{"id":163177,"date":"2022-03-30T11:55:23","date_gmt":"2022-03-30T10:55:23","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=163177"},"modified":"2022-04-19T10:06:06","modified_gmt":"2022-04-19T09:06:06","slug":"best-second-hand-camera-systems-for-under-1000","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/second-hand\/best-second-hand-camera-systems-for-under-1000\/","title":{"rendered":"Best second-hand camera systems for under \u00a31000"},"content":{"rendered":"

Buying second-hand means you can get yourself tidy camera systems for popular genres for less than \u00a31,000.\u00a0Angela Nicholson considers the\u00a0best <\/strong>options<\/h2>\n
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There are few people who would argue that photography is a cheap pursuit, but if you\u2019re willing to forgo the excitement of breaking the seal on a factory-fresh box or peeling the film off the camera\u2019s screen, you can reduce its cost considerably by buying and\u00a0building<\/strong>\u00a0a great camera system<\/strong>\u00a0with second-hand gear. Thanks to reputable dealers like CameraWorld<\/strong><\/a>, London Camera Exchange<\/strong><\/a>, MPB<\/strong><\/a>, Park Cameras<\/strong><\/a>, Ffordes<\/strong><\/a> and Wex Photo Video<\/strong><\/a>, etc, who are all happy to buy and sell used photographic kit, you don\u2019t have to get involved with bidding wars or purchase stuff from people who don\u2019t understand the difference between mint condition and well-used gear.<\/p>\n

Instead, you can feel safe in the knowledge that you\u2019re dealing with people who understand photography and the gear that they are selling. Most retailers give any second-hand kit a thorough check upon receiving it and often clean it before it\u2019s sent out to a new owner. And, of course, if you buy from a retailer, the kit is covered by the Consumer Rights Act which means it must be as described and any faults mentioned.<\/p>\n\t\t

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You also have the right to right to cancel your order and get a refund at any point up until 14 days from the day you receive your purchase. Many retailers also offer a warranty, so if the camera or lens develops a fault during the first few months that you have it, you\u2019re covered.<\/p>\n

Below I\u2019ll outline some of the bargains available on the second-hand market for shooting landscape, astrophotography, portraits, sport, wildlife, travel or street photography. My budget is \u00a31,000, but as you\u2019ll see there are some second-hand options for camera systems that come in considerably lower than that. Also, all the prices quoted are for excellent or good condition items, but if you don\u2019t mind the odd superficial mark, you can save yourself more money by opting for \u2018well-used\u2019 condition examples.<\/p>\n

One word of warning before you read on, once you start buying second-hand gear, it can get seriously addictive…<\/p>\n

Best second-hand camera system for Landscape photography<\/h2>\n

Sony A7R (\u00a3615) and Tamron 20mm f\/2.8 Di III OSD M 1:2 (\u00a3250)<\/h3>\n

I still remember my amazement at the size of the Sony A7R when it was first unveiled in October 2013. Alongside the A7, it was the first full-frame mirrorless camera, and with dimensions of just 127x94x48mm, it seemed tiny compared to a full-frame DSLR camera.<\/p>\n

A few years down the line, Sony is now on its fourth generation of the A7R series and there have been great developments made along the way, but the original Sony A7R remains a great option for landscape photography. I\u2019ve already mentioned its size, but it also weighs just 465g with a battery, which means it\u2019s highly portable and you won\u2019t mind carrying it when you\u2019re covering long distances on foot.<\/p>\n\"Sony<\/a>\n

Then there\u2019s the 36.4MP full-frame sensor, which is capable of capturing plenty of detail so it can out-resolve more modern cameras with lower pixel counts.<\/p>\n

One of the key criticisms of the A7R is that its contrast detection autofocus system struggles in low light or if the subject has low contrast, so it\u2019s not a great choice of camera for sport photography, but a slow AF system isn\u2019t a problem for landscape images. CIPA testing also indicates that the A7R\u2019s battery lasts for around 340 shots before needing recharging, which is rather low but Sony-FW50 batteries are still available new for \u00a354.99, so you can afford to buy a spare or two.<\/p>\n\"Tamron<\/a>\n

Landscape photography generally calls for a wideangle lens \u2013 and at around \u00a3250 in excellent condition, the Tamron 20mm f\/2.8 Di III OSD M 1:2 makes a great choice. It\u2019s compact, optically excellent and weather-sealed yet weighs just 220g. An added bonus is that it can focus on subjects just 11cm from the sensor, delivering half-life-size reproduction.<\/p>\n

If the Tamron 20mm f\/2.8 Di III OSD M 1:2 doesn\u2019t appeal, take a look at the Tamron 24mm f\/2.8 Di III OSD M1:2 (\u00a3199), Samyang AF 18mm F2.8 FE (\u00a3289) and Samyang AF 24mm F2.8 FE (\u00a3194).<\/p>\n

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Best second-hand camera system for Astrophotography<\/h2>\n

Canon EOS 6D (\u00a3399) and Samyang 14mm f\/2.4 XP (\u00a3599)<\/h3>\n

Since its launch in November 2012, the Canon EOS 6D<\/a> has been one of the most popular cameras around for astrophotography. That\u2019s because its full-frame sensor and comparatively modest pixel count of 20.2million enables it to capture remarkably clean low-to-medium ISO-range images with excellent shadow detail that can withstand some brightening.<\/p>\n\"Canon<\/a>\n

As it\u2019s a DSLR, the 6D has an optical viewfinder, but it can also operate in live view mode if you prefer to compose the image on screen \u2013 that can be helpful in dark conditions. One thing to bear in mind, however, is that there\u2019s no bulb-timer or intervalometer built in so you\u2019ll have to invest in an external one such as the Hahnel Capture Timer Kit (\u00a369 new).<\/p>\n

The EOS 6D has Canon\u2019s EF mount which means that there\u2019s a huge range of lenses available for use on it. Astrophotography usually calls for a fast wideangle lens and one that caught my eye is the Samyang 14mm f\/2.4 XP which can be found for around \u00a3599 second-hand in like new condition. It\u2019s a manual-focus optic, but there\u2019s a distance scale which makes focusing at infinity easy.<\/p>\n\"Samyang<\/a>\n

Because of the distance of the subject and the short focal length of the lens, there\u2019s plenty of depth of field, so you can shoot with the aperture wider open. The large maximum aperture also lets in plenty of light so you don\u2019t need to worry about needing to push the sensitivity up to very high levels and recording a lot of noise instead of stars.<\/p>\n

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Best second-hand camera system for Portrait photography<\/h2>\n

Canon EOS 5D Mark III (\u00a3630) and Canon EF 85mm f\/1.8 USM (\u00a3260)<\/h3>\n

Canon\u2019s EOS 5D series of full-frame DSLRs have been incredibly popular and the 5D Mark III<\/a> is one the most widely-owned. Fortunately, it\u2019s now readily available on the second-hand market at very attractive prices. You can expect to pay around \u00a3630 for one in good condition yet it cost \u00a32,999 at launch.<\/p>\n\"Canon<\/a>\n

The 5D Mark III features a 22.3MP sensor and Digic 5+ processor, which together enable a native sensitivity range of ISO 100-25,600. In addition, there\u2019s a 61-point autofocus system with 41 cross-type points (5 of which are diagonally sensitive) and maximum continuous shooting rate of 6 frames per second. That\u2019s a nice combination for portrait photography because it means you can target your subject\u2019s eyes precisely and capture some movement if you wish to, rather having to opt for static poses.<\/p>\n\"Canon<\/a>\n

A full-frame sensor gives plenty of scope to blur the background of a portrait by using a larger aperture. Thanks to its flattering perspective and comfortable shooting distance, an 85mm lens is the classic focal length for portraiture. At around \u00a3260 in excellent condition, the Canon EF 85mm f\/1.8 USM makes a great pairing with the 5D Mark III. It\u2019s a widely-respected optic that delivers excellent centre sharpness at wide apertures.<\/p>\n

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Best second-hand camera system for sport and wildlife photography<\/h2>\n

Nikon D7200 (\u00a3439) and Nikon Nikkor AF-S 70-300mm f\/4.5-5.6 G IF ED VR (\u00a3250)<\/h3>\n

A sub-full-frame camera makes an attractive choice for sport and wildlife photography because, as well as being smaller and more affordable than a full-framer, the focal length magnification factor makes any lens mounted on it seem longer. Dating from March 2015, the Nikon D7200<\/a> has a 24.2MP APS-C format sensor with no anti-aliasing filter, enabling it to capture sharper images and fine detail.<\/p>\n\"Nikon<\/a>\n

This chip is paired with Nikon\u2019s Expeed 4 processor and together they enable a maximum continuous shooting rate of 6fps for up to 100 JPEGs or 27 12-bit raw files. Yes, there are much faster shooting rates available these days but that also means that your memory card fills up quicker and you have more images to sift through, so for most sport and wildlife photography, 6fps is just fine. However, if you want to push a little bit higher, there\u2019s the option of the 1.3x crop mode that enables you to shoot at 7fps.<\/p>\n

Freezing action requires a fast shutter speed which may mean you need to push up the ISO setting in low light, so it\u2019s good to know that the D7200 has a native sensitivity range of ISO 100-25,600. Further good news for sport and wildlife photographers is that the D7200 has an excellent 51-point AF system with 15 cross-type points. In addition, the central cross-type point is sensitive down to f\/8.<\/p>\n\"Nikkor<\/a>\n

As it has the Nikon F-mount, the D7200 is compatible with a huge range of lenses that are readily available on the second-hand market. At around \u00a3250 in excellent condition, the Nikkor AF-S 70-300mm f\/4.5-5.6 G IF ED VR is a very attractive pairing that delivers an effective focal length range of 105-450mm, which is a great range for sport and wildlife.<\/p>\n

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Second-hand camera system for Travel photography<\/h2>\n

Olympus OM-D E-M5 Mark II (\u00a3230) and Olympus M.Zuiko Digital ED 12-200mm f\/3.5-6.3 (\u00a3489) and Panasonic Lumix G 20mm f\/1.7 ASPH II (\u00a3160)<\/h3>\n

The Olympus OM-D E-M5 Mark II<\/a> is great for travel, as it\u2019s a small, light camera, yet robust and weather-sealed. It also has a collection of useful modes for tricky situations. Live Time, Live Bulb and Live Composite mode, for example, take the guesswork out of long exposures by allowing you to see the image build up in the viewfinder or on the screen on the back of the camera.<\/p>\n\"Olympus<\/a>\n

There\u2019s also High Res Shot mode that sets the 16MP sensor to shift by a tiny amount between a series of 8 shots captured in succession. These are then composited in-camera to create a 40MP equivalent image.<\/p>\n\"Olympus<\/a>\n

As a Micro Four Thirds mirrorless camera, the E-M5 Mark II is compatible with a huge range of lenses from Olympus (OM System), Panasonic, Sigma and more, but our recommendation for travel photography is the Olympus M.Zuiko Digital ED 12-200mm f\/3.5-6.3<\/a>. This lens offers an effective focal length range of 24-400mm, making it phenomenally versatile for everything from interiors to landscapes and portraits to wildlife or distant details.<\/p>\n\"Panasonic<\/a>\n

While the E-M5 Mark II has an excellent image stabilisation system built in, the Panasonic Lumix G 20mm f\/1.7 ASPH II is also a great addition. Its f\/1.7 maximum aperture makes it ideal for low-light shooting.<\/p>\n

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Best second-hand camera system for Street photography<\/h2>\n

Fujifilm X100F \u00a3769<\/h3>\n

Unlike the other cameras in this list, the Fujifilm X100F is a compact camera. However, it\u2019s not your average compact because it has an APS-C format sensor inside. In fact, it\u2019s the same 24.3MP X-Trans CMOS III sensor as is found in the Fujifilm X-T2 and X-Pro2. And around the front, there\u2019s the superb Fujinon 23mm f\/2.0 lens, which with an effective focal length of 35mm, is ideal for street photography.<\/p>\n\"fujifilm<\/a>\n

Plus, the large maximum aperture means that you can get nice separation of your subject from its surroundings and you don\u2019t need to push the sensitivity (ISO) up too high if the light level drops a little.<\/p>\n

In another nice touch, the X100F has a hybrid viewfinder which means that with a flick of a switch you can change from the optical viewfinder to a 0.48in 2,360k-dot electronic viewfinder. This is joined by a 3in 1,040k-dot LCD monitor.<\/p>\n

A total of 15 of Fujifilm\u2019s excellent Film simulation modes are on board, including Acros (with or without a red, green or yellow filter effect), which produces very attractive black & white results in-camera \u2013 which is perfect for traditional-looking street photography.<\/p>\n\"fujifilm<\/a>\n

Thanks to its aperture ring and dials to set the shutter speed, ISO and exposure compensation, you can set up the X100F for shooting without even powering it up, and when you do switch it on, you\u2019ll find that its focusing system is nice and responsive. The Tracking AF and 8fps continuous shooting capability could prove useful when you want to follow someone\u2019s movement and capture the perfect composition.<\/p>\n

Retailers to have a look at to find these second-hand camera systems:<\/h3>\n