Youth Winner, My USA<\/h2>\n\t\t\n\t\t\t![\"Raiatea](\"\/wp-content\/uploads\/2016\/12\/Raiatea-Arcuri-Halema-umau-Crater.jpg\")
\t\t\tSony Alpha 7S, 24mm, 20secs at f\/2.8, ISO 500. ‘This was captured along the Kilauea Iki trail in Volcanoes National Park,\u2019 says Raiatea. \u2018I hiked down into the crater to capture some timelapse shots. However, my lenses fogged up and, disappointed, I hiked back to the top. When I got there, I was greeted by an amazing spectacle. The smoke plume coming out of the active crater looked twisted like a hurricane.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Sunrise Illuminates Mount Rainier by Alex Noriega<\/h2>\nOverall Winner, Adult<\/h2>\n\t\t\n\t\t\t![\"Alex](\"\/wp-content\/uploads\/2016\/12\/Alex-Noriega-Sunrise-Illuminates.jpg\")
\t\t\tNikon D600, 35mm, f\/11, ISO 100. ‘Mount Rainier in Washington dominates the landscape,’ says Alex. ‘I knew I wanted something with a mid ground, and not a simple mirrored reflection from the shore of a lake. I found that spot here, high above Upper Tipsoo Lake, where the trees seemed to perfectly cradle the distant mountain and display the autumn foliage.’<\/p>\n\t\t<\/div>\n\t\t\n
Fiery Sunset, Yosemite National Park, California Mark Basarab<\/h2>\nYouth Winner, Environmental Value<\/h2>\n\t\t\n\t\t\t![\"Mark](\"\/wp-content\/uploads\/2016\/12\/Mark-Basarab-Fiery-Sunset.jpg\")
\t\t\tPanasonic Lumix DMC-G5, 14mm, 1\/400sec at f\/3.5, ISO 160. \u2018When my friends and I arrived at Yosemite Park, there was actually a forest fire,\u2019 says Mark. \u2018But that didn\u2019t stop us seeing the park. On one of the days we travelled to Taft Point to see the sunset. We got there a little early so just rested until the lighting improved.. As the sun was going down it made the smoke light up in a golden hue. The model was more than willing to sit on the edge of this cliff and pose for the image you see here.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
75 Stages of Life by Jennifer Vahlbruch<\/h2>\nRunner-up, Urban<\/h2>\n\t\t\n\t\t\t![\"Jennifer](\"\/wp-content\/uploads\/2016\/12\/Jennifer-Vahlbruch-75-Stages-of-Life.jpg\")
\t\t\tNikon D810, 70-200mm, 1\/100sec at f\/5.6, ISO 100. \u2018There is a jungle of high-rise buildings in Miami, Florida,\u2019 says Jennifer. \u2018While the buildings are different, their fronts look similar. You have to look closer at the buildings to see the details. There are 75 nearly look-a-like apartment fronts here.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Mammatus Makers by Terry Koyama<\/h2>\nWinner, Environmental Value<\/h2>\n\t\t\n\t\t\t![\"Terry](\"\/wp-content\/uploads\/2016\/12\/Terry-Koyama-Mammatus-Makers.jpg\")
\t\t\tSony Alpha 7R II, 16-35mm, 1\/4sec at f\/4, ISO 100. \u2018On this day there was storm activity in Kansas,\u2019 says Terry. \u2018Mammatus clouds could be seen for miles. The view from the wind turbines was surreal. As the sun set, the sky had an otherworldly red-orange glow.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Waimea Bay Beast, Oahu, Hawaii by Terry Koyama<\/h2>\nWinner, Black & White<\/h2>\n\t\t\n\t\t\t![\"Terry](\"\/wp-content\/uploads\/2016\/12\/Terry-Koyama-Waimea-Bay-Beast.jpg\")
\t\t\tCanon EOS 5D Mark III, 200-400mm, 1\/640sec at f\/5.6, ISO 800. \u2018Although Waimea Bay was breaking, it was not an epic day compared to its big wave standards,\u2019 says Terry. \u2018But as the swells rolled into the inside there was more than enough energy to bring the shore break alive. The conditions were ideal as these enormous waves crashed on the shore producing huge explosions of white water.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Melting Glacier, Alaska by Don Jacobson<\/h2>\nHighly Commended, Environmental Value<\/h2>\n\t\t\n\t\t\t![\"Don](\"\/wp-content\/uploads\/2016\/12\/Don-Jacobson-Melting-Glacier.jpg\")
\t\t\tCanon EOS 5D Mark III, 24-105mm, 1\/320sec at f\/16, ISO 400. \u2018This photograph was taken over the Alaska Range, while travelling on-board a commercial airline,\u2019 says Don. His image takes the idea of natural leading lines to an almost epic degree. \u2018It shows a receding glacier, replaced by a huge melt-water lake,\u2019 he adds.<\/p>\n\t\t<\/div>\n\t\t\n
Canyons of New York by Robert Bolton<\/h2>\nHighly Commended, Urban<\/h2>\n\t\t\n\t\t\t![\"Canyons](\"\/wp-content\/uploads\/2016\/12\/Canyons-of-New-York-Robert-Bolton.jpg\")
\t\t\tFujifilm X-E1, 18mm, 1\/80sec at f\/2.8, ISO 200. \u2018I took a walk in midtown New York and came to the iconic Chrysler Building,\u2019 says Robert. \u2018I was struck by its reflection in the building opposite. I had no tripod so stood very still in the gutter. It wasn\u2019t until converting the image to black & white that the image fully came to life.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Endless, California by Michael Shainblum<\/h2>\nDPReview Special Award<\/h2>\n\t\t\n\t\t\t![\"Michael](\"\/wp-content\/uploads\/2016\/12\/Michael-Shainblum-Endless.jpg\")
\t\t\tCanon EOS 6D, 14mm, 25secs at f\/2.8, ISO 3200. \u2018This is a self portrait taken in the Anza-Borrego Desert,\u2019 says Michael. \u2018It was about 105\u00b0F, so after taking a few exposures I would need to shut my camera off and let the sensor cool. The sky exposures were taken on a star tracker, then I shut the tracker off to take the foreground.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Main Strike by James Menzies<\/h2>\nWinner, Classic View<\/h2>\n\t\t
\t\t\tSony Alpha 7S, 24mm, 20secs at f\/2.8, ISO 500. ‘This was captured along the Kilauea Iki trail in Volcanoes National Park,\u2019 says Raiatea. \u2018I hiked down into the crater to capture some timelapse shots. However, my lenses fogged up and, disappointed, I hiked back to the top. When I got there, I was greeted by an amazing spectacle. The smoke plume coming out of the active crater looked twisted like a hurricane.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Sunrise Illuminates Mount Rainier by Alex Noriega<\/h2>\nOverall Winner, Adult<\/h2>\n\t\t\n\t\t\t\t\t\tNikon D600, 35mm, f\/11, ISO 100. ‘Mount Rainier in Washington dominates the landscape,’ says Alex. ‘I knew I wanted something with a mid ground, and not a simple mirrored reflection from the shore of a lake. I found that spot here, high above Upper Tipsoo Lake, where the trees seemed to perfectly cradle the distant mountain and display the autumn foliage.’<\/p>\n\t\t<\/div>\n\t\t\n
Fiery Sunset, Yosemite National Park, California Mark Basarab<\/h2>\nYouth Winner, Environmental Value<\/h2>\n\t\t\n\t\t\t\t\t\tPanasonic Lumix DMC-G5, 14mm, 1\/400sec at f\/3.5, ISO 160. \u2018When my friends and I arrived at Yosemite Park, there was actually a forest fire,\u2019 says Mark. \u2018But that didn\u2019t stop us seeing the park. On one of the days we travelled to Taft Point to see the sunset. We got there a little early so just rested until the lighting improved.. As the sun was going down it made the smoke light up in a golden hue. The model was more than willing to sit on the edge of this cliff and pose for the image you see here.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
75 Stages of Life by Jennifer Vahlbruch<\/h2>\nRunner-up, Urban<\/h2>\n\t\t\n\t\t\t\t\t\tNikon D810, 70-200mm, 1\/100sec at f\/5.6, ISO 100. \u2018There is a jungle of high-rise buildings in Miami, Florida,\u2019 says Jennifer. \u2018While the buildings are different, their fronts look similar. You have to look closer at the buildings to see the details. There are 75 nearly look-a-like apartment fronts here.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Mammatus Makers by Terry Koyama<\/h2>\nWinner, Environmental Value<\/h2>\n\t\t\n\t\t\t\t\t\tSony Alpha 7R II, 16-35mm, 1\/4sec at f\/4, ISO 100. \u2018On this day there was storm activity in Kansas,\u2019 says Terry. \u2018Mammatus clouds could be seen for miles. The view from the wind turbines was surreal. As the sun set, the sky had an otherworldly red-orange glow.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Waimea Bay Beast, Oahu, Hawaii by Terry Koyama<\/h2>\nWinner, Black & White<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 5D Mark III, 200-400mm, 1\/640sec at f\/5.6, ISO 800. \u2018Although Waimea Bay was breaking, it was not an epic day compared to its big wave standards,\u2019 says Terry. \u2018But as the swells rolled into the inside there was more than enough energy to bring the shore break alive. The conditions were ideal as these enormous waves crashed on the shore producing huge explosions of white water.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Melting Glacier, Alaska by Don Jacobson<\/h2>\nHighly Commended, Environmental Value<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 5D Mark III, 24-105mm, 1\/320sec at f\/16, ISO 400. \u2018This photograph was taken over the Alaska Range, while travelling on-board a commercial airline,\u2019 says Don. His image takes the idea of natural leading lines to an almost epic degree. \u2018It shows a receding glacier, replaced by a huge melt-water lake,\u2019 he adds.<\/p>\n\t\t<\/div>\n\t\t\n
Canyons of New York by Robert Bolton<\/h2>\nHighly Commended, Urban<\/h2>\n\t\t\n\t\t\t\t\t\tFujifilm X-E1, 18mm, 1\/80sec at f\/2.8, ISO 200. \u2018I took a walk in midtown New York and came to the iconic Chrysler Building,\u2019 says Robert. \u2018I was struck by its reflection in the building opposite. I had no tripod so stood very still in the gutter. It wasn\u2019t until converting the image to black & white that the image fully came to life.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Endless, California by Michael Shainblum<\/h2>\nDPReview Special Award<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 6D, 14mm, 25secs at f\/2.8, ISO 3200. \u2018This is a self portrait taken in the Anza-Borrego Desert,\u2019 says Michael. \u2018It was about 105\u00b0F, so after taking a few exposures I would need to shut my camera off and let the sensor cool. The sky exposures were taken on a star tracker, then I shut the tracker off to take the foreground.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Main Strike by James Menzies<\/h2>\nWinner, Classic View<\/h2>\n\t\t
\t\t\tNikon D600, 35mm, f\/11, ISO 100. ‘Mount Rainier in Washington dominates the landscape,’ says Alex. ‘I knew I wanted something with a mid ground, and not a simple mirrored reflection from the shore of a lake. I found that spot here, high above Upper Tipsoo Lake, where the trees seemed to perfectly cradle the distant mountain and display the autumn foliage.’<\/p>\n\t\t<\/div>\n\t\t\n
Fiery Sunset, Yosemite National Park, California Mark Basarab<\/h2>\nYouth Winner, Environmental Value<\/h2>\n\t\t\n\t\t\t\t\t\tPanasonic Lumix DMC-G5, 14mm, 1\/400sec at f\/3.5, ISO 160. \u2018When my friends and I arrived at Yosemite Park, there was actually a forest fire,\u2019 says Mark. \u2018But that didn\u2019t stop us seeing the park. On one of the days we travelled to Taft Point to see the sunset. We got there a little early so just rested until the lighting improved.. As the sun was going down it made the smoke light up in a golden hue. The model was more than willing to sit on the edge of this cliff and pose for the image you see here.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
75 Stages of Life by Jennifer Vahlbruch<\/h2>\nRunner-up, Urban<\/h2>\n\t\t\n\t\t\t\t\t\tNikon D810, 70-200mm, 1\/100sec at f\/5.6, ISO 100. \u2018There is a jungle of high-rise buildings in Miami, Florida,\u2019 says Jennifer. \u2018While the buildings are different, their fronts look similar. You have to look closer at the buildings to see the details. There are 75 nearly look-a-like apartment fronts here.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Mammatus Makers by Terry Koyama<\/h2>\nWinner, Environmental Value<\/h2>\n\t\t\n\t\t\t\t\t\tSony Alpha 7R II, 16-35mm, 1\/4sec at f\/4, ISO 100. \u2018On this day there was storm activity in Kansas,\u2019 says Terry. \u2018Mammatus clouds could be seen for miles. The view from the wind turbines was surreal. As the sun set, the sky had an otherworldly red-orange glow.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Waimea Bay Beast, Oahu, Hawaii by Terry Koyama<\/h2>\nWinner, Black & White<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 5D Mark III, 200-400mm, 1\/640sec at f\/5.6, ISO 800. \u2018Although Waimea Bay was breaking, it was not an epic day compared to its big wave standards,\u2019 says Terry. \u2018But as the swells rolled into the inside there was more than enough energy to bring the shore break alive. The conditions were ideal as these enormous waves crashed on the shore producing huge explosions of white water.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Melting Glacier, Alaska by Don Jacobson<\/h2>\nHighly Commended, Environmental Value<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 5D Mark III, 24-105mm, 1\/320sec at f\/16, ISO 400. \u2018This photograph was taken over the Alaska Range, while travelling on-board a commercial airline,\u2019 says Don. His image takes the idea of natural leading lines to an almost epic degree. \u2018It shows a receding glacier, replaced by a huge melt-water lake,\u2019 he adds.<\/p>\n\t\t<\/div>\n\t\t\n
Canyons of New York by Robert Bolton<\/h2>\nHighly Commended, Urban<\/h2>\n\t\t\n\t\t\t\t\t\tFujifilm X-E1, 18mm, 1\/80sec at f\/2.8, ISO 200. \u2018I took a walk in midtown New York and came to the iconic Chrysler Building,\u2019 says Robert. \u2018I was struck by its reflection in the building opposite. I had no tripod so stood very still in the gutter. It wasn\u2019t until converting the image to black & white that the image fully came to life.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Endless, California by Michael Shainblum<\/h2>\nDPReview Special Award<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 6D, 14mm, 25secs at f\/2.8, ISO 3200. \u2018This is a self portrait taken in the Anza-Borrego Desert,\u2019 says Michael. \u2018It was about 105\u00b0F, so after taking a few exposures I would need to shut my camera off and let the sensor cool. The sky exposures were taken on a star tracker, then I shut the tracker off to take the foreground.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Main Strike by James Menzies<\/h2>\nWinner, Classic View<\/h2>\n\t\t
\t\t\tPanasonic Lumix DMC-G5, 14mm, 1\/400sec at f\/3.5, ISO 160. \u2018When my friends and I arrived at Yosemite Park, there was actually a forest fire,\u2019 says Mark. \u2018But that didn\u2019t stop us seeing the park. On one of the days we travelled to Taft Point to see the sunset. We got there a little early so just rested until the lighting improved.. As the sun was going down it made the smoke light up in a golden hue. The model was more than willing to sit on the edge of this cliff and pose for the image you see here.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
75 Stages of Life by Jennifer Vahlbruch<\/h2>\nRunner-up, Urban<\/h2>\n\t\t\n\t\t\t\t\t\tNikon D810, 70-200mm, 1\/100sec at f\/5.6, ISO 100. \u2018There is a jungle of high-rise buildings in Miami, Florida,\u2019 says Jennifer. \u2018While the buildings are different, their fronts look similar. You have to look closer at the buildings to see the details. There are 75 nearly look-a-like apartment fronts here.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Mammatus Makers by Terry Koyama<\/h2>\nWinner, Environmental Value<\/h2>\n\t\t\n\t\t\t\t\t\tSony Alpha 7R II, 16-35mm, 1\/4sec at f\/4, ISO 100. \u2018On this day there was storm activity in Kansas,\u2019 says Terry. \u2018Mammatus clouds could be seen for miles. The view from the wind turbines was surreal. As the sun set, the sky had an otherworldly red-orange glow.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Waimea Bay Beast, Oahu, Hawaii by Terry Koyama<\/h2>\nWinner, Black & White<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 5D Mark III, 200-400mm, 1\/640sec at f\/5.6, ISO 800. \u2018Although Waimea Bay was breaking, it was not an epic day compared to its big wave standards,\u2019 says Terry. \u2018But as the swells rolled into the inside there was more than enough energy to bring the shore break alive. The conditions were ideal as these enormous waves crashed on the shore producing huge explosions of white water.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Melting Glacier, Alaska by Don Jacobson<\/h2>\nHighly Commended, Environmental Value<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 5D Mark III, 24-105mm, 1\/320sec at f\/16, ISO 400. \u2018This photograph was taken over the Alaska Range, while travelling on-board a commercial airline,\u2019 says Don. His image takes the idea of natural leading lines to an almost epic degree. \u2018It shows a receding glacier, replaced by a huge melt-water lake,\u2019 he adds.<\/p>\n\t\t<\/div>\n\t\t\n
Canyons of New York by Robert Bolton<\/h2>\nHighly Commended, Urban<\/h2>\n\t\t\n\t\t\t\t\t\tFujifilm X-E1, 18mm, 1\/80sec at f\/2.8, ISO 200. \u2018I took a walk in midtown New York and came to the iconic Chrysler Building,\u2019 says Robert. \u2018I was struck by its reflection in the building opposite. I had no tripod so stood very still in the gutter. It wasn\u2019t until converting the image to black & white that the image fully came to life.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Endless, California by Michael Shainblum<\/h2>\nDPReview Special Award<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 6D, 14mm, 25secs at f\/2.8, ISO 3200. \u2018This is a self portrait taken in the Anza-Borrego Desert,\u2019 says Michael. \u2018It was about 105\u00b0F, so after taking a few exposures I would need to shut my camera off and let the sensor cool. The sky exposures were taken on a star tracker, then I shut the tracker off to take the foreground.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Main Strike by James Menzies<\/h2>\nWinner, Classic View<\/h2>\n\t\t
\t\t\tNikon D810, 70-200mm, 1\/100sec at f\/5.6, ISO 100. \u2018There is a jungle of high-rise buildings in Miami, Florida,\u2019 says Jennifer. \u2018While the buildings are different, their fronts look similar. You have to look closer at the buildings to see the details. There are 75 nearly look-a-like apartment fronts here.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Mammatus Makers by Terry Koyama<\/h2>\nWinner, Environmental Value<\/h2>\n\t\t\n\t\t\t\t\t\tSony Alpha 7R II, 16-35mm, 1\/4sec at f\/4, ISO 100. \u2018On this day there was storm activity in Kansas,\u2019 says Terry. \u2018Mammatus clouds could be seen for miles. The view from the wind turbines was surreal. As the sun set, the sky had an otherworldly red-orange glow.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Waimea Bay Beast, Oahu, Hawaii by Terry Koyama<\/h2>\nWinner, Black & White<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 5D Mark III, 200-400mm, 1\/640sec at f\/5.6, ISO 800. \u2018Although Waimea Bay was breaking, it was not an epic day compared to its big wave standards,\u2019 says Terry. \u2018But as the swells rolled into the inside there was more than enough energy to bring the shore break alive. The conditions were ideal as these enormous waves crashed on the shore producing huge explosions of white water.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Melting Glacier, Alaska by Don Jacobson<\/h2>\nHighly Commended, Environmental Value<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 5D Mark III, 24-105mm, 1\/320sec at f\/16, ISO 400. \u2018This photograph was taken over the Alaska Range, while travelling on-board a commercial airline,\u2019 says Don. His image takes the idea of natural leading lines to an almost epic degree. \u2018It shows a receding glacier, replaced by a huge melt-water lake,\u2019 he adds.<\/p>\n\t\t<\/div>\n\t\t\n
Canyons of New York by Robert Bolton<\/h2>\nHighly Commended, Urban<\/h2>\n\t\t\n\t\t\t\t\t\tFujifilm X-E1, 18mm, 1\/80sec at f\/2.8, ISO 200. \u2018I took a walk in midtown New York and came to the iconic Chrysler Building,\u2019 says Robert. \u2018I was struck by its reflection in the building opposite. I had no tripod so stood very still in the gutter. It wasn\u2019t until converting the image to black & white that the image fully came to life.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Endless, California by Michael Shainblum<\/h2>\nDPReview Special Award<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 6D, 14mm, 25secs at f\/2.8, ISO 3200. \u2018This is a self portrait taken in the Anza-Borrego Desert,\u2019 says Michael. \u2018It was about 105\u00b0F, so after taking a few exposures I would need to shut my camera off and let the sensor cool. The sky exposures were taken on a star tracker, then I shut the tracker off to take the foreground.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Main Strike by James Menzies<\/h2>\nWinner, Classic View<\/h2>\n\t\t
\t\t\tSony Alpha 7R II, 16-35mm, 1\/4sec at f\/4, ISO 100. \u2018On this day there was storm activity in Kansas,\u2019 says Terry. \u2018Mammatus clouds could be seen for miles. The view from the wind turbines was surreal. As the sun set, the sky had an otherworldly red-orange glow.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Waimea Bay Beast, Oahu, Hawaii by Terry Koyama<\/h2>\nWinner, Black & White<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 5D Mark III, 200-400mm, 1\/640sec at f\/5.6, ISO 800. \u2018Although Waimea Bay was breaking, it was not an epic day compared to its big wave standards,\u2019 says Terry. \u2018But as the swells rolled into the inside there was more than enough energy to bring the shore break alive. The conditions were ideal as these enormous waves crashed on the shore producing huge explosions of white water.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Melting Glacier, Alaska by Don Jacobson<\/h2>\nHighly Commended, Environmental Value<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 5D Mark III, 24-105mm, 1\/320sec at f\/16, ISO 400. \u2018This photograph was taken over the Alaska Range, while travelling on-board a commercial airline,\u2019 says Don. His image takes the idea of natural leading lines to an almost epic degree. \u2018It shows a receding glacier, replaced by a huge melt-water lake,\u2019 he adds.<\/p>\n\t\t<\/div>\n\t\t\n
Canyons of New York by Robert Bolton<\/h2>\nHighly Commended, Urban<\/h2>\n\t\t\n\t\t\t\t\t\tFujifilm X-E1, 18mm, 1\/80sec at f\/2.8, ISO 200. \u2018I took a walk in midtown New York and came to the iconic Chrysler Building,\u2019 says Robert. \u2018I was struck by its reflection in the building opposite. I had no tripod so stood very still in the gutter. It wasn\u2019t until converting the image to black & white that the image fully came to life.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Endless, California by Michael Shainblum<\/h2>\nDPReview Special Award<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 6D, 14mm, 25secs at f\/2.8, ISO 3200. \u2018This is a self portrait taken in the Anza-Borrego Desert,\u2019 says Michael. \u2018It was about 105\u00b0F, so after taking a few exposures I would need to shut my camera off and let the sensor cool. The sky exposures were taken on a star tracker, then I shut the tracker off to take the foreground.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Main Strike by James Menzies<\/h2>\nWinner, Classic View<\/h2>\n\t\t
\t\t\tCanon EOS 5D Mark III, 200-400mm, 1\/640sec at f\/5.6, ISO 800. \u2018Although Waimea Bay was breaking, it was not an epic day compared to its big wave standards,\u2019 says Terry. \u2018But as the swells rolled into the inside there was more than enough energy to bring the shore break alive. The conditions were ideal as these enormous waves crashed on the shore producing huge explosions of white water.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Melting Glacier, Alaska by Don Jacobson<\/h2>\nHighly Commended, Environmental Value<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 5D Mark III, 24-105mm, 1\/320sec at f\/16, ISO 400. \u2018This photograph was taken over the Alaska Range, while travelling on-board a commercial airline,\u2019 says Don. His image takes the idea of natural leading lines to an almost epic degree. \u2018It shows a receding glacier, replaced by a huge melt-water lake,\u2019 he adds.<\/p>\n\t\t<\/div>\n\t\t\n
Canyons of New York by Robert Bolton<\/h2>\nHighly Commended, Urban<\/h2>\n\t\t\n\t\t\t\t\t\tFujifilm X-E1, 18mm, 1\/80sec at f\/2.8, ISO 200. \u2018I took a walk in midtown New York and came to the iconic Chrysler Building,\u2019 says Robert. \u2018I was struck by its reflection in the building opposite. I had no tripod so stood very still in the gutter. It wasn\u2019t until converting the image to black & white that the image fully came to life.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Endless, California by Michael Shainblum<\/h2>\nDPReview Special Award<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 6D, 14mm, 25secs at f\/2.8, ISO 3200. \u2018This is a self portrait taken in the Anza-Borrego Desert,\u2019 says Michael. \u2018It was about 105\u00b0F, so after taking a few exposures I would need to shut my camera off and let the sensor cool. The sky exposures were taken on a star tracker, then I shut the tracker off to take the foreground.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Main Strike by James Menzies<\/h2>\nWinner, Classic View<\/h2>\n\t\t
\t\t\tCanon EOS 5D Mark III, 24-105mm, 1\/320sec at f\/16, ISO 400. \u2018This photograph was taken over the Alaska Range, while travelling on-board a commercial airline,\u2019 says Don. His image takes the idea of natural leading lines to an almost epic degree. \u2018It shows a receding glacier, replaced by a huge melt-water lake,\u2019 he adds.<\/p>\n\t\t<\/div>\n\t\t\n
Canyons of New York by Robert Bolton<\/h2>\nHighly Commended, Urban<\/h2>\n\t\t\n\t\t\t\t\t\tFujifilm X-E1, 18mm, 1\/80sec at f\/2.8, ISO 200. \u2018I took a walk in midtown New York and came to the iconic Chrysler Building,\u2019 says Robert. \u2018I was struck by its reflection in the building opposite. I had no tripod so stood very still in the gutter. It wasn\u2019t until converting the image to black & white that the image fully came to life.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Endless, California by Michael Shainblum<\/h2>\nDPReview Special Award<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 6D, 14mm, 25secs at f\/2.8, ISO 3200. \u2018This is a self portrait taken in the Anza-Borrego Desert,\u2019 says Michael. \u2018It was about 105\u00b0F, so after taking a few exposures I would need to shut my camera off and let the sensor cool. The sky exposures were taken on a star tracker, then I shut the tracker off to take the foreground.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Main Strike by James Menzies<\/h2>\nWinner, Classic View<\/h2>\n\t\t
\t\t\tFujifilm X-E1, 18mm, 1\/80sec at f\/2.8, ISO 200. \u2018I took a walk in midtown New York and came to the iconic Chrysler Building,\u2019 says Robert. \u2018I was struck by its reflection in the building opposite. I had no tripod so stood very still in the gutter. It wasn\u2019t until converting the image to black & white that the image fully came to life.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Endless, California by Michael Shainblum<\/h2>\nDPReview Special Award<\/h2>\n\t\t\n\t\t\t\t\t\tCanon EOS 6D, 14mm, 25secs at f\/2.8, ISO 3200. \u2018This is a self portrait taken in the Anza-Borrego Desert,\u2019 says Michael. \u2018It was about 105\u00b0F, so after taking a few exposures I would need to shut my camera off and let the sensor cool. The sky exposures were taken on a star tracker, then I shut the tracker off to take the foreground.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
Main Strike by James Menzies<\/h2>\nWinner, Classic View<\/h2>\n\t\t
\t\t\tCanon EOS 6D, 14mm, 25secs at f\/2.8, ISO 3200. \u2018This is a self portrait taken in the Anza-Borrego Desert,\u2019 says Michael. \u2018It was about 105\u00b0F, so after taking a few exposures I would need to shut my camera off and let the sensor cool. The sky exposures were taken on a star tracker, then I shut the tracker off to take the foreground.\u2019<\/p>\n\t\t<\/div>\n\t\t\n
![\"James](\"\/wp-content\/uploads\/2016\/12\/James-Menzies-Main-Strike.jpg\")
\t\t\t![\"Raiatea](\"\/wp-content\/uploads\/2016\/12\/Raiatea-Arcuri-Coastal-lava-tubes.jpg\")
\t\t\t![\"Az](\"\/wp-content\/uploads\/2016\/12\/Az-Jackson-Mysterious-Lone-Figure.jpg\")
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