Portsmouth<\/h2>\nDoug Chinnery<\/h3>\n\t\t\n\t\t\t![\"Landscape](\"\/wp-content\/uploads\/2016\/07\/LPOTY-Portsmouth-Doug-Chinnery.jpg\")
\t\t\tImage by Doug Chinnery<\/p>\n\t\t<\/div>\n\t\t\n
A cohesive relationship between sky and land is pivotal to the success of an image. You instantly react to this picture by seeing that it works because the lone cloud is positioned exactly over the building, and the black & white treatment removes distraction and makes you focus on the key elements. Simplicity can be very effective.<\/p>\n
Rocquaine Bay<\/h2>\nTim Harvey<\/h3>\n\t\t\n\t\t\t![\"Landscape](\"\/wp-content\/uploads\/2016\/07\/LPOTY-Rocquaine-Bay-Tim-Harvey.jpg\")
\t\t\tImage by Tim Harvey<\/p>\n\t\t<\/div>\n\t\t\n
Images of British weather don\u2019t have to be overly dramatic, but in this case Tim\u2019s image of huge waves battering the Guernsey coast certainly is, and reflects the storms we have seen over the past decade. The feeling of human helplessness against the forces of nature is palpable, whereas the birds are able to ride the storm with ease.<\/p>\n
The New Forest<\/h2>\nDavid Baker<\/h3>\n\t\t\n\t\t\t![\"Landscape](\"\/wp-content\/uploads\/2016\/07\/LPOTY-The-New-Forest-David-Baker.jpg\")
\t\t\tImage by David Baker<\/p>\n\t\t<\/div>\n\t\t\n
It is not possible to talk about British weather without mentioning mist. A dawn mist simplifies a landscape and can hide extraneous details and focus attention. David visited a nearby woodland on a number of occasions to create a series of images. The monochrome conversion creates a scene that would not be out of place in The Lord of the Rings.<\/p>\n
Winter on Rannoch Moor<\/h2>\nWilco Dragt<\/h3>\n\t\t\n\t\t\t![\"LPOTY](\"\/wp-content\/uploads\/2016\/07\/LPOTY-Winter-on-Rannoch-Moor-Wilco-Dragt.jpg\")
\t\t\tImage by Wilco Dragt<\/p>\n\t\t<\/div>\n\t\t\n
There is no doubt that the British weather frequently fails to comply with one\u2019s wishes, but a bit of lateral thinking can often result in a successful trip. When the weather is dull and the sky has little interest, intimate, detailed views become miniature landscapes in their own right. This image of ice patterns is fascinating, and the ambiguous sense of scale draws in the viewer. The sweeping curves form an interesting juxtaposition with the little lines formed in the ice by the freezing process.<\/p>\n
Storm over Scroby Sands Wind Farm<\/h2>\nJon Gibbs<\/h3>\n\t\t\n\t\t\t![\"LPOTY](\"\/wp-content\/uploads\/2016\/07\/LPOTY-Storm-over-Scroby-Sands-Wind-Farm-Jon-Gibbs.jpg\")
\t\t\tImage by Jon Gibbs<\/p>\n\t\t<\/div>\n\t\t\n
Jon\u2019s image of a wind farm off the Norfolk coast was our first overall winner back in 2007, and a very memorable one. Weather conditions can be extremely localised, so it can be rewarding to previsualise an image close to where you live, so you can react quickly when you see the perfect light approaching, as Jon did. The concept here is strong, with the two power sources combining to result in a striking effect.<\/p>\n
Rannoch Moor<\/h2>\nDavid Mould<\/h3>\n\t\t
\t\t\tImage by Doug Chinnery<\/p>\n\t\t<\/div>\n\t\t\n
A cohesive relationship between sky and land is pivotal to the success of an image. You instantly react to this picture by seeing that it works because the lone cloud is positioned exactly over the building, and the black & white treatment removes distraction and makes you focus on the key elements. Simplicity can be very effective.<\/p>\n
Rocquaine Bay<\/h2>\nTim Harvey<\/h3>\n\t\t\n\t\t\t\t\t\tImage by Tim Harvey<\/p>\n\t\t<\/div>\n\t\t\n
Images of British weather don\u2019t have to be overly dramatic, but in this case Tim\u2019s image of huge waves battering the Guernsey coast certainly is, and reflects the storms we have seen over the past decade. The feeling of human helplessness against the forces of nature is palpable, whereas the birds are able to ride the storm with ease.<\/p>\n
The New Forest<\/h2>\nDavid Baker<\/h3>\n\t\t\n\t\t\t\t\t\tImage by David Baker<\/p>\n\t\t<\/div>\n\t\t\n
It is not possible to talk about British weather without mentioning mist. A dawn mist simplifies a landscape and can hide extraneous details and focus attention. David visited a nearby woodland on a number of occasions to create a series of images. The monochrome conversion creates a scene that would not be out of place in The Lord of the Rings.<\/p>\n
Winter on Rannoch Moor<\/h2>\nWilco Dragt<\/h3>\n\t\t\n\t\t\t\t\t\tImage by Wilco Dragt<\/p>\n\t\t<\/div>\n\t\t\n
There is no doubt that the British weather frequently fails to comply with one\u2019s wishes, but a bit of lateral thinking can often result in a successful trip. When the weather is dull and the sky has little interest, intimate, detailed views become miniature landscapes in their own right. This image of ice patterns is fascinating, and the ambiguous sense of scale draws in the viewer. The sweeping curves form an interesting juxtaposition with the little lines formed in the ice by the freezing process.<\/p>\n
Storm over Scroby Sands Wind Farm<\/h2>\nJon Gibbs<\/h3>\n\t\t\n\t\t\t\t\t\tImage by Jon Gibbs<\/p>\n\t\t<\/div>\n\t\t\n
Jon\u2019s image of a wind farm off the Norfolk coast was our first overall winner back in 2007, and a very memorable one. Weather conditions can be extremely localised, so it can be rewarding to previsualise an image close to where you live, so you can react quickly when you see the perfect light approaching, as Jon did. The concept here is strong, with the two power sources combining to result in a striking effect.<\/p>\n
Rannoch Moor<\/h2>\nDavid Mould<\/h3>\n\t\t
\t\t\tImage by Tim Harvey<\/p>\n\t\t<\/div>\n\t\t\n
Images of British weather don\u2019t have to be overly dramatic, but in this case Tim\u2019s image of huge waves battering the Guernsey coast certainly is, and reflects the storms we have seen over the past decade. The feeling of human helplessness against the forces of nature is palpable, whereas the birds are able to ride the storm with ease.<\/p>\n
The New Forest<\/h2>\nDavid Baker<\/h3>\n\t\t\n\t\t\t\t\t\tImage by David Baker<\/p>\n\t\t<\/div>\n\t\t\n
It is not possible to talk about British weather without mentioning mist. A dawn mist simplifies a landscape and can hide extraneous details and focus attention. David visited a nearby woodland on a number of occasions to create a series of images. The monochrome conversion creates a scene that would not be out of place in The Lord of the Rings.<\/p>\n
Winter on Rannoch Moor<\/h2>\nWilco Dragt<\/h3>\n\t\t\n\t\t\t\t\t\tImage by Wilco Dragt<\/p>\n\t\t<\/div>\n\t\t\n
There is no doubt that the British weather frequently fails to comply with one\u2019s wishes, but a bit of lateral thinking can often result in a successful trip. When the weather is dull and the sky has little interest, intimate, detailed views become miniature landscapes in their own right. This image of ice patterns is fascinating, and the ambiguous sense of scale draws in the viewer. The sweeping curves form an interesting juxtaposition with the little lines formed in the ice by the freezing process.<\/p>\n
Storm over Scroby Sands Wind Farm<\/h2>\nJon Gibbs<\/h3>\n\t\t\n\t\t\t\t\t\tImage by Jon Gibbs<\/p>\n\t\t<\/div>\n\t\t\n
Jon\u2019s image of a wind farm off the Norfolk coast was our first overall winner back in 2007, and a very memorable one. Weather conditions can be extremely localised, so it can be rewarding to previsualise an image close to where you live, so you can react quickly when you see the perfect light approaching, as Jon did. The concept here is strong, with the two power sources combining to result in a striking effect.<\/p>\n
Rannoch Moor<\/h2>\nDavid Mould<\/h3>\n\t\t
\t\t\tImage by David Baker<\/p>\n\t\t<\/div>\n\t\t\n
It is not possible to talk about British weather without mentioning mist. A dawn mist simplifies a landscape and can hide extraneous details and focus attention. David visited a nearby woodland on a number of occasions to create a series of images. The monochrome conversion creates a scene that would not be out of place in The Lord of the Rings.<\/p>\n
Winter on Rannoch Moor<\/h2>\nWilco Dragt<\/h3>\n\t\t\n\t\t\t\t\t\tImage by Wilco Dragt<\/p>\n\t\t<\/div>\n\t\t\n
There is no doubt that the British weather frequently fails to comply with one\u2019s wishes, but a bit of lateral thinking can often result in a successful trip. When the weather is dull and the sky has little interest, intimate, detailed views become miniature landscapes in their own right. This image of ice patterns is fascinating, and the ambiguous sense of scale draws in the viewer. The sweeping curves form an interesting juxtaposition with the little lines formed in the ice by the freezing process.<\/p>\n
Storm over Scroby Sands Wind Farm<\/h2>\nJon Gibbs<\/h3>\n\t\t\n\t\t\t\t\t\tImage by Jon Gibbs<\/p>\n\t\t<\/div>\n\t\t\n
Jon\u2019s image of a wind farm off the Norfolk coast was our first overall winner back in 2007, and a very memorable one. Weather conditions can be extremely localised, so it can be rewarding to previsualise an image close to where you live, so you can react quickly when you see the perfect light approaching, as Jon did. The concept here is strong, with the two power sources combining to result in a striking effect.<\/p>\n
Rannoch Moor<\/h2>\nDavid Mould<\/h3>\n\t\t
\t\t\tImage by Wilco Dragt<\/p>\n\t\t<\/div>\n\t\t\n
There is no doubt that the British weather frequently fails to comply with one\u2019s wishes, but a bit of lateral thinking can often result in a successful trip. When the weather is dull and the sky has little interest, intimate, detailed views become miniature landscapes in their own right. This image of ice patterns is fascinating, and the ambiguous sense of scale draws in the viewer. The sweeping curves form an interesting juxtaposition with the little lines formed in the ice by the freezing process.<\/p>\n
Storm over Scroby Sands Wind Farm<\/h2>\nJon Gibbs<\/h3>\n\t\t\n\t\t\t\t\t\tImage by Jon Gibbs<\/p>\n\t\t<\/div>\n\t\t\n
Jon\u2019s image of a wind farm off the Norfolk coast was our first overall winner back in 2007, and a very memorable one. Weather conditions can be extremely localised, so it can be rewarding to previsualise an image close to where you live, so you can react quickly when you see the perfect light approaching, as Jon did. The concept here is strong, with the two power sources combining to result in a striking effect.<\/p>\n
Rannoch Moor<\/h2>\nDavid Mould<\/h3>\n\t\t
\t\t\tImage by Jon Gibbs<\/p>\n\t\t<\/div>\n\t\t\n
Jon\u2019s image of a wind farm off the Norfolk coast was our first overall winner back in 2007, and a very memorable one. Weather conditions can be extremely localised, so it can be rewarding to previsualise an image close to where you live, so you can react quickly when you see the perfect light approaching, as Jon did. The concept here is strong, with the two power sources combining to result in a striking effect.<\/p>\n
![\"LPOTY](\"\/wp-content\/uploads\/2016\/07\/LPOTY-Rannoch-Moor-David-Mould.jpg\")
\t\t\t![\"LPOTY](\"\/wp-content\/uploads\/2016\/07\/LPOTY-Langport-Somerset-Tony-Gill.jpg\")
\t\t\t![\"LPOTY](\"\/wp-content\/uploads\/2016\/07\/LPOTY-Loch-Tulla-Fortunato-Gatto.jpg\")
\t\t\t![\"LPOTY](\"\/wp-content\/uploads\/2016\/07\/LPOTY-Edinburgh-Bill-Terrance.jpg\")
\t\t\t![\"LPOTY](\"\/wp-content\/uploads\/2016\/07\/LPOTY-logos.jpg\")
\n","protected":false},"excerpt":{"rendered":"