{"id":75334,"date":"2016-05-10T08:54:42","date_gmt":"2016-05-10T07:54:42","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/?p=75334"},"modified":"2016-05-10T09:33:51","modified_gmt":"2016-05-10T08:33:51","slug":"unseen-royal-photo-album-uncovered-painting-light-showcase","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/latest\/photo-news\/unseen-royal-photo-album-uncovered-painting-light-showcase\/","title":{"rendered":"\u2018Unseen\u2019 royal photo album uncovered for Painting with Light showcase"},"content":{"rendered":"<p><em>HRH Princess Alexandra, HRH Princess Victoria &amp; Mr Savile, &#8216;Two\u2019s company and three\u2019s none&#8217; in<br \/>\n&#8216;Tableaux Vivants Devonport&#8217; c1892-1893, by unknown photographer <\/em>[Courtesy, Wilson Centre for Photography]<\/p>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-75337\" src=\"\/wp-content\/uploads\/2016\/05\/Twos-Company-Threes-None.web_.jpg\" alt=\"MAN276863 Two's Company, Three's None, c.1892 (oil on panel) by Stone, Marcus (1840-1921); 31.1x51.6 cm; Manchester Art Gallery, UK; REPRODUCTION PERMISSION REQUIRED; English, out of copyright PLEASE NOTE: The Bridgeman Art Library works with the owner of this image to clear permission. If you wish to reproduce this image, please inform us so we can clear permission for you.\" width=\"960\" height=\"581\" srcset=\"https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2016\/05\/Twos-Company-Threes-None.web_.jpg 960w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2016\/05\/Twos-Company-Threes-None.web_.jpg?resize=300,182 300w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2016\/05\/Twos-Company-Threes-None.web_.jpg?resize=630,381 630w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2016\/05\/Twos-Company-Threes-None.web_.jpg?resize=900,545 900w, https:\/\/other.kelsey.host\/amateurphotographer\/wp-content\/uploads\/sites\/16\/2016\/05\/Twos-Company-Threes-None.web_.jpg?resize=562,340 562w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/>\n<p><em>Two\u2019s Company, Three\u2019s None 1892 by Marcus Stone <\/em>[Courtesy, Manchester Art Gallery]<\/p>\n<p>The exhibition, called Painting with Light: Art and Photography from the Pre-Raphaelites to the Modern Age, examines the \u2018dynamic dialogue\u2019 between British painters and photographers.<\/p>\n<p>Spanning over 70 years and featuring more than 200 works, the show \u2013 which opens at Tate Britain in London on 11 May \u2013 includes the work of David Octavius Hill and Robert Adamson, whose work first explored movement and illumination.<\/p>\n<p>Carol Jacobi, the museum\u2019s curator of British Art 1850-1915, said: \u2018Painting with Light offers new insights into Britain\u2019s most popular artists and reveals just how vital painting and photography were to one another.<\/p>\n<p>\u2018Their conversations were at the heart of the artistic achievements of the Victorian and Edwardian era.\u2019<\/p>\n<p>Highlights are expected to include examples of three-dimensional photography, where models and props were used to create dramatic tableaux from well-known artworks of the period.<\/p>\n<p>The gallery adds: \u2018Such stereographs were widely disseminated and made art more accessible to the public, often being used as a form of after-dinner entertainment for middle class Victorian families.<\/p>\n<p>\u2018A previously unseen private album in which the royal family painstakingly re-enacted famous paintings is also exhibited, as well as rare examples of early colour photography.\u2019<\/p>\n<p>The exhibition also looks at the role of women photographers, such as Julia Margaret Cameron.<\/p>\n<p>In a statement, Tate Britain added: \u2018The dawn of photography coincided with a tide of revolutionary ideas in the arts, which questioned how pictures should be created and seen.<\/p>\n<p>\u2018Photography adapted the Old Master traditions within which many photographers had been trained, and engaged with the radical naturalism of JMW Turner (1775-1851), the Pre-Raphaelites, and their Realist and Impressionist successors.<\/p>\n<p>\u2018Turner inspired the first photographic panoramic views, and, in the years that followed his death, photographers and painters followed in his footsteps and composed novel landscapes evoking meaning and emotion.\u2019<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A \u2018previously unseen\u2019 photo album revealing members of the royal family recreating scenes from famous paintings, stars in an exhibition that explores the relationship between paintings and early photography.<\/p>\n","protected":false},"author":324,"featured_media":75338,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39],"tags":[],"product-category":[],"class_list":["post-75334","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photo-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.8 (Yoast SEO v26.8) - 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