019s back to transform her body into something akin to a musical string instrument.<\/p>\n\n

In fact, the \u2018f-holes\u2019 weren\u2019t painted onto Prin\u2019s back in real life but, instead, they were painted onto a print of the photographic portrait that Ray had shot. He then rephotographed the classical nude portrait to create the finished surreal photographic artwork.<\/p>\n\n\t\t

\n\t\t\t\"The\t\t\t

The full frame of Man Ray’s Le Violon d’Ingres<\/em> surreal photographic artwork, \u00a9 Man Ray\/Christie’s<\/p>\n\t\t<\/div>\n\t\t\n\n

The black-and-white image depicts Alice Prin\/Kiki de Montparnasse<\/strong>, with her naked back facing the camera, and her head, crowned with a turban, slightly turned to the left; her arms aren’t visible. Two f-shaped violin markings are cleverly positioned in the middle of the model’s back, giving her body the appearance of a string instrument.<\/p>\n\n

The photograph\u2019s title,\u00a0Le Violon d\u2019Ingres<\/em>, pays homage to the fact that Ingres was a passionate violin musician when he was not painting. His secondary interest became so well known that it begot the common French expression ‘violon d\u2019Ingres’, which means a secondary hobby, passion, or skill apart from the one an individual is known for. The title may also be a reference by Man Ray to the fact that he felt Prin was his personal ‘violon d\u2019Ingres’<\/strong>.<\/p>\n\n

Le Violon d\u2019Ingres<\/em>\u00a0was first published in a special June 1924 issue of\u00a0Litt\u00e9rature<\/em><\/strong>, a struggling surrealist magazine that was launched in 1919 and closed after the final issue, which Man Ray\u2019s photo appeared in. In the 98 years since the publication of Le Violon d\u2019Ingres<\/em> the photograph has become one of the most recognisable works of surrealist art anywhere in the world.<\/p>\n\n

The Getty Museum noted, \u2018The transformation of Kiki\u2019s body into a musical instrument with the crude addition of a few brushstrokes makes this a humorous image, but her armless form is also disturbing to contemplate. The title seems to suggest that, while playing the violin was Ingres\u2019s hobby, toying with Kiki was a pastime of Man Ray. The picture maintains a tension between objectification and appreciation of the female form<\/strong>.\u2019<\/em><\/p>\n\n\t\t

\n\t\t\t\"Jean\t\t\t

Jean Auguste-Dominique Ingres’ The Bather of Valpinc\u0327on was the inspiration for Man Ray’s Le Violon d’Ingres photograph<\/p>\n\t\t<\/div>\n\t\t\n\n

The life of Man Ray<\/h3>\n

Man Ray was born in Philadelphia, Pennsylvania, 0n 27 August 1890 as Emmanuel Radnitzky<\/strong>, but became known in his adult and professional life as Man Ray. He was a pioneering US fashion and portrait photographer who created iconic nude and surreal photos while living in New York and Paris. He was also known for his cameraless photograms, which he famously dubbed \u2018rayographs\u2019.<\/p>\n\n

Man Ray spent his early life in New York, turning down a scholarship to study architecture in order to devote himself to painting. In 1915, while at Ridgefield artist colony in New Jersey, he met the French artist Marcel Duchamp and together they tried to establish New York Dada<\/strong>.<\/p>\n\n

He was self-taught in photography in order to reproduce his works of art, but in 1920 he began to work as a portrait photographer to fund his artwork. His friendship with Duchamp led to Man Ray\u2019s move to Paris in 1921<\/strong>, where, as a contributor to the Dada and Surrealist movements, he revolved in the same circles as Pablo Picasso and Salvador Dali<\/strong>. He created memorable portrait photographs of many of his famous contemporaries, including Dali, Picasso, James Joyce and Jean Cocteau<\/strong>.<\/p>\n\n

Shortly after arriving in Paris, he met and fell in love with Alice Pin (Kiki de Montparnasse), an artists’ model and celebrated character in Paris bohemian circles<\/strong>. Kiki was Man Ray’s companion for most of the 1920s. She became the subject of some of his most famous photographic images. In 1929, he began a love affair with the Surrealist photographer Lee Miller<\/strong> but she left him in 1932. Man Ray was in a relationship with the dancer and model Adrienne Fidelin from late 1934 until August 1940, the two parting ways after Man Ray fled the Nazi occupation in France.<\/p>\n\n\t\t

\n\t\t\t\"A\t\t\t

A self-portrait by Man Ray, 1942<\/p>\n\t\t<\/div>\n\t\t\n\n

Following the outbreak of World War II, Man Ray le<\/strong>ft France for the US<\/strong> and took up residence in Hollywood. He returned to Paris in 1951 and made the city his home until his death, in November 1976, from a lung infection.<\/p>\n\n

Man Ray was responsible for several technical innovations in modern art, filmmaking, and photography. These included his use of photograms to produce his surrealist images, which\u00a0 he called ‘Rayograms’, and the solarization process which he discovered with Lee Miller<\/strong>. His 1923 experimental film Le Retour \u00e0 la raison<\/i> was the first ‘cine-rayograph’, a motion picture made without the use of a camera.\u00a0<\/sup>Ray’s 1935\u00a0Space Writing (Self-Portrait)<\/i> was the first photographic light painting<\/strong>, pre-dating Picasso’s 1949 light paintings, photographed by Gjon Mili, by 14 years.<\/sup><\/p>\n\n

In 1974, Man Ray received the Royal Photographic Society’s Progress Medal and Honorary Fellowship<\/strong>, ‘in recognition of any invention, research, publication or other contribution which has resulted in an important advance in the scientific or technological development of photography or imaging in the widest sense.’ <\/em><\/p>\n\n

In 1999, ARTnews magazine named Man Ray one of the 25 most influential artists of the 20th century<\/strong>. The publication cited his groundbreaking photography, ‘his explorations of film, painting, sculpture, collage, assemblage and prototypes of what would eventually be called performance art and conceptual art.’<\/em><\/sup><\/p>\n\n

The live Christie’s auction<\/h3>\n

Le Violon d\u2019Ingres<\/em>\u00a0will be offered in a live auction dedicated to the Jacobs\u2019 collection of surrealist art at Christie\u2019s in New York in May 2022. According to Christie’s, the Jacobs surrealist art collection auction highlights will also include Vija Celmins’ Mars (<\/em>with an estimated asking price of $1.8million), as well as Marsel Duchamp’s Feuille de vigne femelle<\/em> – one of the artist\u2019s \u2018erotic objects\u2019 which Gersten Jacobs bought from Man Ray in Paris and took back home to New York.<\/p>\n\n

To find out more go to the Christie’s Photographs website<\/a>.<\/p>\n\n

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The Top 10 most expensive photographs ever sold<\/h3>\n