{"id":168936,"date":"2022-07-03T12:02:50","date_gmt":"2022-07-03T11:02:50","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=168936"},"modified":"2022-07-01T14:50:18","modified_gmt":"2022-07-01T13:50:18","slug":"disabled-photographers-society-supporting-all-photographers","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/interviews\/disabled-photographers-society-supporting-all-photographers\/","title":{"rendered":"Disabled Photographers\u2019 Society: Supporting all photographers"},"content":{"rendered":"

Disability should never be a barrier to image making. Peter Dench finds out about the support, techniques and adaptations available and shares some inspirational case studies from the Disabled Photographers’ Society<\/strong><\/p>\n

\n

Disability can strike at any time, but it doesn\u2019t mean the end of photographic aspirations. In some cases it can trigger the beginning. At the forefront of helping photographers with a range of physical and mental challenges is the Disabled Photographers\u2019 Society (DPS)<\/strong><\/a>, a charity formed in 1968 to help make photography accessible to everyone.<\/p>\n

The DPS is run by a team of volunteers, many of whom are disabled photographers themselves, and offers individual members adaptations, equipment, support and advice. They loan equipment free at the point of need and enable opportunities to meet like-minded (and bodied) people through exhibitions, competitions, social media and the charity\u2019s quarterly magazine, In Focus. The DPS also runs an Electronic Portfolio Group, where members can submit digital images and then receive feedback, support and advice to improve their skills and confidence. Read on for some inspiring case studies and adaptation advice…<\/strong><\/p>\n

\n

Rais Hasan<\/h3>\n

@raishasanphotography<\/a><\/p>\n\"\"<\/a>\n

Without surgery to treat a brain tumour, Rais was given a worst-case scenario of four months to live. He chose surgery, which left him house-bound for over a year and unable to read or write. Unable to walk outside unaided, his family bought him a small digital camera for his 50th birthday and Rais started taking photos around the house as a diversion to daily struggles.<\/p>\n

Short walks into the countryside followed to develop his interest. Galvanised, Rais went on to college to complete a two-year photography course. Only after he qualified did he mention his trouble with memory, reading and writing. Rais has gone on to achieve a lot of photo society distinctions, been president of the Bradford Camera Club, crowned Monochrome Photographer of the Year and appeared in the national and local press.<\/p>\n\t\t

\n\t\t\t\"woman<\/a>\t\t\t

Queen of Colour. Image: Rais Hasan<\/p>\n\t\t<\/div>\n\t\t\n

A decade on from his surgery, Rais remains on large doses of medication and still makes regular visits to the hospital. Poignantly, he now photographs on behalf of the Yorkshire Brain Tumour Charity, creating a memory for families of what they\u2019ve gone through or the moments before. Rais\u2019s disability isn\u2019t immediately apparent, but can compromise his photography.<\/p>\n\t\t

\n\t\t\t\"A<\/a>\t\t\t

A Ballerina Prepares. Image: Rais Hasan<\/p>\n\t\t<\/div>\n\t\t\n

\u2018Post production is not always easy,\u2019 says Rais. \u2018I can read about it but my memory retention is so bad, a big struggle. Only bits of it go in. I do my best, keep pushing, keep learning.\u2019 The weight of his Nikon cameras, usually a D810 with lenses, means he has to sit down after a while. But he\u2019s undeterred \u2013 his illness revealed a photography talent that may have stayed hidden.<\/p>\n

\n

Paul Hinchliffe<\/h3>\n

flickr.com\/photos\/paulspage<\/a><\/p>\n\"\"<\/a>\n

Photography for Paul started when he got married, started seeing more of the world and progressed it as a serious hobby in 2006. Seven years ago he started to drastically lose his eyesight. Paul has no central vision of any detail and uses peripheral vision to do everything. This usable vision helps him take photographs, as he can see shapes and colours primarily and shadow.<\/p>\n\t\t

\n\t\t\t\"Autumnal<\/a>\t\t\t

Autumnal Flow, a technical tour de force. Image: Paul Hinchliffe<\/p>\n\t\t<\/div>\n\t\t\n

While glasses improve, but don\u2019t correct, his vision, he feels he can see best through a camera lens. The camera autofocuses and he can zoom in and out of the image with his preferred Sony A7 III (which on release had one of the best AF systems) allowing Paul to capture his fast-moving, young sons. Familiarity with his camera and menu system is key to dealing with poor vision \u2013 he relies a lot on muscle memory to change the aperture or white balance without having to look. Using magnification software allows him to examine details of an image he didn\u2019t notice before.<\/p>\n\t\t

\n\t\t\t\"Fishing<\/a>\t\t\t

Fishing Boats, one of Paul\u2019s most engaging images. Image: Paul Hinchliffe<\/p>\n\t\t<\/div>\n\t\t\n

Paul produces a photo-book each year, documenting his children\u2019s adventures, to give to his parents and in-laws. He uploads the photos from his iPad to the affordable Snapfish platform before using a computer to edit, save and print. \u2018When I first started to lose my eyesight, my wife took me along to The Photography Show and introduced me to the DPS. As a community they\u2019re very supportive and helpful. Anyone going through vision loss or any other form of disability should talk to somebody they feel comfortable with.\u2019<\/p>\n

\n

Lorraine Spittle<\/h3>\n

bit.ly\/lorrainespittle<\/a><\/p>\n\"\"<\/a>\n

An injury at work in Lorraine\u2019s teens triggered spondylosis, a degenerative condition of the spine. Her youthful optimism that everything would be okay took a beating when she found herself struggling to grip or feel hot and cold with her fingers. The spondylosis was exacerbated the following decade in a car crash in 1987 (in which she was blameless), causing a C7 spinal cord injury further affecting her ability to move her wrists and straighten her elbows.<\/p>\n\t\t

\n\t\t\t\"The<\/a>\t\t\t

The Co-op team finishing the Ackworth pram race. Image: Lorraine Spittle<\/p>\n\t\t<\/div>\n\t\t\n

Limited hand functions didn\u2019t limit Lorraine\u2019s determination to fight the boredom. She found photography when her former police force husband bought her a camera to capture the grandkids. I feel lucky talking to her, not because of the medical conditions she\u2019s survived but the scrapes in pursuit of photography.<\/p>\n

She\u2019s been wheeled out of shopping centres, punctured a wheelchair tyre when going off road, and was so engrossed in capturing a Filey winter sunrise, that only when sparks began to fly from her electric wheelchair did she realise the tide had come in and was about to cut her off. Being in a wheelchair doesn\u2019t always bring the keen street photographer the kindness of strangers. After a particularly threatening encounter, when she was photographing children in the fountains at Bradford City square, she didn\u2019t pick up a camera for a while.<\/p>\n\t\t

\n\t\t\t\"A<\/a>\t\t\t

A beautifully taken image of Oz, an assistance dog. Image: Lorraine Spittle<\/p>\n\t\t<\/div>\n\t\t\n

Lorraine can\u2019t make a proper fist to hold smaller cameras, preferring a Canon EOS 5D Mark IV. \u2018The first thing I do is bend down and slip the strap over my neck. I have to have it on a table because it might just drop straight through my fingers. I also have to make sure I\u2019m over something soft.\u2019 She also uses the audio clicks and bleeps of the camera to confirm what she\u2019s done.<\/p>\n\t\t

\n\t\t\t\"Fun<\/a>\t\t\t

Fun in the Fountain. Image: Lorraine Spittle<\/p>\n\t\t<\/div>\n\t\t\n

Lorraine doesn\u2019t clamp the camera to her chair, preferring to react more fluidly. Having experimented unsuccessfully with tripods, monopods and gimbals, she adapted her own methods, including a cricket bat to support her 100-400mm zoom lens. If she doesn\u2019t think she\u2019s at the right viewing angle, she will simply throw herself onto the floor. \u2018Using this strategy to shoot upwards as the Tour de France hurtled through my village had many cyclists rubbernecking!\u2019<\/p>\n

\n

Camera adaptations for disabled photographers<\/h2>\n

Equipment co-ordinator Gillian Birbeck explains how the Disabled Photographers\u2019 Society helps out<\/h3>\n

If DPS members are having problems using cameras, equipment co-ordinator Gillian Birbeck<\/strong> is there to help. She explains, \u2018As a charity we give free advice to anybody who wants it and ask people to be members. If that\u2019s the case they can have equipment on free loan. There\u2019s a limit to what that equipment can be, but in general we have a few things that can help a lot of people.<\/p>\n\"disabled<\/a>\n

\u2018The most common request is for a support to fix a camera to a wheelchair. With many cameras now having a tilt screen, it doesn\u2019t have to be put to the eye, it can be down by their right arm or wherever it\u2019s comfortable to see the screen.\u2019<\/p>\n

The DPS support of choice is the Manfrotto Magic Arm, or Manfrotto Variable Friction Arm<\/strong>, which Gillian thinks is better. \u2018It\u2019s beautifully manufactured. It\u2019s solid; the variable friction one takes up its shape with a knurled knob which is easier for most people to use than the lever that the Magic Arm has, which needs quite a bit of strength to put into place. We have to try to find somewhere on their wheelchair to use something like a super clamp to attach it. What happens is the camera is in a fixed solid position and they can move the camera position just by moving their wheelchair.\u2019<\/p>\n\t\t

\n\t\t\t\"Manfrotto\u2019s<\/a>\t\t\t

Manfrotto\u2019s Variable Friction Arm in action<\/p>\n\t\t<\/div>\n\t\t\n

Also available from retailers are the Canon HG-100TBR Bluetooth, Sony GP-VPT2BT Bluetooth and Panasonic DMW-SHGR1 wired shooting grips<\/strong> which are designed for one-handed use, with shutter, video and zoom controls. They tend to be designed to work with small compact or mirrorless cameras. They\u2019re not necessarily cheap, given that you have to buy the right camera, but are potentially useful for people who can only use one hand.<\/p>\n

Difficulty in pressing the shutter button is quite easy to deal with as most cameras have a remote control that comes with it or you can buy it as an optional extra. Small button sizes can be problematic. \u2018Get a little plastic box, cut a U shape in the top, put the remote control in the middle and that U shape becomes a bigger button which goes on top of the button,\u2019 advises Gillian.<\/p>\n\t\t

\n\t\t\t\"Canon\u2019s<\/a>\t\t\t

Canon\u2019s shooting grip<\/p>\n\t\t<\/div>\n\t\t\n

If somebody can\u2019t press the shutter button, workarounds such as bite controllers or tongue switches are available from Hypoxic Electronics. If somebody can\u2019t use their arms at all, a bite switch is ideal. Gillian recalls a quadriplegic who couldn\u2019t move anything below the neck. The DPS supplied a Hague motorised pan and tilt head, which fixed onto the wheelchair with the camera on top tethered to a computer with up\/down, left\/right controls on the screen. This was controlled using a stick on a Velcro strap around their head; all they had to do was lean forward to tap the screen. If your disability causes you to shake a lot, a simple lesson in photography can be enough: increase the ISO or use of flash is suggested.<\/p>\n

Left field<\/h3>\n

Gillian would like the return of left-handed cameras. Many DPS members have had strokes and if they\u2019re right-handed, it\u2019s use of that hand that tends to go. As it is, they have to make an adaptation so a camera can be held in the left hand. Post-production is another area where the DPS helps. \u2018We try to have workshops where they can learn.<\/p>\n

For some people it would be impossible, they might have a personal assistant in their everyday life who can help. In the past these personal assistants had been asked by disabled people to take a picture for them. We actually give them the independence to do it themselves. That is so important that they are in charge. Post-production often doesn\u2019t matter so much to them.\u2019<\/p>\n

\n

Supporting the Disabled Photographers\u2019 Society<\/h3>\n

The DPS is always seeking donations of working photographic equipment to help with funding \u2013 please contact chairman@the-dps.co.uk<\/strong>. For more information, see www.the-dps.co.uk<\/a><\/p>\n

\n

Related articles:<\/h3>\n

Confidence Through Photography \u2013 helping improve mental wellbeing<\/a><\/p>\n

Photo therapy: when photography is a life-saver<\/a><\/p>\n

\n

Follow AP on\u00a0Facebook<\/a>,\u00a0Twitter<\/a>,\u00a0Instagram<\/a>, and\u00a0YouTube<\/a>.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Disability should never be a barrier to image making. Peter Dench finds out about the support, techniques and adaptations available and shares some inspirational case studies from the Disabled Photographers’ Society<\/p>\n","protected":false},"author":17,"featured_media":168960,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[374],"tags":[3431,3430],"product-category":[],"class_list":["post-168936","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-disabled","tag-disabled-photographers-society"],"yoast_head":"\nDisabled Photographers\u2019 Society: Supporting all photographers - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"Peter Dench finds out about the support available and shares some inspirational case studies from the Disabled Photographers' Society\" \/>\n<meta name=\"robots\" content=\"index, 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