{"id":45792,"date":"2015-03-11T15:20:44","date_gmt":"2015-03-11T15:20:44","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/?p=45792"},"modified":"2015-03-11T15:41:09","modified_gmt":"2015-03-11T15:41:09","slug":"instant-film-is-a-success-so-where-are-the-decent-cameras","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/opinion\/instant-film-is-a-success-so-where-are-the-decent-cameras\/","title":{"rendered":"Instant film is a success, so where are the decent cameras?"},"content":{"rendered":"<p>It may now be slower than digital photography at providing immediate gratification, but \u2018instant\u2019 film photography is still alive and well. Both Fujifilm and the Impossible Project, which famously took over one of Polaroid\u2019s old factories, make a selection of films. However, the one thing that has long puzzled me about the medium is, why are the commonly available cameras so basic?<\/p>\n<p>It wasn\u2019t always so. Back in the 1950s and \u201960s, Polaroid\u2019s camera for enthusiasts, the Pathfinder, boasted ultra-sharp lenses, manual focus with a rangefinder, full manual control of aperture and shutter speed, rugged construction and a self-timer.<\/p>\n<p>Yet by the time I bought my first instant film camera, a Polaroid 635 in 1986, they\u2019d become almost totally point-and-shoot models. It was as if Polaroid were trying to compensate for the expense of the film by making the cameras as cheap as possible.<\/p>\n<p>I bought the 635 in a hurry because I needed to send some location shots to a set designer for a history film I was making. It was fixed focus, and although it did the job, the shots were rather disappointing and it has spent most of the intervening decades at the back of a cupboard.<\/p>\n<p>I brought it out of retirement only recently when trying some of the Impossible Project\u2019s endearingly individual films, as their slightly hit-and-miss nature arguably suits an unsophisticated camera. I\u2019ve now supplemented the 635 with a second-hand 635CL, which has the luxury of a slide-in close-up lens, although I still feel I\u2019d use more instant film if I had a better camera.<\/p>\n<p>Lomography\u2019s Belair camera has interchangeable lenses, but it still offers too little control, while peel-apart instant films and backs aren\u2019t the answer \u2013 the prints don\u2019t have the classic border and look. Fujifilm\u2019s Instax cameras are another option, but most of these models use Instax Mini film, whose credit-card-sized prints feel too small for most subjects.<\/p>\n<p>However, the company has just launched the Instax Wide 300, which uses the larger Instax Wide film. The 300 has better styling than its predecessor, the 210, and I\u2019ve found it can produce great prints, with satisfying colours, that look even better than Polaroids did in their heyday. Two autofocus zones work accurately from 0.9 metres to infinity, and there\u2019s a slot-in, extra-close-up lens for subjects 40-50cm away that incorporates a handy mirror for aligning arm\u2019s-length selfies.<\/p>\n\t\t<div id=&quot;attachment_45799&quot;  class=\"c-caption alignnone\" style=\"max-width: 352px\">\n\t\t\t<a href=\"\/wp-content\/uploads\/2015\/03\/Instax-300-Digbeth-Bham-11.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-45799 size-large\" src=\"\/wp-content\/uploads\/2015\/03\/Instax-300-Digbeth-Bham-11-332x400.jpg\" alt=\"Jon\u2019s images taken in Birmingham, using  his Fujifilm Instax Wide 300\" width=\"332\" height=\"400\" \/><\/a>\t\t\t<p class=\"c-caption__text\">Jon\u2019s images taken in Birmingham, using his Fujifilm Instax Wide 300<\/p>\n\t\t<\/div>\n\t\t\n<p>Yet the Instax Wide 300 is still a frustratingly basic camera. The viewfinder is small and difficult to line up with your eye, and there\u2019s no control over shutter speed and aperture. You can\u2019t always switch the flash off when it isn\u2019t wanted, or make long exposures, which can result in uneven or very dark pictures.<\/p>\n<p>Fujifilm really should produce an enthusiast\u2019s version that addresses these shortcomings and adds a more sophisticated metering system, a self-timer and even perhaps an external flash socket and interchangeable lenses. Instant film is far too good to be confined to economy-spec cameras. Please make some better ones.<\/p>\n\n<p><em>Jon Bentley is a TV producer and presenter best known for Channel 5\u2019s The Gadget Show<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>With instant film growing, it\u2019s time companies started making better cameras to handle this type of photography, says Jon Bentley<\/p>\n","protected":false},"author":323,"featured_media":45796,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[466],"tags":[],"product-category":[],"class_list":["post-45792","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinion"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.8 (Yoast SEO v26.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Instant film is a success, so where are the decent cameras? 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