{"id":99279,"date":"2017-01-22T07:44:56","date_gmt":"2017-01-22T07:44:56","guid":{"rendered":"http:\/\/amateurphotographer.co.uk\/?p=99279"},"modified":"2017-01-25T10:14:43","modified_gmt":"2017-01-25T10:14:43","slug":"star-man-terry-oneill","status":"publish","type":"post","link":"https:\/\/other.kelsey.host\/amateurphotographer\/technique\/interviews\/star-man-terry-oneill\/","title":{"rendered":"The stories behind some of Terry O’Neill’s best portraits"},"content":{"rendered":"

If you named a major celebrity from the early 1960s onwards \u2013 from the worlds of music, cinema, sport, politics, fashion or royalty \u2013 the chances are that Terry O\u2019Neill will have photographed them. For the first time a compendium of his most striking imagery has been brought together in one volume \u2013 Every Picture Tells A Story<\/em> \u2013 that gives a unique insight into his creative process and the personalities of the superstars he shot. O\u2019Neill recently took time out to talk to Amateur Photographer<\/em> about some of the photographs in what he describes as \u2018a book of all my best pictures, telling the full story of how they were done \u2013 the whole shebang behind them all\u2019.<\/p>\n

Elton John – Dodger Stadium, Los Angeles, October 1975<\/h2>\n

\u2018There are only a few people I\u2019d call a genius. Frank Sinatra was a genius and Bowie certainly was. Elton John, in my opinion, will be regarded in the same breath as Beethoven. He is an incredible showman but as a composer, songwriter, singer and piano player his music will live on for hundreds of years. Arguably his most famous concert was his two-day performance at Dodger Stadium, Los Angeles in 1975. More than 100,000 people were there and I was the official photographer. I ran around like crazy for those two days trying to get every imaginable shot and angle, and Elton was on true form. People forget how big he was in 1975 \u2013 he was having number- one hits, number-one albums and selling out stadiums. All the times I worked with Elton are some of the most memorable moments of my career. To have that sort of close relationship between photographer and subject… it just doesn\u2019t happen now. Everything is too controlled. Back then we were all just working hard and tried to have a bit of fun when we could.’<\/p>\n

Brigitte Bardot – On the set of The Legend of Frenchie King, 1971<\/h2>\n\"Terry\n

\u2018It was a windy day and Bardot was standing and waiting to film a scene. I was just wandering around the set looking for opportunities and taking a few photos here and there. I noticed she kept brushing the hair out of her eyes. I thought if I could get a close-up of that moment when the wind would blow her trademark hair into her eyes, combined with the cigarette dangling from those lips, that it would capture how sexy, strong and wild her image was. I didn\u2019t have many frames left, so I went in close… but no wind. Then, on the last shot of the roll, the wind blew and I clicked the shutter. Magic pictures happen when the combination of an idea, patience and luck occur at once. This was decades before digital photography so I had no idea if that image would match the photo I had in my mind until the film was developed. Even now I still get chills just remembering the first time I saw these images. I\u2019m certain I was in love with her but she couldn\u2019t speak a lick of English and I didn\u2019t speak French. So, regrettably, our relationship was only between my camera and her beauty.\u2019<\/p>\n

Nelson Mandela – London, June 2008<\/h2>\n\"Terry\n

\u2018To be asked to take photos at Nelson Mandela\u2019s 90th birthday celebration at Hyde Park, London, in 2008 was one of the greatest honours of my life. I met Nelson Mandela at his hotel and I took some beautiful candids of him relaxing and a wonderful portrait with his wife, Grac\u0327a Machel. It was all such a whirlwind. I knew I was privy to a historic moment and I was with one of the most important people alive. You could just feel his presence in the room. I tried hard to remember I was there with a job to do! As guests arrived I took more photos, including President Clinton, Oprah Winfrey, David Cameron, Gordon Brown and other \u201clarger than life\u201d figures. When it was time to leave, and we said our goodbye, I nearly burst into tears. I realised that I was with one of the greatest human beings of the past 100 years… [maybe] 1,000 years. It was a very emotional moment for me.\u2019<\/p>\n

Frank Sinatra – On set, backstage and in concert<\/h2>\n\"Terry\n

\u2018I started to work with Frank as a set photographer on several of his films, starting with Lady in Cement in 1968. I can\u2019t tell you how nervous I was to be working with him but afterwards he said, \u201cRight, you\u2019re with me.\u201d I was suddenly granted access to his world. For the first few weeks he completely ignored me and that was the best education I could ever have had. I realised that was the secret \u2013 a great photographer is never seen working. It all needs to look effortless. I also had the opportunity to take shots of Frank backstage and performing. What I especially love about these shots, including this one, is not how all eyes are on Frank but how the spotlights are perfectly placed \u2013 an audience in rapture with the lights shining from above. Sinatra gave me a great gift \u2013 time and access. It was incredible being with him and I treasure the moments and the photos that I was able to take. Frank taught me how to be a photographer \u2013 he was a fabulous bloke to work with.\u2019<\/p>\n

Muhammad Ali – Dublin, 1972<\/h2>\n\"Terry\n

\u2018Muhammad Ali was in Dublin training for a fight against Alvin Lewis. I flew over to take photographs and interview him for the Daily Express. Ali was a funny type of bloke \u2013 either all giving or saying nothing. When I started to ask questions, he swore and said, \u201cAre you writing a book on me?\u201d His brother said, \u201cNo, he\u2019s just asking really interesting questions.\u201d I was asking what type of music and books he liked but he was suspicious because no one had asked him those type of questions before. He was a magnetic character in person; already a legend \u2013 they just don\u2019t make them like that any more.\u2019<\/p>\n

Faye Dunaway – Los Angeles, 29 March 1977<\/h2>\n\"Terry\n

\u2018We met a few weeks before and struck up a friendship. She was favourite to win an Oscar for her performance in Network. I knew this type of opportunity would be rare and I was given the chance to create an image of a strikingly beautiful, immensely talented actor on the cusp of a career-defining moment, and a life-changing event. These were the days before a dozen press agents would have gotten in the way. I wanted to capture that moment when the star wakes up and it dawns on them that, overnight, they\u2019ve not only become a star, but also a millionaire. This is that moment of realisation.\u2019<\/p>\n

Raquel Welch – Hollywood, 1966<\/h2>\n\"Terry\n

\u2018In 1966 I went to the filming of One Million Years B.C. Raquel was still a bit shy about being filmed in her now infamous fur bikini and told me she thought that she\u2019d be \u201ccrucified\u201d by the press for it. I thought, \u201cThat\u2019s it!\u201d I somehow got 20th Century Fox Studios to set up a giant crucifix for me and I took a series of shots, in colour and black-and-white, from different angles. They were beautiful shots but we both looked at them once the film was developed and got a little nervous. I was brought up Catholic and studied to be a priest for a while. I feared people might think the wrong thing so I decided not to publish the photos… About 30 years later Robin Morgan, editor of The Sunday Times Magazine, found these photos in a box in my studio \u2013 he thought they were extraordinary, so we decided to use them. This is now one of my most reproduced [set of] images. A lot of people forget that, unlike today, the photo you see is the photo we took.\u2019<\/p>\n

Steve McQueen – An awkward meeting in Hollywood<\/h2>\n\"Terry\n

\u2018I am always asked, \u201cWho was the worst person you have photographed?\u201d. I\u2019ve been lucky in my career and I would never say anything really negative about anyone… except in the case of Steve McQueen! He\u2019s a great actor and maybe I just caught him at the wrong time. I\u2019d arranged to do a photo shoot with him at his office in Hollywood. I turned up at the building, met the PA and in we went. As soon as we opened the door to his office I could tell this wasn\u2019t going to go well. Instinct kicked in and I started snapping! Apparently, he didn\u2019t know I was going to come that day and sure enough he started yelling at us to get out. I was just taking photos of anything I could get in focus. I had a lot of colour film so I was just trying to zoom in on his hands, eyes, ears… whatever I saw through the lens. I left in a hurry and didn\u2019t get too many shots.\u2019<\/p>\n

The book Every Picture Tells A Story by Terry O\u2019Neill<\/em>, which includes many previously unseen photographs, is published by ACC Editions (ISBN: 978-1-85149-833-8), with an RRP of \u00a330. To find out more visit www.accartbooks.com.<\/strong><\/p>\n\"Terry\n

Since the early 1960s Terry O\u2019Neill has shot unique portraits of many of the world\u2019s most famous people. While working for an airline\u2019s photographic unit his career took off when his picture of a sleeping politician was published in The Daily Sketch. He moved into newspapers and documented the explosion of 1960s youth culture, including the rise of The Beatles and The Rolling Stones, as well as photographing major names from the worlds of cinema, politics and sport. His photographs have been exhibited around the world and, now aged 78, he is still busy working on his archive, books and exhibition projects. To find out more, go to www.iconicimages.net<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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