{"id":73005,"date":"2016-04-07T08:30:25","date_gmt":"2016-04-07T07:30:25","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/?p=73005"},"modified":"2016-04-07T08:35:07","modified_gmt":"2016-04-07T07:35:07","slug":"master-camera-shooting-fast-action","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/camera_skills\/master-camera-shooting-fast-action\/","title":{"rendered":"Master your camera: shooting fast action with Panasonic Micro Four Thirds cameras"},"content":{"rendered":"

I predominantly shoot action\u2014 sports like surfing, swimming or skating. Basically anything that\u2019s kind of cool and a bit extreme. I work with people in west Wales and have been involved with action sports all my life. I like supporting the people I know, and I think that comes across in the work that I produce.<\/p>\n

This kind of subject matter means that, in terms of the kit I use, the thing I need above anything else is a decent frame rate. I use the Panasonic GH4, the G7 and the GX8, with the GH4 being my main camera, and all these cameras have not only fast frame rates for shooting stills but also the 4K Photo Modes that have recently been appearing in every major Panasonic camera release.<\/p>\n

These modes allow users to extract 8MP stills from 4K footage, which is shot at 30 fps, enormously expanding the potential for capturing fleeting moments at exactly the right second. I\u2019ll go over how I use these modes in my work.<\/p>\n\t\t

\n\t\t\t\"Panasonic-fast-action-4k-start-stop\"\t\t\t

4K start\/stop allows you to keep recording for the action’s duration<\/p>\n\t\t<\/div>\n\t\t\n

4K Burst Modes<\/h2>\n

In 4K mode you\u2019ve got 4K Pre-Burst, 4K Burst and Start\/Stop.<\/p>\n

4K Burst mode: This one\u2019s simple. Put your finger on the shutter release and press and hold for the duration of how long you want to shoot for.<\/p>\n

Start\/stop: This works more like a video camera. Press to start recording, press to stop.<\/p>\n

4K Pre-burst: This one is interesting. When Pre-burst is activated, you press the button to start\/stop recording like normal. However, the camera will save a second of footage from before you press the button, and another second from after you release it.<\/p>\n

I use 4K pre-burst in the action shooting I do, and find it really useful. It\u2019s really good for fast moments with an unpredictable subject such as a skateboarder, when you simply don\u2019t know what they\u2019re going to do next, as it means if you press the button less than a second after an amazing moment happens, you\u2019ve still got it in the bag. A second may not sound like much, but remember that the 4K video is shot at 30fps \u2013 so a second before the button and a second after it is a total of 60 frames to play with! It just gives you a bit of leeway either way, which is really handy.<\/p>\n

Whichever mode you use to capture the footage, once you\u2019re done, the camera will allow you to look through the frames and select the one that you want to keep.<\/p>\n

When to use regular burst<\/h2>\n

Of course, 4K burst modes won\u2019t be suited to every situation. Remember that the final image produced will only be 8MP, so if you\u2019re going to need to crop in because you\u2019re at a distance from your subject, or you intend to make large prints of your images, then you\u2019re best off using the standard burst mode for the extra resolution.<\/p>\n

The other main situation where you may want to avoid 4K burst mode and stick with regular is if you don\u2019t have enough light. Freezing a subject at these high frame rates requires quite a high shutter speed, and if you don\u2019t have enough light you won\u2019t be able to correctly expose. Of course, there are solutions if you want to stick with the 4K mode \u2013 you could fire an off-camera flash or use a constant external light source.<\/p>\n\t\t

\n\t\t\t\"Panasonic-fast-action-8fps\"\t\t\t

The Panasonic G7 shoots stills at a maximum of 8fps<\/p>\n\t\t<\/div>\n\t\t\n

Tracking subjects<\/h2>\n

When using burst modes \u2013 whichever kind \u2013 you need to be able to track your subject. For me in my work, this involves getting to know my subjects before I\u2019m shooting. If I\u2019m shooting a surfer, I observe their style of surfing, so if they\u2019re moving across a wave I\u2019ll pay attention to the sections of the wave they hit and how their body moves and reacts, as well as the kind of movements they make before doing something spectacular likea jump. Whatever action you shoot, the same principles apply: pay attention to your subject.<\/p>\n

Getting a feel for how your burst mode works takes practice. When I\u2019ve been shooting with a camera all morning, I get to know how fast it shoots and get the rhythm of its burst in my head, meaning I know the exact right moment to press the button in order to have my surfer or skater at the height of his jump during one of my frames. This is something you\u2019ve just got to practise.<\/p>\n\t\t

\n\t\t\t\"Panasonic-fast-action-4K-pre-burst\"\t\t\t

4K pre-burst is useful if your subject does something unexpected<\/p>\n\t\t<\/div>\n\t\t\n

Picking the right camera<\/h2>\n

Gear-wise you\u2019ve got a lot of flexibility. You could get away with using some of the new compacts such as the TZ100 \u2013 I\u2019ve been shooting with it recently and can say it\u2019s a fabulous little camera. It\u2019s got 4K burst modes, and is great to give yourself a taster for 4K.<\/p>\n

For the optimal action shooting set-up, though, I\u2019d be leaning more towards something like a G7, which is available for really quite an affordable price at the moment and gives you the option of getting more lenses with it, allowing your kit to develop with you.<\/p>\n

If you\u2019ve got the money and you want to take things further then there\u2019s the GH4, but don\u2019t discount the GX8, which has excellent resolution and to me seems to be a little better in low light than both the GH4 and the G7. Try them if you can, to find what works for you.<\/p>\n

I get all my kit at Carmarthen Cameras, my local camera shop. I really believe in supporting local retailers and the guys there have bent over backwards to accommodate me over the years.<\/p>\n\t\t

\n\t\t\t\"Panasonic-fast-action-regular-burst\"\t\t\t

If you’re at a distance from the action, use regular burst and crop in<\/p>\n\t\t<\/div>\n\t\t\n

Steven\u2019s kit list<\/h2>\n

In order to capture sports and action as effectively as possible, Steven has built up a collection of kit that\u2019s suitable for his every need. Here\u2019s what he uses:<\/p>\n\"Panasonic-fast-action-Steven-Clarey\"\n

CAMERA<\/strong> Panasonic GH4.<\/p>\n

LENSES<\/strong> Kowa 12mm f\/1.8, Kowa 25mm f\/1.8, Kowa 8.5mm f\/2.8, Kowa 500mm, Panasonic 14-140mm, Panasonic 7-14mm, Panasonic 100-300mm.<\/p>\n

\u2018I use the Kowa lenses as the optical quality is awesome. They also have a manual aperture ring, which has the option of no clicks between the stops \u2013 great for filming, too. I really like using manual lenses, you really have to concentrate on getting your focus right and I\u2019m into it. Panasonic lenses \u2013 the 7-14mm is a great bit of kit, I find this lens particularly good for action and sports as it\u2019s really wide. The 14-140mm is my \u201crun and gun\u201d lens for when I\u2019m filming motorsports. It gives me a good focus range and has me pretty much covered for anything. I use the 100-300mm for my surfing stuff, but I\u2019ve also used it for motorcross and had some good results.\u2019<\/p>\n

TRIPOD<\/strong> Benro C2573FS4 Video Tripod Kit.<\/p>\n

\u2018I used to carry around a really heavy film tripod, which was a nightmare. It was really sturdy, but when I was out filming surfing it was always a chore carrying it around everywhere with me. The Benro kit is super-light, good value for money and the build quality is fantastic. I\u2019ve given the Benro a beating since I\u2019ve had it and haven\u2019t managed to break it yet. Which is good \u2013 shooting action can mean you break a lot of stuff.\u2019<\/p>\n

FLASH<\/strong> Nissin i40 with Hahnel Captur system triggers.<\/p>\n

\u2018The Nissin i40 is a great flash \u2013 probably the best bang for your buck out there. I mostly shoot it off-camera at skateparks and out and about shooting athletes in the street. I team it up with the Hahnel Captur system because they just work – they’re a good no-hassle product. I’ve tried some other flash triggers out there and they were not only a nightmare to use but they also killed batteries.’<\/p>\n\n","protected":false},"excerpt":{"rendered":"

Panasonic\u2019s Micro Four Thirds cameras offer a multitude of ways of capturing fast action with burst modes. Sport shooter Steven Clarey explains how to do it<\/p>\n","protected":false},"author":323,"featured_media":73009,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[371],"tags":[],"product-category":[],"class_list":["post-73005","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-camera_skills"],"yoast_head":"\nMaster your camera: shooting fast action with Panasonic Micro Four Thirds cameras - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"Panasonic\u2019s Micro Four Thirds cameras offer a multitude of ways of capturing fast action with burst modes. 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