{"id":96138,"date":"2016-09-27T12:34:11","date_gmt":"2016-09-27T11:34:11","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/?p=96138"},"modified":"2016-10-25T10:56:45","modified_gmt":"2016-10-25T09:56:45","slug":"apoy-2016-round-8-blackout-black-white","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/apoy\/apoy-2016-round-8-blackout-black-white\/","title":{"rendered":"APOY 2016 Round 8: Blackout – Black & White"},"content":{"rendered":"\"APOY\n

APOY 2016 Round 8: Blackout – Black & White<\/h1>\n

***Please visit the APOY 2016 home page<\/a><\/strong> to find all the rules for entry, terms and conditions, the APOY ENTRY EMAIL ADDRESS<\/strong> and the disclaimers that must be copied and past into an email entry. This round is Black & White<\/p>\n

Entries <\/strong>must be received midnight (UK time) on 30 October 2016 <\/strong><\/h2>\n

The final round of APOY 2016 is Blackout, where we want to see your best black & white images. Black & white has always proved popular, not just in APOY but in Amateur Photographer generally. When we remove colour from the equation, the rules of composition, framing and lighting shift their parameters and require the photographer (and viewer) to see the world in a vastly different way.<\/p>\n\n\t\t

\n\t\t\t\"Black\t\t\t

Black & White. Photo by Pawel Pentlinowski<\/p>\n\t\t<\/div>\n\t\t\n

Many photographers who work exclusively in black & white maintain that colour is a distraction in a photograph. Remove it and the viewer is free to focus on the graphic elements of an image: angles, shapes, lines and textures. Light is the other key factor here. When black & white and atmospheric lighting combine, the power of an image can seem all-enveloping. You\u2019d do well to look at some of the greatest images of the masters of black & white photography, such as Andr\u00e9 Kert\u00e9sz, Bill Brandt, Michael Kenna and Sebasti\u00e3o Salgado. Turn the page for some tips and ideas.<\/p>\n

This month\u2019s prize<\/h1>\n

Win a Sigma<\/a> 24-105mm F4 DG OS HSM Art lens, an 82mm WR Circular Polarising filter and Sigma USB dock<\/p>\n\"APOY<\/a>\n

The winner of APOY round eight will receive a Sigma<\/a> 24-105mm F4 DG HSM Art lens, an 82mm WR Circular Polarising filter and a Sigma USB Dock \u2013 a prize total worth \u00a31,004.97.<\/p>\n

The Sigma 24-105mm F4 covers the basic shooting range from wide to mid-telephoto. Moreover, its constant aperture of F4, OS (Optical Stabilizer) and HSM (Hyper Sonic Motor) enhance the usability of the lens. It is ideal for portraits, landscapes and general photography. This lens incorporates an OS system that offers superior stabilisation, making it possible to compensate for camera shake even in macro photography. The wide zoom ring of the lens ensures convenient handling. Putting the zoom ring in front allows the lens barrel to be more compact. The inner focusing system eliminates front lens rotation, enhancing the stability of the lens and allowing use of Circular Polarising filters, one of which you will also receive. That\u2019s as well as a Sigma USB Dock, which allows you to update your lens\u2019s firmware.<\/p>\n

A few tips to set you on your way to shooting monochrome images<\/h1>\n

Visualisation<\/h2>\n\t\t
\n\t\t\t\"Black\t\t\t

Visualisation. Photo by Aaron Bennett<\/p>\n\t\t<\/div>\n\t\t\n

The key to great images is to think about how colour translates into tone. Notice the tones in the scene and the proportion of shadows and highlights.<\/p>\n

Patterns and Textures<\/h2>\n\t\t
\n\t\t\t\"Black\t\t\t

Patterns and Textures. Photo by Aaron Bennett<\/p>\n\t\t<\/div>\n\t\t\n

When colour is removed, a scene can look flat if there\u2019s nothing of interest to see. Since you can\u2019t rely on bold colours for impact, you could always try incorporating textures and patterns into your image.<\/p>\n

Atmosphere<\/h2>\n\t\t
\n\t\t\t\"Black\t\t\t

Atmosphere. Photo by Nick Nunn<\/p>\n\t\t<\/div>\n\t\t\n

Black & White can be used to create real atmosphere at the right event and location. Nicky Nunn\u2019s image taken during a boxing match is a perfect example of how mood in monochrome can be captured.<\/p>\n

Silhouettes<\/h2>\n\t\t
\n\t\t\t\"Black\t\t\t

Silhouettes. Photo by Jean Jameson<\/p>\n\t\t<\/div>\n\t\t\n

Exposing for the highlights can create a striking image. This is particularly effective if you\u2019re looking to achieve black & white silhouettes. Just make sure your subject has a defined shape.<\/p>\n\n

Entries <\/strong>must be received midnight (UK time) on 30 October 2016 <\/strong><\/h2>\n

***Please visit the APOY 2016 home page<\/a><\/strong> to find all the rules for entry, terms and conditions, the APOY ENTRY EMAIL ADDRESS<\/strong> and the disclaimers that must be copied and past into an email entry.<\/p>\n\"APOY<\/a>\n

<\/h3>\n","protected":false},"excerpt":{"rendered":"

Enter APOY 2016 Round 8: Black and White. It’s your final chance to enter this year’s competition.<\/p>\n","protected":false},"author":344,"featured_media":68109,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[55],"tags":[],"product-category":[],"class_list":["post-96138","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-apoy"],"yoast_head":"\nAPOY 2016 Round 8: Blackout - Black & White - Amateur Photographer<\/title>\n<meta name=\"description\" content=\"Take part and enter the final round of APOY 2016: Blackout - Black & White. 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