{"id":8009,"date":"2013-10-29T09:30:00","date_gmt":"2013-10-29T09:30:00","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/uncategorized\/apoy-2013-round-ten-under-the-weather-8009"},"modified":"2014-09-02T13:00:37","modified_gmt":"2014-09-02T12:00:37","slug":"apoy-2013-round-ten-under-the-weather","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/apoy\/apoy-2013-round-ten-under-the-weather\/","title":{"rendered":"APOY 2013 Round Ten – Under the Weather"},"content":{"rendered":"

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APOY 2013 Round Ten – Under the Weather<\/p>\n<\/h2>\n

Please visit the APOY 2013<\/a><\/strong> home page to find all the rules for entry, terms and conditions, the APOY ENTRY EMAIL ADDRESS<\/strong>, and the disclaimers that must be copied and pasted into an email entry. <\/p>\n

Entries must be received by 5pm on 29 November 2013<\/strong><\/p>\n


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Round 10 of this year’s Amateur Photographer of the Year
\ncompetition is Under the Weather (autumn and winter weather). It can be all too
\neasy to let the cold weather get you down. As summer slips into autumn, the
\ntemperature drops and people huddle in front of the fire. However, any
\nphotographer worth his or her salt will see the weather as a challenge, throw on
\na scarf and face the elements, camera in hand. Some of the most striking
\nlocation shots can be found in the autumn and winter, so we want to see what
\nyou can find on your travels. Just remember to wrap up warm.<\/p>\n


\n
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We have thousands of pounds’ worth of fantastic Panasonic<\/strong>
\ncamera equipment up for grabs, as well as the chance to be crowned Amateur
\nPhotographer of the Year 2013. The closing date for round 10 is 29 November
\n2013. First prize is a Panasonic Lumix DMC-G6 plus Lumix G Vario 14-42mm
\nf\/3.5-5.6 Asph Mega OIS and Panasonic Lumix G Vario 100-300mm f\/4-5.6 Mega OIS
\nlenses, worth a total of \u00a31,179.98. Second prize is a Panasonic Lumix DMC-GF6
\nwith Lumix G Vario 14-42mm f\/3.5-5.6 Asph Mega OIS lens, worth \u00a3499.99. Third
\nprize is a Panasonic Lumix DMC-LF1 worth \u00a3379.99. That’s a prize package worth
\nmore than \u00a32,000! The top 30 photographs will be published in our 21-28
\nDecember issue, while the scores from the top 50 images will be posted on our
\nwebsite.<\/p>\n

How to enter<\/strong><\/p>\n

Please visit the APOY 2013<\/a><\/strong> home page for information explaining how to enter. Please use your full name as the file name and paste
\nthe disclaimer into the body of your email if you are sending your entry to us
\nelectronically. We also need to know where and how you took your image, plus
\nthe camera and lens used with aperture and focal-length details. Remember to
\ninclude a telephone number and your postal address so we can contact you if you
\nwin. <\/p>\n

<\/img>Photo by Aindreas Lynch
\n<\/em><\/p>\n


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It’s a very British thing to complain about the weather.
\nWhen it’s hot, it’s too hot. When it’s cold, it’s freezing. However, there is a
\nsmall section of society that craves the extremes: the photographer. As a
\nphotographer, you must be adaptable and willing to keep your eyes open to any
\npossibility. Extraordinary scenes don’t all have to be shot in bright natural
\nlight. As we mentioned on the previous page, autumn and winter can offer the
\nphotographer some genuinely beautiful and atmospheric scenes. Rain, snow, mist
\nand even the dreaded hail can give your photography a dramatic edge. But don’t
\njust think in terms of landscapes – your images can be taken anywhere, as
\nyou’ll see by our tips and suggestions. <\/p>\n

The urban environment can offer as much to these
\ntypes of images as any lush vista or mountain range. You should know by now,
\nand as evidenced from previous APOY rounds, that there are fascinating scenes
\nand subjects at every turn. You can shoot anywhere you want and focus on any
\nsubject you wish, just so long as the autumn or winter weather plays a part.
\nAnd let’s face it, the weather is likely to be pretty dire over the next few
\nmonths so you may as well get used to it, put your eye to the viewfinder and
\nsnap away. <\/p>\n


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<\/img>
\nFirst Prize<\/strong>
\nThe first-prize winner will receive a Panasonic Lumix DMC-G6
\nwith Lumix G Vario 14-42mm f\/3.5-5.6 Asph Mega OIS and Lumix G Vario 100-300mm
\nf\/4-5.6 Mega OIS lenses worth a total of \u00a31,179.98. The G6 is a digital
\nsingle-lens mirrorless camera with a 16.05-million-pixel, micro four thirds,
\nLive MOS sensor. It has 7fps high-speed continuous shooting, a 3in,
\n1.036-million-dot TFT LCD with Touch monitor, and a 1.44-million-dot OLED EVF.
\nOther features include full HD (1920×1080-pixel) video at 50p (50Hz) in AVCHD
\nProgressive and MP4 format, plus Wi-Fi connectivity with NFC technology. The
\nLumix G Vario 100-300mm f\/4-5.6 Mega OIS lens incorporates Panasonic’s Mega OIS
\n(Optical Image Stabilizer), which aids shooting in low-light conditions without
\na tripod by suppressing the blur caused by camera shake. The lens uses
\nmulti-coated elements that reduce ghosting and flare, helping to deliver a high
\noptical performance.<\/p>\n


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<\/img>Second Prize<\/strong>
\nThe second-prize winner will receive a Panasonic Lumix
\nDMC-GF6 with Lumix G Vario 14-42mm f\/3.5-5.6 Asph Mega OIS lens worth \u00a3499.99.
\nThe 16-million-pixel GF6 has a Live MOS sensor and Venus Engine featuring an
\nadvanced noise-reduction system. It also boasts quick start-up and Light Speed
\nAF, making it possible to capture fast-moving subjects clearly. Other features
\ninclude creative panorama and creative control with 19 filter effects, Wi-Fi
\nconnectivity with NFC technology and full HD (1920×1080-pixel) video with
\nstereo sound.<\/p>\n


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\n<\/strong>
\n<\/img>Third Prize<\/strong>
\nThe third-prize winner will receive a Panasonic Lumix
\nDMC-LF1 worth \u00a3379.99. The pocket-sized LF1 compact has a 1\/1.7in,
\n12.1-million-pixel High Sensitivity MOS sensor and 28mm wideangle Leica DC
\nVario-Summicron lens with 7.1x optical zoom (35mm equivalent of 28-200mm).<\/p>\n

It
\nalso boasts a 0.2in EVF with 200,000-dot resolution and 100% field of view, Wi-Fi
\nconnectivity with NFC technology and a 3in, 920,000-dot TFT LCD. Other features
\ninclude an ISO range of 80-12,800, full HD video and 10fps burst mode.<\/p>\n


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<\/p>\n

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Here are some
\ntips and suggestions to help you get started<\/p>\n<\/h2>\n


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Why not try…<\/h3>\n

\n<\/img>Photo by Paul Broadbent<\/em><\/p>\n

Weather Conditions<\/strong>
\nAs already stated, it isn’t just spring and summer
\nconditions that can make great images. Autumn and winter have their own unique
\ncharms. For example, the rusty brown of autumn leaves can offer you a beautiful
\nforeground that leads into the mist-enshrouded skeletal woodland that lays
\nbeyond. Or you could take the approach of Paul Broadbent (above). His shot says
\nso much about winter. Playing in the snow when you’re a child is one of the
\nmost exciting things in the world and here we see our subject with one of the
\ngreatest inventions known to man – the sledge. It’s a nicely composed image
\nthat makes great use of the mist in the background to ensure that the main
\nsubject stands out in the foreground. The fact that the subject is such an
\nengaging one makes the image all the more special.
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<\/img>
\nPhoto by Martin Greskovic<\/em>
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\nSomething Different <\/strong>
\nThe image we see here from Martin Greskovic is most
\ndefinitely an usual one. It’s a subtle look at the themes we are exploring in
\nthis round and functions on a very abstract level. However, we can clearly see
\nwhere he is coming from. We can assume that the surface we are seeing is either
\na window in his home or a pane of glass in his greenhouse. The rain clinging to
\nthe glass throws the branches beyond out of focus. The sepia tone caps it off
\nby giving it an unusual timeless quality.
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\n<\/strong> <\/p>\n

<\/img>Photo by Dan Deakin<\/em>
\n
\nIn the City<\/strong>
\nThe city is an environment that is as fascinating, inspiring
\nand visually engaging as any natural landscape. That’s why we often find
\nourselves drawn to having a city-based round in each APOY year. Here we see
\nthat APOY regular Dan Deakin understands that rain and bad weather can find an
\naesthetic application with the urban environment. His stark tonal range helps
\nto emphasise the torrential downpour. The fact that one of the children is on a
\nbike and the other on a scooter adds to the sense of urgency that they really
\nwant to get out of the rain and into the dry. It’s a subtle effect, and
\npossibly accidental, but even the slightly off-kilter camera angle works. It’s
\nan image to learn from then.
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Please visit the APOY 2013<\/a><\/strong> home page to find all the rules for entry, terms and conditions, the APOY ENTRY EMAIL ADDRESS<\/strong>, and the disclaimers that must be copied and pasted into an email entry. <\/p>\n

Entries must be received by 5pm on 29 November 2013<\/p>\n

<\/strong><\/p>\n

<\/img><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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