{"id":66344,"date":"2015-11-30T11:28:20","date_gmt":"2015-11-30T11:28:20","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/?p=66344"},"modified":"2015-11-30T16:35:31","modified_gmt":"2015-11-30T16:35:31","slug":"digital-photography-cant-be-trusted-says-famed-war-photographer-don-mccullin","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/digital-photography-cant-be-trusted-says-famed-war-photographer-don-mccullin\/","title":{"rendered":"Digital photography \u2018can\u2019t be trusted\u2019, says famed war photographer Don McCullin"},"content":{"rendered":"

Don McCullin at Somerset House in London on Friday<\/em> [Photo credit: \u00a9 C Cheesman]<\/p>\n

Speaking at an event to promote Photo London 2016, where the photographer will take centre stage,<\/a>\u00a0Don McCullin added: \u2018The whole thing can\u2019t be trusted.\u2019<\/p>\n

Speaking earlier, McCullin explained that his decision to return to the Iraq warzone<\/a> a few years ago enabled him to see events \u2018first hand\u2019, rather than having to rely on images published by the media.<\/p>\n

McCullin\u2019s comments \u2013 at Somerset House, where Photo London will take place in May \u2013 came as news agency Reuters this month confirmed it has banned freelance photographers from sending images as \u2018raw\u2019 files.<\/p>\n

Digital manipulation of press photos has led to controversy in recent years.<\/p>\n

Earlier this month, the Australia-based Nikon-Walkley Awards was forced to issue a statement about an altered image after photographer David Caird inadvertently entered a manipulated photo.<\/p>\n

As far back as 2006, a Reuters photographer was sacked for digitally \u2018doctoring\u2019 two images, which seemingly exaggerated the impact of Israeli air strikes on Lebanon.<\/p>\n

In recent weeks, Reuters has moved to tackle photographers’ use of image enhancement.<\/p>\n

According to US website PetaPixel<\/a>, Reuters sent freelance photographers an email which stated: \u2018In future, please don\u2019t send photos to Reuters that were processed from RAW or CR2 files. If you want to shoot raw images that\u2019s fine, just take JPEGs at the same time. Only send us the photos that were originally JPEGs, with minimal processing (cropping, correcting levels, etc).\u2019<\/p>\n

A Reuters UK spokesman has since told Amateur Photographer<\/em>: \u2018As eyewitness accounts of events covered by dedicated and responsible journalists, Reuters Pictures must reflect reality. While we aim for photography of the highest aesthetic quality, our goal is not to artistically interpret the news.\u2019<\/p>\n

Reuters’ Handbook on Journalism<\/em> already contains strict rules<\/a> on image enhancement in Photoshop.<\/p>\n

For example, in-camera sharpening is not allowed and subsequent sharpening in Photoshop is limited to 300%, at a radius of 0.3 and threshold of 0.<\/p>\n

In September, a global survey of photojournalists<\/a> revealed that only 10% of photographers never enhance the in-camera or raw files by altering contrast, hue, tone or saturation.<\/p>\n

And 51% said they do this \u2018often\u2019 or \u2018always\u2019.<\/p>\n

When asked if they stage photos \u2013 by asking subjects to pose or repeat actions, for example \u2013 36% said \u2018never\u2019 but 52% said \u2018sometimes\u2019.<\/p>\n

The poll of more than 1,500 photographers in more than 100 countries was carried out by the World Press Photo Foundation and Oxford University\u2019s Reuters Institute for the Study of Journalism.<\/p>\n","protected":false},"excerpt":{"rendered":"

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