{"id":172743,"date":"2022-08-19T14:00:15","date_gmt":"2022-08-19T13:00:15","guid":{"rendered":"https:\/\/other.kelsey.host\/amateurphotographer\/?p=172743"},"modified":"2022-08-22T15:07:02","modified_gmt":"2022-08-22T14:07:02","slug":"found-kodak-bellows-camera-used-film-included","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/articles\/found-kodak-bellows-camera-used-film-included\/","title":{"rendered":"Finding and using a 1950s Kodak bellows camera, with film"},"content":{"rendered":"

Regular AP contributor Adrian Gray is a scientist by day and a keen collector of vintage cameras, particularly Kodak Brownies, the rest of the time. A chance finding of an old Kodak bellows film camera led him to a fascinating journey of discovery and a gutsy refurbishment project.<\/strong><\/p>\n

Stonehenge, sometime in the 1950s. A couple wander about the stones, stopping to take pictures with their old Kodak. At the end of the day the camera was put down with the film half-used, not to be used again, the film never finished. For whatever reason, it sat for decades with the bellows slowly crumbling. Then, around 2005, I spotted the attractive Kodak on a market stall in Oxford. Intriguingly I could see it had a film in, and decided to buy it despite the ruined bellows<\/strong>. I naively thought that I might be able to repair them but quickly realised that they were well past my ability to fix.<\/p>\n\t\t

\n\t\t\t\"Found\t\t\t

Found Kodak bellows camera \u00a9 Adrian Gray<\/p>\n\t\t<\/div>\n\t\t\n

What about that film, though, would it have anything on it? At the end of an afternoon\u2019s developing I carefully loaded it onto a spiral. Once fixed and washed I carefully unrolled the film and\u2026 wow! Two clearly identifiable images of Stonehenge, obviously a very long time ago. It was the first found film I\u2019d found images on, and what images!<\/p>\n\t\t

\n\t\t\t\"Shot\t\t\t

Shot of Stonehenge – found film discovered in Kodak bellows camera was developed after an estimated 50 year hiatus by Adrian Gray. Photographer unknown.<\/p>\n\t\t<\/div>\n\t\t\n

\n

Fixing up an old Kodak bellows camera<\/h2>\n

The Kodak became a shelf queen until, in early 2022, I found a set of bellows I\u2019d been given years before for a project I\u2019d never been brave enough to attempt. In a moment of madness, I decided to use them, reasoning that the Kodak was in poor enough condition that it didn\u2019t matter if I failed.<\/p>\n

I learnt a lot about 1930s camera construction very quickly \u2013 the bellows are held in with a metal plate on the back, fastened to the camera body by bending over metal tabs, with just a length of black string as a light seal. It took guts I didn\u2019t know I had to unfold the tabs, and plenty of brute force and ignorance too.<\/p>\n\t\t

\n\t\t\t\"Found\t\t\t

Found Kodak bellows camera \u00a9 Adrian Gray<\/p>\n\t\t<\/div>\n\t\t\n

As I dismantled the struts holding the shutter assembly, I carefully counted the screws I removed \u2013 but suddenly had one more than I should have. Where was it from? I counted and recounted the possible places and, however many times I checked, there was definitely one screw over. It must have been snagged somewhere in the camera since it left the Kodak factory over 80 years ago. I didn\u2019t return it \u2013 it now replaces a missing screw in another camera.<\/p>\n

I had to remove the front plate of the new bellows with a scalpel and cut down the Kodak bellows back plate to fit the new, as the threaded holes for securing them to the shutter housing didn\u2019t match up. I couldn\u2019t unscrew the screws giving access to the shutter mechanism, though as I\u2019ll never need to use the dead speed, 1\/25th of a second, I can live with that. I filed down any damage to the film gate and gave it a liberal coating of matt enamel paint once I believed that I might make the camera usable again, which was quite late in the proceedings.<\/p>\n\t\t

\n\t\t\t\"Close\t\t\t

Close up of three-element f6.3 Anastigmat lens on found Kodak bellows camera \u00a9 Adrian Gray<\/p>\n\t\t<\/div>\n\t\t\n

Towards the end of the rebuild, I had the idea of taking the camera back to Stonehenge and trying to replicate the photos as the first shots with the new bellows. I skinned up a roll of Fomapan 100 onto a 620 spool and loaded the camera.<\/p>\n

In May 2022 I went to Stonehenge with the camera and took six photos. Since the originals were taken, access to the stones has been restricted so I couldn\u2019t recreate the original views, but the site staff were delighted to hear the story of the camera (more so than their employers at English Heritage, who never replied).<\/p>\n

\n

The origins of the mystery Kodak bellows camera<\/h2>\n

The camera itself is hard to find out more about. It shares many features with the German-made Kodak Vollenda cameras of the later 1930s<\/strong>, but the strap says: \u201cManufactured by Kodak Ltd, London\u201d, and the Vollenda range had faster lenses and better shutters than the three-element f6.3 Anastigmat in a three-speed AGC shutter this camera sports.<\/p>\n

It was probably an affordable version for the UK market, although it does have unexpected features for a cheaper camera \u2013 the lovely shutter release button that pops up when you open the camera, and the two tripod sockets each filled by a slotted metal plug that unscrews to reveal the socket (and must have been horribly easy to lose). The struts, the folding foot, and the red window cover are also a high-quality combination of paint and nickel plating.<\/p>\n

My best guess is that these are a product of Kodak\u2019s \u201cstandardization\u201d policy of the time, consisting of excising the word from every dictionary in the company and offering every camera body with a bewildering array of lenses and shutters.<\/p>\n\t\t

\n\t\t\t\"\"\t\t\t

Reconstruction of original shoot at Stonehenge on refurbished Kodak bellows camera \u00a9 Adrian Gray 2022<\/p>\n\t\t<\/div>\n\t\t\n

Thankfully Stonehenge is easier to research and, like the camera, it has been restored. The views in the original photos altered long before the film was developed, with a trilithon being re-erected in 1958-9 and the hollow stone the man in the mac is stood next to being reinforced with concrete at the same time. So the camera was last used before 1958<\/strong>. The film, Ilford Selochrome, a \u201cfast ortho film\u201d of 30-degree Scheiner, approximately ISO80 and coincidentally discontinued in the late 1950s, must have sat with a latent image for almost fifty years before I developed it!<\/p>\n\t\t

\n\t\t\t\"Stonehenge\t\t\t

Stonehenge captured on refurbished Kodak bellows camera \u00a9 Adrian Gray 2022<\/p>\n\t\t<\/div>\n\t\t\n

\n

Things I’d do differently if I did it again…<\/h2>\n

Nowadays, I have a formula for developing found film that has economy of chemicals and labour. I use semi-stand developing for an hour in 1:100 Rodinal<\/strong>, rather than just using the last of whatever I\u2019d used that day.<\/p>\n

I\u2019d check the sun\u2019s position before getting to Stonehenge to avoid shooting into it. I also probably wouldn\u2019t try a camera that I wasn\u2019t sure was light-tight in bright sun, and I\u2019m not sure I\u2019d be brave enough to do another bellows replacement. I certainly wouldn\u2019t try it with a better camera.<\/p>\n

On the other hand it was very satisfying to finish, I have one less junk camera, and another old Kodak lives to fight another day!<\/p>\n

Written by Adrian Gray<\/em><\/strong><\/p>\n

\n

\"\" AP reader Adrian is a scientist in the week . At weekends he likes to take photos of appropriate subjects with his worryingly large collection of antediluvian cameras.<\/strong> Should you meet a walker in the Lake District toting an ancient folding camera, it\u2019s probably him.<\/p>\n

\n

Looking for more film photography<\/a> inspiration? Check out these other articles:<\/h3>\n

How to scan film<\/a>
\nHow to do film photography on a budget<\/a>
\nEssential guide to darkroom printing<\/a>
\nHow to start a camera collection<\/a><\/p>\n

\n

Follow AP on Facebook<\/a>,\u00a0Twitter<\/a>,\u00a0Instagram<\/a>, and\u00a0YouTube<\/a>.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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